An Inside View of the Church of St. Stephen Walbrooke London
16303
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
16304
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
16305
Print made by John Maurer, active 1713–1761
A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746
16306
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
16307
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
16308
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
16309
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
16310
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
16311
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
16312
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
16313
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
16314
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
16315
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
16316
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
16317
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
16318
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
16319
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
16320
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
16321
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
16322
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
16323
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
16324
Henry Thomas Alken, 1785–1851
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat
undated
16325
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
16326
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
16327
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse, Profile Left
undated
16328
Henry Thomas Alken, 1785–1851
Poachers Surprised
undated
16329
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Right
undated
16330
Eric Gill, 1882–1940
Adam and Eve
1926
16331
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
16332
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
16333
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
16334
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
16335
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
16336
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
16337
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
16338
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
16339
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
16340
Eric Gill, 1882–1940
Ex Libris Richard Isdell-Carpenter
1936
16341
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
16342
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
16343
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
16344
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
16345
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
16346
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
16347
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
16348
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
16349
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
16350
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
16351
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
16352
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
16353
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
16354
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
16355
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
16356
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
16357
Alphonse Legros, 1837–1911
Group de Fermiers
undated
16358
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
16359
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
16360
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
16361
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
16362
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
16363
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
16364
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
16365
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
16366
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
16367
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
16368
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
16369
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
16370
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
16371
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
16372
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
16373
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
16374
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
16375
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
16376
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
16377
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
16378
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
16379
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
16380
Harold Hitchcock, born 1914
Thundersley
1977
16381
Anthony Devis, 1729–1817
American Deer
undated
16382
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
16383
Thomas Daniell, 1749–1840
A Rhinoceros: Head and Shoulders, Facing Left
undated
16384
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
16385
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
16386
Edward Duncan, 1803–1882
Pheasant Shooting
1825
16387
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
16388
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
16389
Print made by James Barry, 1741–1806
St. Sebastian
undated
16390
unknown artist
Studies of a Sleeping Lion
undated
16391
unknown artist
Head of a Male Lion
undated
16392
Sawrey Gilpin, 1733–1807
A Horse Standing, Head Turned, Wearing Quarter Sheet