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12701
- Study for the View of Cambridge from Castle Hill
- undated
12702
- Album of Landscape and Figure Studies: Rural Road near Potten End
- 1811 to 1813
12703
- Port of Spain, from the Harbour
- 1851
12704
- Album of Landscape and Figure Studies: Sketch of a Young Man (short list, mathematical calculations scribbled on right side of sheet)
12705
- North Coast of Trinidad, from the North Post
- 1851
12706
- Château d'Ecouen
- 1833
12707
- Portrait of Samuel Palmer, February 5, 1828
- 1828
12708
- The Guildhall, Exeter
- ca. 1797
12709
- Devereux House, the Strand, London
- 1811
12710
- Extensive View of Windsor Castle
- undated
12711
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
12712
- Whampoa and the Canton River
- 1845
12713
- A Young Daughter of the Picts
- ca. 1585
12714
- A Raree Show
- between 1792 and 1793
12715
- Homage to Nelson
- undated
12716
- Interior of Milan Cathedral
- undated
12717
- Landscape with Shepherd and Sheep
- undated
12718
- Illustration to Aesop's Fables: The Fox & the Crane
- undated
12719
- Boulner, East Yarmouth
- undated
12720
- Hill Sketch
- undated
12721
- View over Valley
- undated
12722
- Tree by Steps
- undated
12723
- Lane with Figures, May 1802
- 1802
12724
- A Cottage in the Isle of Wight
- undated
12725
- Abbey Church at St. Albans
- 1781
12726
- Dedham
- undated
12727
- Figure in Tree near Pond
- undated
12728
- Man Sitting
- 1811
12729
- Part of Brind Gill in Ligburthwaite
- undated
12730
- Church in Trees
- undated
12731
- Ben Glog (North Wales)
- undated
12732
- Bridge over Stream, North Wales
- 1800
12733
- Block House Fort, Gosport, Hampshire
- undated
12734
- Man Asleep with his Mouth Wide Open and Hands Crossed
- undated
12735
- A Man Asleep with Hands Crossed in a Chair
- undated
12736
- A Seascape
- undated
12737
- A Wooded Stream and a Farmhouse in Normandy
- undated
12738
- A Young Peasant Girl with Arms Folded
- undated
12739
- A Fisherwoman, Hands under Apron
- undated
12740
- Mantes
- undated
12741
- Man Asleep in a Long Blue Coat
- undated
12742
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
12743
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
12744
- Street Scene at Stratford by Bow
- undated
12745
- Study of a Seated Woman
- undated
12746
- Hogarth Declaring His Love to Miss Thornhill
- 1817
12747
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
12748
- The Castle Mills Bridge, York
- 1839
12749
- Notre Dame, Paris
- between 1831 and 1845
12750
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
12751
- Queen Anne Boleyn's Room, Windsor Castle
- undated
12752
- A Christening
- undated
12753
- Versailles
- between 1831 and 1837
12754
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
12755
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
12756
- Coast Scene with Figures
- undated
12757
- The Smock Exposed
- 1817
12758
- Fountain in the Gardens, Paris: Evening
- undated
12759
- The Reconcilation
- 1817
12760
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
12761
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
12762
- Hogarth Drawing Sarah Malcolm
- 1817
12763
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
12764
- Rough Diamonds
- ca. 1760
12765
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
12766
- Portrait of a Girl Sketching
- undated
12767
- Woodpecker and Two Birds
- 1760
12768
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
12769
- Crowned Eagle and Two Birds
- 1760
12770
- Crystals and Fossils
- ca. 1760
12771
- Hogarth Sitting to Roubiliac for His Bust
- 1817
12772
- Sheep, and Three Animals
- ca. 1760
12773
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
12774
- Interior of a Coppersmith's, Shoe Lane
- undated
12775
- The Humble Bee and Insects
- 1760
12776
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
12777
- The Eleventh Hour
- 1817
12778
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
12779
- Holyhead, Highwater
- undated
12780
- A Valley
- between 1775 and 1780
12781
- Caricature Self-Portrait
- undated
12782
- Allegory of Sea Trades
- undated
12783
- Allegory of Napoleonic Battles
- undated
12784
- Allegory of Drawing
- undated
12785
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
12786
- Ruins of St. Paul Covent Garden
- 1795
12787
- Allegory of Steam
- undated
12788
- Madonna with a Rabbit
- undated
12789
- The Needles, Isle of Wight
- undated
12790
- Ryde, Isle of Wight
- undated
12791
- Landscape with Sheep
- undated
12792
- Undercliff, Isle of Wight
- undated
12793
- Culver Cliff, Sandown Bay, Isle of Wight
- undated
12794
- A Lane with Figures - Isle of Wight (?)
- undated
12795
- Carisbrook Castle, Isle of Wight
- undated
12796
- A Fireworks Display
- undated
12797
- Sunset Sky
- undated
12798
- Advanced Guard - Sunrise
- ca. 1832
12799
- A Study in Pinks and Roses
- undated
12800
- A Study of Pinks and Roses
- undated