Collection: Prints and Drawings / Width [cm]: 65 / Classification: Prints

1. The Sailor's Orphans or Young Ladies' Subscription

Creator:: William Ward, 1766–1826
Date:: ca. 1800
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor
Dimensions:: Plate: 19 1/8 x 23 3/4in. (48.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Soldier's Widow; or Schoolboys' Collection

Creator:: Robert Dunkarton, 1744–1811
Date:: ca. 1802
Materials & Techniques:: Mezzotint, colored impression
Dimensions:: Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Pictoresque View on the Tyne with Newcastle from the East

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Color aquatint
Dimensions:: Sheet: 17 3/8 x 25 3/4in. (44.1 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Promenade in St. Jame's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, second state, finished proof
Dimensions:: Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Uncolored proofs, open letter
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, color printed
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. The Brothers of Joseph Showing his Bloody Coat

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. The Spottiswoode Ox

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. The Centurion Cornelius

Creator:: Print made by James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Landscape

Creator:: Marie C. Prestel, 1747–1794
Materials & Techniques:: Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Bentinck

Creator:: Edward Duncan, 1803–1882
Date:: 1844
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 18 1/2 x 25 3/4in. (47 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht

Creator:: Edward Duncan, 1803–1882
Date:: 1827
Materials & Techniques:: Aquatint with watercolor
Dimensions:: Sheet: 18 1/2 x 25 1/2in. (47 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Ship 'Woodford'

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1825
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/2 x 25 3/4in. (41.9 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Paphian Bower

Creator:: George H. Phillips, active 1819–1825
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Death of Captain Alexander Hood

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Lithograph on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 27 3/4 inches (32.4 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 3/8 x 32 inches (59.4 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/8 x 31 5/8 inches (58.7 x 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

Creator:: George Vertue, 1684–1756
Date:: 1750
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Right Honorable Admiral Lord Viscount Duncan When Victorious off Camperdown

Creator:: John Raphael Smith, 1752–1812
Date:: 1800
Materials & Techniques:: Mezzotint
Dimensions:: Plate: 17 7/8 x 25 3/4in. (45.4 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

30. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

31. Black, Blue and White

Creator:: Michael Rothenstein, 1908–1993
Date:: 1965
Materials & Techniques:: Color printed woodcut, linocut, and metal relief on filter paper
Dimensions:: Sheet: 36 x 25 9/16in. (91.4 x 65cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mrs. Michael Rothenstein

32. "Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott

Creator:: James R. Mackrell, c.1815–1846
Date:: 1841
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 x 25 1/2in. (53.3 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Sheerness Dockyard

Creator:: William Watts, 1752–1851
Date:: 1803
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 15/16 × 26 13/16 inches (50.6 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 28 inches (52.1 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Royal Dockyard at Plymouth

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1790
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 13/16 x 25 5/8in. (37.6 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Combats Maritimes

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Le Cynge

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Le Lendemain de Trafalgar

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. La Prudente and La Cybelle

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. La Vestale

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Le Tonnant

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. La Montagne

Creator:: Henri Durand-Brager, 1814–1879
Date:: ca. 1844
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Lord Mansfield

Creator:: David Martin, 1736/7–1798
Date:: 1775
Materials & Techniques:: Line engraving
Dimensions:: Plate: 17 3/4 x 25 3/8in. (45.1 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Encampment at Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tunbridge Wells from Frant Forest

Creator:: Robert Havell, 1769–1832
Date:: ca. 1826
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 x 25 3/4in. (48.3 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 9/16 x 25 1/2in. (47.1 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Creator:: Archibald Robertson, 1748–1788
Date:: 1782
Materials & Techniques:: Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A View of Walton Bridge, Venus's Temple...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks

Creator:: William Woollett, 1735–1785
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 1/4 x 20 3/4in. (36.2 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A North East View of the Tuesday Market Place of Lynn Regis

Creator:: Robert Pollard, 1755–1838
Date:: 1797
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

Creator:: John Bluck, active 1791–1831
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 3/4 x 25 1/2in. (45.1 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Geometrical Plan of his Majesty's Dockyard, Deptford

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Geometrical Plan of his Majesty's dockyard, at Sheerness

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Geometrical Plan of his Majesty's Dockyard, near Plymouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1756
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper mounted on laid paper
Dimensions:: Sheet: 22 1/16 × 28 13/16 inches (56 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Geometrical Plan of his Majesty's Dockyard, at Chatham

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Geometrical Plan of his Majesty's Dockyard, at Woolwich

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1753
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 9/16 inches (56.2 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Slave Trade

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. African Hospitality

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A South West Prospect of the City of Bath

Creator:: Henry Roberts, ca. 1710–1790
Date:: 1757
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 × 25 5/8 inches (40.6 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Penny Wedding

Creator:: James Stewart, 1791–1863
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 x 25 1/2in. (48.3 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Devotions V

Creator:: Eileen Cooper, born 1953
Date:: 1996
Materials & Techniques:: Woodcut
Dimensions:: Sheet: 38 1/2 × 25 3/8 inches (97.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; The Lewis Walpole Library Collection

68. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. High Street, Oxford

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1812
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Prelude to Crim Con and The Finale

Creator:: Richard Newton, 1777–1798
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 17 7/8 x 25 3/4in. (45.4 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Coaching: The Royal Mails Preparing to Start for the West of England

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Jane Eyre

Creator:: Dame Paula Rego, 1935–2022
Date:: 2001 to 2002
Materials & Techniques:: Lithograph on white Somerset Velvet wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

85. Loving Bewick

Creator:: Dame Paula Rego, 1935–2022
Date:: 2001 to 2002
Materials & Techniques:: Lithograph on white Somerset Velvet wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

86. Up the Tree

Creator:: Dame Paula Rego, 1935–2022
Date:: 2002
Materials & Techniques:: Lithograph on white Somerset Velvet wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

87. Biting

Creator:: Dame Paula Rego, 1935–2022
Date:: 2002
Materials & Techniques:: Lithograph on white Somerset Textured wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

88. In the Comfort of the Bonnet

Creator:: Dame Paula Rego, 1935–2022
Date:: 2001 to 2002
Materials & Techniques:: Lithograph on white Somerset Velvet wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

89. Come to Me

Creator:: Dame Paula Rego, 1935–2022
Date:: 2001 to 2002
Materials & Techniques:: Lithograph on white Somerset Velvet wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

90. Undressing

Creator:: Dame Paula Rego, 1935–2022
Date:: 2002
Materials & Techniques:: Lithograph on white Somerset Textured wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

91. Mr. Rochester

Creator:: Dame Paula Rego, 1935–2022
Date:: 2002
Materials & Techniques:: Lithograph on white Somerset Textured wove paper
Dimensions:: Sheet: 34 3/4 × 25 1/2 inches (88.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

92. The Last Effort and Fall of Tippoo Sultaun

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Surrender of the Sons of Tippoo Sultaun

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. The Assault and Taking of Seringapatam

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1801
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. The Promenade in St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 28 1/4 inches (48.6 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Ulysses Deriding Polyphemus

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

98. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Shanty Town

Creator:: Patrick Procktor, 1936–2003
Date:: c.1977
Materials & Techniques:: Etching, artist's proof
Dimensions:: Sheet: 19 11/16 x 25 11/16in. (50 x 65.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

100. The Departure Of The Sons Of Tippoo From The Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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1. The Sailor's Orphans or Young Ladies' Subscription

2. The Soldier's Widow; or Schoolboys' Collection

3. A Pictoresque View on the Tyne with Newcastle from the East

4. Lincoln Cathedral

5. The Promenade in St. Jame's Park

6. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

7. Labourers

8. Game Keepers. To the Right Honorable. Lord Viscount Torrington

9. Game Keepers. To the Right Honorable. Lord Viscount Torrington

10. Hiram King of Tyre, Sends Presents to King Solomon

11. The Brothers of Joseph Showing his Bloody Coat

12. The Spottiswoode Ox

13. The Centurion Cornelius

14. The Encampment at Brighton

15. Landscape

16. The Bentinck

17. A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht

18. The Ship 'Woodford'

19. The Paphian Bower

20. Death of Captain Alexander Hood

21. Sierra Leone

22. The Drummond Family

23. The Drummond Family

24. The Grand Canal, Venice

25. St. Mark's Place, Venice - Juliet and her Nurse

26. St. Mark's Place, Venice - Juliet and her Nurse

27. Ancient Italy

28. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

29. The Right Honorable Admiral Lord Viscount Duncan When Victorious off Camperdown

30. Lord Viscount Duncan

31. Black, Blue and White

32. "Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott

33. One of a set of four: The Liverpool Great National Steeple-Chase

34. One of a set of four: The Liverpool Great National Steeple-Chase

35. One of a set of four: The Liverpool Great National Steeple-Chase

36. One of a set of four: The Liverpool Great National Steeple-Chase

37. Sheerness Dockyard

38. The Drummond Family

39. The Royal Dockyard at Plymouth

40. Combats Maritimes

41. Le Cynge

42. Le Lendemain de Trafalgar

43. La Prudente and La Cybelle

44. La Vestale

45. Le Tonnant

46. La Montagne

47. Lord Mansfield

48. Twelfth Night, Act III, Scene IV: Olivia's House

49. The Departure from Brighton

50. The Encampment at Brighton

51. Tunbridge Wells from Frant Forest

52. A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire

53. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

54. A View of Walton Bridge, Venus's Temple...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks

55. A North East View of the Tuesday Market Place of Lynn Regis

56. A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

57. Geometrical Plan of his Majesty's Dockyard, Deptford

58. Geometrical Plan of his Majesty's dockyard, at Sheerness

59. Geometrical Plan of his Majesty's Dockyard, near Plymouth

60. Geometrical Plan of his Majesty's Dockyard, at Chatham

61. Geometrical Plan of his Majesty's Dockyard, at Woolwich

62. The Slave Trade

63. African Hospitality

64. A South West Prospect of the City of Bath

65. The Penny Wedding

66. The Review of the Queens Own Regiment of the Yeomanry Cavalry

67. Devotions V

68. View of London Bloomsbury Square

69. A General View of Paris taken from Chaillot

70. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

71. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

72. A View of Pont Neuf, the Mint, &c.

73. A View of Pont Neuf, the Mint, &c.