Collection: Prints and Drawings - YCBA Collections Search Search Results

16301. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16302. Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16303. United Irishmen in Training

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 7 3/16 x 10in. (18.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16304. United Irishmen Upon Duty

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 7 3/16 x 10in. (18.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16305. Boston Church and Grand Sluice, Lincolnshire

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16306. Tynemouth Priory & Castle, Northumberland

Creator:: James Sands, active 1813–1846
Date:: 1833
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16307. St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16308. Entrance to Lincoln Cathedral

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1837
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16309. Patern-Staff - Weymouth

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16310. Lincoln from the Castle

Creator:: Frederick James Havell, 1801–1840
Date:: ca. 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 3/4 inches (13.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16311. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire II, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16312. A Dash Up St. James's Street

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16313. Fragments of Architecture, ancient and modern

Creator:: J. Pass, active 1796–1800
Date:: 1814
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16314. Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)

Creator:: James Gillray, 1756–1815
Date:: 1794
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 1/8 x 7 1/8in. (25.7 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16315. Old Swinford, Worcestershire

Creator:: William Wise, Active 1823–1876
Date:: 1814
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16316. Coats of Arms of the Cities of Worcester, Droitwich, Evesham and Bewdley

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16317. The Tree of Liberty, - With The Devil Tempting John Bull (Fox)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching in brown ink, hand-colored
Dimensions:: Sheet: 14 3/8 x 10 7/16in. (36.5 x 26.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16318. Le Coup de Maitre

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16319. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16320. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16321. Kidderminster Church, Worcestershire

Creator:: James Sands, active 1813–1846
Date:: 1814
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16322. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16323. Edgar's Tower, Worcestershire

Creator:: Thomas A. Woolnoth, 1785–1857
Date:: 1814
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16324. The Salute, - Vide, The Parade

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16325. Dudley Priory, Worcestershire (Pl. I)

Creator:: after Sparrow, active 1773–1787
Date:: 1774
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16326. Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 13 3/8 x 9 5/8in. (34 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16327. The Republican - Hercules Defending His Country

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 9/16 x 9 7/8in. (34.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16328. The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16329. The Tree of Liberty

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 9 5/16in. (32.7 x 23.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16330. Pylades & Orestes (Stadtholder & His Secretary)

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 12 1/4 x 8 7/8in. (31.1 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16331. Remains of Dudley Priory, Worcestershire

Creator:: Thomas A. Woolnoth, 1785–1857
Date:: 1812
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16332. Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales.

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1775
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16333. John Bull Ground Down

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 1/4in. (24.1 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16334. Shrine at St. Ann's Hill

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 13 3/8 x 9 7/8in. (34 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16335. The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition.

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 3/16in. (22.2 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16336. Spetchley Worcestershire

Creator:: unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

16337. God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16338. French - Telegraph Making Signals in the Dark

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 3/16in. (22.2 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16339. The Death of the Great Wolf

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16340. St. Andrew's Church, Worcester, N.W.

Creator:: unknown artist
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16341. Corpor(e)al (!) Stamina.

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 6 7/8in. (23.8 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16342. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 16 1/4in. (29.5 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16343. The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 1/4in. (24.4 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16344. The Lover's Dream

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 x 15 5/8in. (27.9 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16345. Copenhagen House

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 15/16 x 13 7/16in. (22.7 x 34.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16346. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/8in. (33.3 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16347. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16348. Loyal Souls; - or - A Peep into the Mess-Room, at St. James's

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 9 9/16 x 13 15/16in. (24.3 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16349. Worcester Cathedral. View from the North East

Creator:: John Le Keux, 1783–1846
Date:: 1832
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16350. Politicians - Vanity Fair. 'Asia Minor'. Lietu. Gen. Sir Arnold Burrows Kemball. 8 June 1878

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1878
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

16351. City Fluctuations!: Stocks are Down --Heigh-Ho!!

Creator:: George Moutard Woodward, ca. 1760–1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16352. Desire

Creator:: George Moutard Woodward, ca. 1760–1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16353. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16354. Desire!

Creator:: George Moutard Woodward, ca. 1760–1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16355. Daguerreotype View of Rhuddlan Castle

Creator:: unknown artist
Date:: between 1850 and 1860
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 inches (10.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16356. City Fluctuations!: Stocks are Up! --Huzza!!

Creator:: George Moutard Woodward, ca. 1760–1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16357. Landscape

Creator:: Richard Pettigrew Leitch, active 1870
Date:: ca. 1870
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16358. Foliage

Creator:: Richard Pettigrew Leitch, active 1870
Date:: ca. 1870
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16359. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: ca. 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16360. Trees and Foliage

Creator:: Richard Pettigrew Leitch, active 1870
Date:: ca. 1870
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16361. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30)January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 1/2 inches (9.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16362. Trees

Creator:: Richard Pettigrew Leitch, active 1870
Date:: ca. 1870
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16363. Foliage

Creator:: Richard Pettigrew Leitch, active 1870
Date:: ca. 1870
Materials & Techniques:: Watercolor; verso: graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16364. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16365. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16366. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16367. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16368. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16369. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16370. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16371. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16372. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50)July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16373. Margain Abbey, Glamorganshire

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16374. October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16375. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

Creator:: Print made by Giles King, active 1732–1746
Date:: ca. 1744
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16376. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16377. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 1/8 × 7 inches (28.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16378. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 3/4 inches (26.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16379. September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 4 1/2 inches (12.1 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16380. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16381. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/4 inches (18.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16382. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16383. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16384. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Creator:: Print made by James Mason, 1710–1783
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16385. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16386. Water Fall at Powers Court

Creator:: Giles King, active 1732–1746
Date:: 1744
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16387. A Prospect of the Parliament House, in College Green, Dublin

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16388. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 8 5/8 inches (25.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16389. The Place given up to Plunder;...

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16390. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16391. How Sallies are defended and repulsed;...

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 9 3/4 × 17 inches (24.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16392. The Battle of Culloden, near Inverness in Scotland...

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16393. An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis...

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16394. A Prospect of the Library of Trinity College, Dublin

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16395. The Attack of Two Bastions, the Breaches being Made by the Miner

Creator:: Remi Parr, 1743–after 1750
Date:: 1760 to 1770
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16396. The City of Leipzig

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16397. A General View of the City of Dantzick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16398. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, aquatint, and roulette on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

16399. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and roulette on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

16400. The Waterworks at Marli; and St. German en Laye seen in the distance

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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16301. The Stone Bow, Lincoln

16302. Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

16303. United Irishmen in Training

16304. United Irishmen Upon Duty

16305. Boston Church and Grand Sluice, Lincolnshire

16306. Tynemouth Priory & Castle, Northumberland

16307. St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

16308. Entrance to Lincoln Cathedral

16309. Patern-Staff - Weymouth

16310. Lincoln from the Castle

16311. Frankley Chapel, S. E., Worcestershire

16312. A Dash Up St. James's Street

16313. Fragments of Architecture, ancient and modern

16314. Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)

16315. Old Swinford, Worcestershire

16316. Coats of Arms of the Cities of Worcester, Droitwich, Evesham and Bewdley

16317. The Tree of Liberty, - With The Devil Tempting John Bull (Fox)

16318. Le Coup de Maitre

16319. Edgar's Tower at Worcester

16320. Dudley Priory in Worcestershire, Plate 1

16321. Kidderminster Church, Worcestershire

16322. Dudley Priory in Worcestershire, Plate 2

16323. Edgar's Tower, Worcestershire

16324. The Salute, - Vide, The Parade

16325. Dudley Priory, Worcestershire (Pl. I)

16326. Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet

16327. The Republican - Hercules Defending His Country

16328. The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing

16329. The Tree of Liberty

16330. Pylades & Orestes (Stadtholder & His Secretary)

16331. Remains of Dudley Priory, Worcestershire

16332. Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales.

16333. John Bull Ground Down

16334. Shrine at St. Ann's Hill

16335. The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition.

16336. Spetchley Worcestershire

16337. God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton

16338. French - Telegraph Making Signals in the Dark

16339. The Death of the Great Wolf

16340. St. Andrew's Church, Worcester, N.W.

16341. Corpor(e)al (!) Stamina.

16342. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

16343. The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land

16344. The Lover's Dream

16345. Copenhagen House

16346. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

16347. Presages of the Millenium

16348. Loyal Souls; - or - A Peep into the Mess-Room, at St. James's

16349. Worcester Cathedral. View from the North East

16350. Politicians - Vanity Fair. 'Asia Minor'. Lietu. Gen. Sir Arnold Burrows Kemball. 8 June 1878

16351. City Fluctuations!: Stocks are Down --Heigh-Ho!!

16352. Desire

16353. The Royal Palace of Windsor

16354. Desire!

16355. Daguerreotype View of Rhuddlan Castle

16356. City Fluctuations!: Stocks are Up! --Huzza!!

16357. Landscape

16358. Foliage

16359. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

16360. Trees and Foliage

16361. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30)January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

16362. Trees

16363. Foliage

16364. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

16365. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

16366. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

16367. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

16368. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

16369. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

16370. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

16371. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

16372. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50)July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

16373. Margain Abbey, Glamorganshire

16374. October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

16375. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin