Collection: Prints and Drawings / Width [cm]: 58 / Classification: Prints

1. Sunday Morning, A Cottage Family Going to Church

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Saturday Morning, Favorite Chickens Going to Market

Creator:: Thomas Burke, 1749–1815
Date:: 1802
Materials & Techniques:: Stipple engraving partly printed in color
Dimensions:: Plate: 18 5/8 x 23in. (47.3 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Margate, with the Arrival of the Hoy

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Tigress

Creator:: John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 × 23 inches (48.3 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Celebrated Victory ... on the Glorious First of June 1794

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1795
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Mordecai

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. A Brewhouse Yard

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1791
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Holy Family at Night

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1750
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 × 22 5/8 inches (47.3 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Rubens' Son and Nurse

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1785
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 24 1/4 inches (51.4 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Bull Dogs and Badgers

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1807
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Thomas King and Mrs. Baddeley

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. King Edward VII

Creator:: Print made by unknown artist
Date:: 1908
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/8 × 22 7/8 inches (72.1 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Mrs. Gregory

Creator:: Print made by Joseph Bishop Pratt, 1854–1910
Date:: 1898
Materials & Techniques:: Mezzotint with chine collé; artist's proof on thick, smooth, cream wove paper
Dimensions:: Sheet: 26 1/2 × 22 11/16 inches (67.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. House of Commons, as it appeared in 1741-2

Creator:: William Johnstone White, active 1804–died c.1870
Dimensions:: Sheet: 29 1/2 x 22 13/16in. (74.9 x 57.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

17. View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of the Tuileries and Bridge taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 22 3/4 inches (25.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

Creator:: James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Design of a Ruineous Bridge for the Garden at Sion

Creator:: Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Creator:: Print made by Charles Rosenberg, active 1828–1848
Date:: 1837
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Market Place, Wisbech Isle of Ely, Cambridgeshire..., June 28, 1838

Creator:: George Johann Scharf, 1788–1860
Date:: 1838
Materials & Techniques:: Colored lithograph on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 11/16 × 22 13/16 inches (37.3 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Northeast Perspective View of the (Belfry) Cathedral Church and Close of Sarum

Creator:: J. Fougeron, active 1761
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/4 x 22 5/8in. (37.5 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1814
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A View of Plymouth Fort and St. Nicholas Island

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Colored engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 23 1/8 inches (38.1 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Part of the Bridge at Blackfriars

Creator:: Edward Rooker, 1724–1774
Date:: 1777
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 22 7/8in. (44.1 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The South West Prospect of St. Paul's Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 23in. (44.5 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Hunting Piece in the Hunting Hall at Houghton

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving with cartouche in center of publisher's line
Dimensions:: Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Ladies Waldegrave

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1781
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 24 1/8 inches (52.4 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. The Infant Academy

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. A View of Petersham & Twickenham Meadows from Richmond Hill

Creator:: Print made by John Jones, ca. 1745–1797
Date:: published 1800
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 23 1/8 inches (52.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Theatrum Sive Coliseum Romanum

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1538
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 22 7/8 inches (42.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 23 3/8 inches (48.3 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Racing: Rosette. The Property of Henry Peirse Esq.

Creator:: William Ward, 1766–1826
Date:: 1811
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. His Grace the Duke of Hamilton and Brandon etc.

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/2 x 23in. (47 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Racing: Rosette. The Property of Henry Peirse Esq.

Creator:: William Ward, 1766–1826
Date:: 1811
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Blue to Red

Creator:: Michael Rothenstein, 1908–1993
Date:: 1970
Materials & Techniques:: Color woodcut, screen print, half-tone block on wove paper
Dimensions:: Sheet: 28 3/4 x 22 3/4in. (73 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mrs. Michael Rothenstein

50. Byron's Dream

Creator:: James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Line engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 27 inches (54.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Animals [a pair]: 1. Morning or the Higlers preparing for Market

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 7/8 x 22 5/8in. (42.9 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 23in. (17.8 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Wellesley Arabian

Creator:: Charles Turner, 1774–1857
Date:: ca. 1810
Materials & Techniques:: Mezzotint, proof before letters
Dimensions:: Plate: 19 1/4 x 22 5/8in. (48.9 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Brushworks No. 2

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed à la poupée from one plate on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

55. Brushworks No. 3

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift and open-bite etching, printed from four plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

56. Brushworks No. 1

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

57. Brushworks No. 5

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

58. Brushworks No. 7

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

59. Brushworks No. 4

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

60. Brushworks No. 6

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

61. Brushworks No. 8

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Sugarlift etching on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

62. Brushworks No. 10

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from four plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

63. Brushworks No. 9

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

64. Brushworks No. 11

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

65. Solitude

Creator:: Christian Friedrich Duttenhoffer, 1778–1846
Date:: 1802
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 3/4 inches (46 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

Creator:: R. F. Tringham
Date:: ca.1762
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Orrery

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1768
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 23in. (45.1 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

Creator:: John Finlayson, 1730–1776
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

Creator:: John Hall, 1739–1797
Date:: 1771
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 x 23in. (53.3 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Gower Family: The Children of Granville, 2nd Earl of Gower

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 23 5/16 inches (53.3 × 59.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Box Lobby Loungers

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching and stipple
Dimensions:: Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Great Lake near the Lodge

Creator:: William Austin, 1721–1820
Date:: 1772
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 3/4 x 23in. (34.9 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Lodge and Garden from the Great Lake

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Lodge and Stables, &c. at Windsor Great Park

Creator:: James Mason, 1710–1783
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Moat Island

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Situation on His Majesty's Packet, 'The Lady Hobart' on 28 June 1803.

Creator:: Joseph Jeakes, active 1796– ca. 1829
Date:: 1804
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 7/8 x 22 3/4in. (37.8 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Temple of Jupiter Panhellenius

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (c) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; later engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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1. Sunday Morning, A Cottage Family Going to Church

2. Saturday Morning, Favorite Chickens Going to Market

3. Returning from a Review...Paris

4. Margate, with the Arrival of the Hoy

5. A Tigress

6. The Celebrated Victory ... on the Glorious First of June 1794

7. Mordecai

8. A Brewhouse Yard

9. The Holy Family at Night

10. The Tribute Money

11. Rubens' Son and Nurse

12. Bull Dogs and Badgers

13. Thomas King and Mrs. Baddeley

14. King Edward VII

15. Mrs. Gregory

16. House of Commons, as it appeared in 1741-2

17. View of Pont Neuf, The Mint etc.

18. View of the Tuileries and Bridge taken from the Pont de la Concorde

19. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

20. Design of a Ruineous Bridge for the Garden at Sion

21. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

22. Market Place, Wisbech Isle of Ely, Cambridgeshire..., June 28, 1838

23. A Northeast Perspective View of the (Belfry) Cathedral Church and Close of Sarum

24. Representation of the Festival for the Return of Peace

25. A View of Plymouth Fort and St. Nicholas Island

26. Sailors Conversation

27. Part of the Bridge at Blackfriars

28. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

29. The Grand Canal, Venice

30. Ancient Carthage - The Embarcation of Regulus

31. Mercury and Argus

32. Mercury and Herse

33. Crossing the Brook

34. Longships Lighthouse, Land's End

35. Longships Lighthouse, Lands End

36. The South West Prospect of St. Paul's Cathedral

37. A Hunting Piece in the Hunting Hall at Houghton

38. The Ladies Waldegrave

39. The Infant Academy

40. A View of Petersham & Twickenham Meadows from Richmond Hill

41. The Bank

42. Lleweney Bleach Works

43. Theatrum Sive Coliseum Romanum

44. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

45. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

46. Racing: Rosette. The Property of Henry Peirse Esq.

47. His Grace the Duke of Hamilton and Brandon etc.

48. Racing: Rosette. The Property of Henry Peirse Esq.

49. Blue to Red

50. Byron's Dream

51. Animals [a pair]: 1. Morning or the Higlers preparing for Market

52. The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

53. The Wellesley Arabian

54. Brushworks No. 2

55. Brushworks No. 3

56. Brushworks No. 1

57. Brushworks No. 5

58. Brushworks No. 7

59. Brushworks No. 4

60. Brushworks No. 6

61. Brushworks No. 8

62. Brushworks No. 10

63. Brushworks No. 9

64. Brushworks No. 11

65. Solitude

66. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

67. View of Pont Neuf, part of the Louvre and the College of Four Nations

68. A View of Pont Neuf, the Mint and etc.

69. The Orrery

70. Thomas King and Sophia Baddely in "The Clandestine Marriage"

71. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

72. A View of the New Bridge Over the Thames at Walton in Surrey

73. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right