Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
16303
James Gillray, 1756–1815
United Irishmen in Training
1798
16304
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
16305
Print made by unknown artist
Boston Church and Grand Sluice, Lincolnshire
undated
16306
James Sands, active 1813–1846
Tynemouth Priory & Castle, Northumberland
1833
16307
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
16308
Print made by Ebenezer Challis, active 1837–1859
Entrance to Lincoln Cathedral
1837
16309
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
16310
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
16311
Print made by James Basire II, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
16312
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
16313
J. Pass, active 1796–1800
Fragments of Architecture, ancient and modern
1814
16314
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
16315
William Wise, Active 1823–1876
Old Swinford, Worcestershire
1814
16316
unknown artist
Coats of Arms of the Cities of Worcester, Droitwich, Evesham and Bewdley
16317
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
16318
James Gillray, 1756–1815
Le Coup de Maitre
1797
16319
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
16320
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
16321
James Sands, active 1813–1846
Kidderminster Church, Worcestershire
1814
16322
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
16323
Thomas A. Woolnoth, 1785–1857
Edgar's Tower, Worcestershire
1814
16324
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
16325
after Sparrow, active 1773–1787
Dudley Priory, Worcestershire (Pl. I)
1774
16326
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
16327
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
16328
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
16329
James Gillray, 1756–1815
The Tree of Liberty
1797
16330
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
16331
Thomas A. Woolnoth, 1785–1857
Remains of Dudley Priory, Worcestershire
1812
16332
Daniel Lerpiniere, c.1745–1785
Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales
1775
16333
James Gillray, 1756–1815
John Bull Ground Down
1795
16334
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
16335
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
16336
unknown artist
Spetchley Worcestershire
undated
16337
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
16338
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
16339
James Gillray, 1756–1815
The Death of the Great Wolf
1795
16340
unknown artist
St. Andrew's Church, Worcester, N.W
1820
16341
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
16342
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
16343
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
16344
James Gillray, 1756–1815
The Lover's Dream
1795
16345
James Gillray, 1756–1815
Copenhagen House
1795
16346
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
16347
James Gillray, 1756–1815
Presages of the Millenium
1795
16348
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
16349
John Le Keux, 1783–1846
Worcester Cathedral. View from the North East
1832
16350
Carlo Pellegrini, 1839–1889
Politicians - Vanity Fair. 'Asia Minor'. Lietu. Gen. Sir Arnold Burrows Kemball. 8 June 1878
1878
16351
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Down --Heigh-Ho!!
16352
George Moutard Woodward, ca. 1760–1809
Desire
16353
unknown artist
The Royal Palace of Windsor
16354
George Moutard Woodward, ca. 1760–1809
Desire!
16355
unknown artist
Daguerreotype View of Rhuddlan Castle
between 1850 and 1860
16356
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Up! --Huzza!!
16357
Richard Pettigrew Leitch, active 1870
Landscape
ca. 1870
16358
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
16359
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
16360
Richard Pettigrew Leitch, active 1870
Trees and Foliage
ca. 1870
16361
Thomas Stothard, 1755–1834
January 1st: "of all the birds on bush or tree" (Vol. 1, p.30)January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
undated
16362
Richard Pettigrew Leitch, active 1870
Trees
ca. 1870
16363
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
16364
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
16365
unknown artist
Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames
16366
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
16367
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
16368
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
16369
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
16370
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
16371
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
16372
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50)July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
16373
unknown artist
Margain Abbey, Glamorganshire
1805
16374
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
16375
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
16376
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
16377
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
16378
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
16379
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
16380
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
16381
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
16382
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
16383
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
16384
Print made by James Mason, 1710–1783
A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
16385
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
16386
Giles King, active 1732–1746
Water Fall at Powers Court
1744
16387
unknown artist
A Prospect of the Parliament House, in College Green, Dublin
16388
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
16389
Remi Parr, 1743–after 1750
The Place given up to Plunder;..
16390
Giles King, active 1732–1746
A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..
16391
Remi Parr, 1743–after 1750
How Sallies are defended and repulsed;..
16392
unknown artist
The Battle of Culloden, near Inverness in Scotland..
16393
Remi Parr, 1743–after 1750
An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..
16394
unknown artist
A Prospect of the Library of Trinity College, Dublin
undated
16395
Remi Parr, 1743–after 1750
The Attack of Two Bastions, the Breaches being Made by the Miner
1760 to 1770
16396
Print made by unknown artist
The City of Leipzig
16397
unknown artist
A General View of the City of Dantzick
16398
Jake Chapman, born 1966
Untitled
1999
16399
Jake Chapman, born 1966
Untitled
1999
16400
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance