"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
3
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
4
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
5
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
6
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
7
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
8
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
9
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
10
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
11
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
12
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
13
Print made by unknown artist
Fortune
1796
14
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
15
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
16
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
17
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
18
Print made by unknown artist
The Young Roscius
1804
19
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
20
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
21
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
22
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
24
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
25
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
26
Eric Gill, 1882–1940
Jesus Driving the Moneychangers from the Temple (Latin)
1919
27
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
28
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
29
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
30
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
31
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
32
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
33
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
35
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
38
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
39
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
40
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
41
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
42
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
43
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
44
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
45
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
46
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
47
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
48
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
49
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
50
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
51
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
52
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
53
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
54
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
55
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
56
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
57
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
58
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
59
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
60
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
61
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
62
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
63
James Seymour, 1702–1752
Foxhunting
undated
64
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
65
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
66
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
67
James Seymour, 1702–1752
Victorious
undated
68
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
69
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
70
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
71
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
72
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
73
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
74
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
75
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
76
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
77
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
78
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
79
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
80
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
81
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
82
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
83
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
84
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Coming up to a Ditch
undated
85
unknown artist
Tattersall's Training School
1771
86
Henry Thomas Alken, 1785–1851
Foxhunting: Gone to Ground
undated
87
Samuel Alken, 1756–1815
Whipper-in With a Hound, the Field Ahead at Left
undated
88
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Jumping a Stile
undated
89
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
90
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
91
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
92
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
93
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
94
Print made by Alfred W. Cooper, active 1850–1901
The Young Squire
undated
95
Print made by John Doyle ('H.B.'), 1797–1868
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order