St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother
after 1828
15903
Robert Hills, 1769–1844
Study of a Holly Tree
undated
15904
Sir David Young Cameron, 1865–1945
The Lea, Near Ware
ca. 1902
15905
Sir David Young Cameron, 1865–1945
Almshouses, St. Cross
ca. 1902
15906
Sir David Young Cameron, 1865–1945
Near Draseford
ca. 1902
15907
Sir David Young Cameron, 1865–1945
On the Wye at Haddon
ca. 1902
15908
Sir David Young Cameron, 1865–1945
Dovedale
ca. 1902
15909
Sir David Young Cameron, 1865–1945
The Valley of the Lathkill
ca. 1902
15910
Sir David Young Cameron, 1865–1945
The Lea, above Ware
ca. 1902
15911
Robert Hills, 1769–1844
Woodland Shadow
after 1801
15912
Robert Isaac Cruikshank, 1789–1856
The Needless Alarm. A Smoking Party
1830
15913
Robert Hills, 1769–1844
Tree Study with Ivy Clinging to Stump
ca. 1826
15914
Robert Hills, 1769–1844
Study of Foliage
after 1799
15915
Robert Hills, 1769–1844
Farm Buildings in the Vaux, Jersey
ca. 1832
15916
Robert Hills, 1769–1844
Study of Apple Trees
undated
15917
Robert Hills, 1769–1844
Orchard Trees at Under River near Knole
ca. 1826
15918
Robert Hills, 1769–1844
The Wood
undated
15919
Robert Hills, 1769–1844
Study of Foxgloves
undated
15920
attributed to Robert Hills, 1769–1844
Landscape with Trees
undated
15921
Robert Isaac Cruikshank, 1789–1856
The Pauper Family and Footman. A Steam Packet Cabin
1830
15922
Robert Isaac Cruikshank, 1789–1856
Admiral Van Tromp's Duel. Comforts of a Wife
1830
15923
Robert Isaac Cruikshank, 1789–1856
The Gouty Merchant and Stranger. A Card Party
1830
15924
Robert Hills, 1769–1844
Forest Pool
undated
15925
Robert Isaac Cruikshank, 1789–1856
The Englishman in France. A Cold Duck
1830
15926
Robert Isaac Cruikshank, 1789–1856
The Angler's Going Out. The Pleasures of Angling
1830
15927
Robert Isaac Cruikshank, 1789–1856
None but the Brave deserve the Fair. Honour
1830
15928
Robert Isaac Cruikshank, 1789–1856
Lobster Sauce. The Unexpected Visit
1830
15929
Robert Isaac Cruikshank, 1789–1856
Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave
1830
15930
Robert Isaac Cruikshank, 1789–1856
Going Out. Going Home
1830
15931
Robert Isaac Cruikshank, 1789–1856
£/Pounds. s/Shillings. p/Pence. Dancing Bears
1830
15932
Charles Holyroyd, 1861–1917
A Yew Tree on Glaramara
15933
E. H. Lacey, born 1892
Portrait of the Artist
15934
John Fulleylove, 1845–1908
Thatched Cottage with Barn Adjoining
1881
15935
Henry Fuseli, 1741–1825
Girl and Youth at a Table
undated
15936
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
15937
Henry Fuseli, 1741–1825
Study of a Lady
undated
15938
Henry Fuseli, 1741–1825
An Hermaphrodite
between 1795 and 1800
15939
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
15940
John Fulleylove, 1845–1908
The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias
undated
15941
Henry Fuseli, 1741–1825
Woman Reading, Seated Before a Window
1805
15942
Henry Fuseli, 1741–1825
Back View of a Standing Female, Called Mrs. Fuseli
1810
15943
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
15944
Henry Fuseli, 1741–1825
Percival Frees Belisane from the Spell of Urma
1811
15945
Henry Fuseli, 1741–1825
Ariadne Watching the Struggle of Theseus with the Minotaur
1815 to 1820
15946
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
15947
attributed to Henry Fuseli, 1741–1825
Study of a Back of a Female Nude, Standing
undated
15948
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
15949
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
15950
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
15951
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
15952
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
15953
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
15954
Sir Richard Colt Hoare, 1758–1838
View of Nettuno
undated
15955
David Charles Read, 1790–1851
Canon Douglas Lodge Close, Sarum
undated
15956
John Scarlett Davis, 1804–1845
Street Scene in Calais
undated
15957
George Bulteel Fisher, 1764–1834
River Landscape - On the Thames
undated
15958
William Hoare, 1706/7–1792/99
Seated Lady with Book
undated
15959
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
15960
unknown artist
Old 'Cat and Mutton' in 1780
1868
15961
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774
15962
Samuel Hieronymus Grimm, 1733–1794
Greenwich Park
undated
15963
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
15964
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
15965
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
15966
Samuel Hieronymus Grimm, 1733–1794
Englefield House, Berkshire
undated
15967
Samuel Hieronymus Grimm, 1733–1794
On the Thames at Barnes
ca. 1773
15968
Samuel Hieronymus Grimm, 1733–1794
The Gatehouse, Reading Abbey
undated
15969
Capt. Francis Grose, 1731–1791
Norham Castle, Northumberland
undated
15970
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
15971
attributed to Samuel Hieronymus Grimm, 1733–1794
Landscape with a Ruined Norman Church
undated
15972
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
15973
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
15974
Attributed to Francois Theodore Rochard, 1798–1858
A Young Girl
undated
15975
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
15976
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
15977
Rev. Lansdown Guilding, 1798–1831
View of the Great Eruption of Morne Soufriere, St. Vincent
undated
15978
unknown artist
Monument in Clerkenwell Church
15979
James Gandon, 1742–1823
Elevation for the West Front of Parliament House, Dublin
ca. 1787
15980
C. Hacker
Arcades: of Interlaced Mouldings
1830
15981
follower of Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant and Donkeys
undated
15982
Joseph Michael Gandy, 1771–1843
Design for a Farm House. Elevations of Two Fronts
between 1794 and 1797
15983
Daniel Gardner, 1750–1805
Mrs. Thomas Pownall, née Kennett
1784
15984
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
15985
Daniel Gardner, 1750–1805
Mrs. Justinian Casamajor and Eight of her Children
1779
15986
Rev. John Gardnor, 1729–1808
Carrig Cennen Castle, Carmarthenshire
undated
15987
Hubert-François Gravelot, 1699–1773
Design for a Medal: Concordia Victrix
ca. 1767
15988
unknown artist
A Georgian Mansion, front and side elevations
ca. 1790
15989
Attributed to Andrew Geddes, 1783–1844
Sheepdog Asleep in a Landscape
undated
15990
Hubert-François Gravelot, 1699–1773
Layout Design for a Bookplate
undated
15991
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Bust of a Roman Man
undated
15992
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
15993
Hubert-François Gravelot, 1699–1773
Design for a Vignette: The King of France Surrounded by Courtiers
undated
15994
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
15995
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
15996
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
15997
John White Abbott, 1763–1851
Canonteign
1808
15998
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
15999
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter