The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
16002
Hubert-François Gravelot, 1699–1773
Design for a Royal Monument
undated
16003
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
16004
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
16005
James Gillray, 1756–1815
Gentle Emetic
1804
16006
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
16007
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
16008
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
16009
James Gillray, 1756–1815
Tales of wonder
1802
16010
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
16011
James Gillray, 1756–1815
Visiting the Sick
1806
16012
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
16013
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
16014
Print made by Samuel Egerton Leigh, active 1786
Paille d'Avoine Paille d'Avoine
1786
16015
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
16016
James Gillray, 1756–1815
The Cabinetical Balance
1806
16017
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
16018
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
16019
James Gillray, 1756–1815
[ untitled ]
1800
16020
James Gillray, 1756–1815
Fine Bracing Weather
1808
16021
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
16022
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
16023
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
16024
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
16025
Thomas Rowlandson, 1756–1827
Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
1804
16026
James Gillray, 1756–1815
Brisk Cathartic
1804
16027
James Gillray, 1756–1815
Taking Physic
1800
16028
Thomas Rowlandson, 1756–1827
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
1805
16029
William Heath, 1795–1840
The Cries of Westminster - No 1 Newcastle Salmon
1829
16030
James Gillray, 1756–1815
Breathing a Vein
1804
16031
unknown artist
Information for the Public
undated
16032
James Gillray, 1756–1815
Charming Well Again
1804
16033
Isaac Cruikshank, 1764–1811
General Sorrow, touring the French Directory into Russia
1799
16034
James Gillray, 1756–1815
A Standing dish at Boodles
1800
16035
James Gillray, 1756–1815
Brisk Cathartic
1804
16036
John Cawse, 1779–1862
Boreas Effecting what Health & Modesty could not
1800
16037
Henry Heath, active 1824–1835
Integrity a Farce or Every Man tried by his actions
1826
16038
Isaac Cruikshank, 1764–1811
Royal Recreation
1795
16039
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
16040
Thomas Rowlandson, 1756–1827
Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
1801
16041
Isaac Cruikshank, 1764–1811
The Maid of Bath or Mac in her Teens
1792
16042
James Gillray, 1756–1815
A Masonic Anecdote
1786
16043
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
16044
Charles Williams, active 1796–1830
Close Shaveing or the will our own way
1802
16045
Print made by unknown artist
[ Caricature of two men and a woman, one of the men blowing smoke ]
ca. 1823
16046
unknown artist
Baudins Cockatoo
1832
16047
Print made by Auguste Boulard, 1852–1927
A Difference of Opinion
1897
16048
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
16049
unknown artist
Blue & Yellow Maccaw
1832
16050
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
16051
L. Truchy, 1721–1764
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her
16052
William Elliot, active 1774, died 1792
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad
1761
16053
unknown artist
A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
1770
16054
unknown artist
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
16055
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
16056
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
16057
unknown artist
Clare Hall, Cambridge
undated
16058
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
16059
Philip William May, 1864–1903
The Dog Cart
undated
16060
Attributed to William Marlow, 1740–1813
Full-length study of a Man carrying books
undated
16061
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
16062
Paul Sandby, 1731–1809
Study of Cow Parsley
undated
16063
Paul Sandby, 1731–1809
Edward Mason
between 1755 and 1760
16064
Joseph Edward Southall, 1861–1944
At the Cottage Gate, July 16, 1906
1906
16065
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
16066
Sarah Stone, active 1786
A Scarlet Ibis
ca. 1786
16067
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
16068
James Ward, 1769–1859
Studies of Dogs lying down
undated
16069
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
16070
William Webb, ca. 1780–1845
A Harrier
undated
16071
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
16072
James Ward, 1769–1859
Study of a Plunging Eagle
undated
16073
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
16074
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
16075
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
16076
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
16077
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
16078
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
16079
Julia Margaret Cameron, 1815–1879
Irish Mary
1866
16080
Robert MacPherson, 1814–1872
Bronze Doors of the U.S. Capitol, Executed by Randolph Rogers, Rome