The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..
15102
Jake Chapman, born 1966
Untitled
1999
15103
Jake Chapman, born 1966
Untitled
1999
15104
Jake Chapman, born 1966
Untitled
1999
15105
Jake Chapman, born 1966
Untitled
1999
15106
Jake Chapman, born 1966
Untitled
1999
15107
Jake Chapman, born 1966
Untitled
1999
15108
Jake Chapman, born 1966
Untitled
1999
15109
Jake Chapman, born 1966
Untitled
1999
15110
Jake Chapman, born 1966
Untitled
1999
15111
Jake Chapman, born 1966
Untitled
1999
15112
Jake Chapman, born 1966
Untitled
1999
15113
Jake Chapman, born 1966
Untitled
1999
15114
Jake Chapman, born 1966
Untitled
1999
15115
Jake Chapman, born 1966
Untitled
1999
15116
Jake Chapman, born 1966
Untitled
1999
15117
Jake Chapman, born 1966
Untitled
1999
15118
Jake Chapman, born 1966
Untitled
1999
15119
Jake Chapman, born 1966
Untitled
1999
15120
Jake Chapman, born 1966
Untitled
1999
15121
John Tinney, died 1761
A View of the Chapel of the Palace of Versailles
15122
Jake Chapman, born 1966
Untitled
1999
15123
Jake Chapman, born 1966
Untitled
1999
15124
Print made by unknown artist
The Battle of Blenheim
undated
15125
Jake Chapman, born 1966
Untitled
1999
15126
Jake Chapman, born 1966
Untitled
1999
15127
Jake Chapman, born 1966
Untitled
1999
15128
Jake Chapman, born 1966
Untitled
1999
15129
Jake Chapman, born 1966
Untitled
1999
15130
Jake Chapman, born 1966
Untitled
1999
15131
Jake Chapman, born 1966
Untitled
1999
15132
Jake Chapman, born 1966
Untitled
1999
15133
Jake Chapman, born 1966
Untitled
1999
15134
Print made by John Tinney, died 1761
A View of the Palace of Versailles towards ye Garden
15135
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
15136
Print made by John Maurer, active 1713–1761
A Perspective View of Covent Garden
15137
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
15138
Print made by Thomas Bowles III, ca. 1712–1767
The Inside View of the Royal Exchange at London
15139
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
15140
unknown artist
Morning
1799
15141
Thomas Bowles III, ca. 1712–1767
The South West Prospect of London, from Somerset Gardens to the Tower
15142
unknown artist
Evening
1799
15143
Print made by unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
15144
unknown artist
Mid-Day
1799
15145
Thomas Bowles III, ca. 1712–1767
An Inside View of the Church of St. Stephen Walbrooke London
15146
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
15147
George Alken, 1794–active 1837
Exercising a Racehorse
undated
15148
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
15149
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
15150
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
15151
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
15152
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
15153
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
15154
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
15155
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
15156
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
15157
Thomas Rowlandson, 1756–1827
An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
15158
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
15159
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
15160
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
15161
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
15162
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
15163
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
15164
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
15165
Print made by John Maurer, active 1713–1761
A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746
15166
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
15167
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
15168
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
15169
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
15170
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
15171
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
15172
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
15173
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
15174
unknown artist
A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
15175
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
15176
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
15177
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
15178
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
15179
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
15180
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
15181
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
15182
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
15183
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
15184
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
15185
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
15186
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
15187
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
15188
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
15189
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
15190
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
15191
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
15192
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
15193
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
15194
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
15195
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
15196
Henry Thomas Alken, 1785–1851
Head of a Horse Wearing a Bridle
undated
15197
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
15198
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
15199
Henry Thomas Alken, 1785–1851
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat