Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
15402
James Seymour, 1702–1752
Conqueror Going to Start
undated
15403
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
15404
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
15405
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
15406
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
15407
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
15408
Peter Tillemans, 1684–1734
A Saddle Horse of the Duke of Devonshire
undated
15409
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
15410
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
15411
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
15412
Francis Barlow, 1622–1704
Hare Hunting
undated
15413
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
15414
Peter Tillemans, 1684–1734
The Duke of Somerset on Horseback
undated
15415
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
15416
Paul Maze, 1887–1979
Trooping the Colour
undated
15417
Paul Maze, 1887–1979
On Parade
undated
15418
Peter Tillemans, 1684–1734
A Saddled Horse, Facing Left
undated
15419
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
15420
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
15421
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
15422
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
15423
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
15424
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
15425
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
15426
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
15427
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
15428
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
15429
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
15430
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
15431
Paul Maze, 1887–1979
The Royal Horse Guards (The Blues)
undated
15432
James Ward, 1769–1859
Head of a Tiger
undated
15433
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
15434
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
15435
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
15436
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
15437
James Ward, 1769–1859
Lady Londonderry's Dog
undated
15438
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
15439
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
15440
Paul Maze, 1887–1979
A Foot Guardsman carrying Regimental Colours
undated
15441
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
15442
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
15443
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
15444
James Ward, 1769–1859
Sheep-shearing
undated
15445
James Ward, 1769–1859
Arctic Dog, Facing Right
undated
15446
James Ward, 1769–1859
Arctic Dog, Facing Left
undated
15447
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
15448
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
15449
Benjamin West, 1738–1820
Rider Galloping to Left
undated
15450
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
15451
Sir Alfred J. Munnings, 1878–1959
The Artist at his Easel
undated
15452
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
15453
John Wootton, 1682–1764
The Meet
undated
15454
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
15455
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
15456
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
15457
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
15458
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
15459
Henry Thomas Alken, 1785–1851
A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
1821
15460
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
15461
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
15462
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
15463
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
15464
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
15465
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
15466
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
15467
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
15468
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
15469
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
15470
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
15471
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
15472
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
15473
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
15474
Samuel Howitt, 1756–1822
Racing Scene
1792
15475
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
15476
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
undated
15477
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
15478
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
15479
John Wootton, 1682–1764
Hounds in a Landscape
undated
15480
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
15481
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
15482
unknown artist
Fish Market, Boulogne
undated
15483
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
15484
Charles Hunt, 1803–1877
Road Riders or Funkers
1841
15485
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
15486
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
15487
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
15488
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
15489
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
15490
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
15491
Samuel Ireland, 1744–1800
Joiner's Hall
between 1794 and 1800
15492
Print made by George Cruikshank, 1792–1878
Lismahago's Retaliation
undated
15493
Samuel Ireland, 1744–1800
Dyer's Hall
between 1794 and 1800
15494
Print made by David Lucas, 1802–1881
Summer Afternoon, After a Shower
1831
15495
John Spilsbury, 1730–1795
Elizabeth Countess of Ancrum
15496
James McArdell, ca. 1729–1765
Lieutenant Colonel Henry Townshend
15497
James McArdell, ca. 1729–1765
John Lockhart Esqr., Late Commander, of His Majesty's Ship Tartar
15498
Print made by Ernest Stephen Lumsden, 1883–1948
Jaipur Evening No. 2
1913
15499
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe