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Collection Prints and Drawings
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1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Tail Piece, or the Bathos
- 1764
4
- Paul Before Felix Burlesqued
- 1751
5
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
6
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
7
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
8
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
9
- Mary Magdalen at the Sepulchre
- ca. 1805
10
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
14
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
15
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
16
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
17
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
18
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
19
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
20
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
21
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
22
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
23
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
24
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
25
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
26
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
27
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
28
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
29
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
30
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
31
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
32
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
33
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
34
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
35
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
36
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
40
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
41
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
42
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
43
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
44
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
45
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
46
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
47
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
48
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
49
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
50
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
51
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
52
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
53
- Aged Ignorance; Plate 13
- 1793
54
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
55
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
56
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
57
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
58
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
59
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
60
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
61
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
62
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
63
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
64
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
65
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
66
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
67
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
68
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
69
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
70
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
71
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
72
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
73
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
74
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
75
- St. Michael and Lucifer
- undated
76
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
77
- Design for a Ceiling
- undated
78
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
79
- Queen Katherine's Dream
- 1807
80
- A Project for the Monument of the Apotheosis of Nelson
- 1806
81
- Romance
- 1922
82
- Design for a Ceiling Decoration
- 1723
83
- Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
- undated
84
- The Birth of Venus
- undated
85
- An Allegory of Love
- Undated
86
- Victorious Hero Takes Occasion to Conclude Peace
- 1720
87
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
88
- Sir Godfrey Kneller
- 1735
89
- Ticket: For the Benefit of Mr. Salpietro
- 1799
90
- Dido and Aeneas Sheltering in a Cave
- undated
91
- Study of a sculptural group: Mars, Venus and Cupid
- undated
92
- Study of Classical Figures
- undated
93
- Hercules Beetle
- ca. 1758
94
- Classical Figures in Battle
- undated
95
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated
96
- Selling of Cupids
- between 1775 and 1776
97
- Vulture and Lamb
- 1799
98
- Wrapper for six prints from Alfred Crowquill's Christmas Pieces
- undated
99
- Venus Crowned by Cupid
- between 1810 and 1815
100
- The Harpies Attacking the Daughters of Pandarus
- 1848