Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
16502
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
16503
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
16504
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
16505
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
16506
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
16507
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
16508
George Hunt, active 1820–1840
The Cover
1823
16509
George Hunt, active 1820–1840
Breaking Cover
1823
16510
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
16511
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
16512
George Hunt, active 1820–1840
The Death
1823
16513
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
16514
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
16515
Charles Bentley, 1806–1854
Fox Hunting: Going to Cover
1828
16516
George Hunt, active 1820–1840
The Toast
1824
16517
Richard Gilson Reeve, 1803–1889
Fox Hunters - Gone Away
1828
16518
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
16519
Charles Bentley, 1806–1854
Fox Hunting: Full Cry
1828
16520
Charles Bentley, 1806–1854
Fox Hunting: The Leap
1828
16521
Richard Gilson Reeve, 1803–1889
Fox Hunters - In Full Cry
1828
16522
Charles Bentley, 1806–1854
Fox Hunting: The Death
1828
16523
Richard Gilson Reeve, 1803–1889
Fox Hunters - Throwing Off
1828
16524
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
16525
George Hunt, active 1820–1840
Full Cry
1823
16526
Richard Gilson Reeve, 1803–1889
Fox Hunting: Drawing the Cover
1835
16527
Richard Gilson Reeve, 1803–1889
Fox Hunters - The Death
1828
16528
Richard Gilson Reeve, 1803–1889
Fox Hunting: The Full Cry
1835
16529
John Harris, 1811–1865
Fox Hunting: The Meet
1844
16530
John Harris, 1811–1865
Fox-hunting: The Brook!
1844
16531
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
16532
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters
1850
16533
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Turn of speed over the flat
1850
16534
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone
1850
16535
John Harris, 1811–1865
Fox-hunting: Who-hoop!
1844
16536
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Strange country
1850
16537
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Mutual Determination
1850
16538
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs
1850
16539
unknown artist
Set of four [Foxhunting]: 4. The Death
1817
16540
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
16541
Richard Gilson Reeve, 1803–1889
Plate 2. The Repast
1813
16542
unknown artist
Set of four [Foxhunting]: 2. Breaking Cover
1817
16543
Richard Gilson Reeve, 1803–1889
Plate 3. Pheasant Shooting
1813
16544
John Harris, 1811–1865
Fox Hunting: Away!
1844
16545
Richard Gilson Reeve, 1803–1889
Plate 4. The Return
1813
16546
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
16547
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
16548
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
16549
Print made by unknown artist
The Remains of the Great Temple in Palmira seen from the West. ..
between 1780 and 1815
16550
Print made by Thomas Bowles III, ca. 1712–1767
A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol
undated
16551
Print made by unknown artist
The Entrance into the Temple of the Sun in Palmira from the East
between 1780 and 1815
16552
Print made by J. Carwitham, active 1720–1740
A South-West View of the City of New York in North America
1739
16553
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16554
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16555
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16556
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16557
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16558
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16559
Print made by Remi Parr, 1743–after 1750
A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side..
undated
16560
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16561
Print made by Thomas Bowles III, ca. 1712–1767
A View of Florence from the Convent of Capuchins at Montugi
undated
16562
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16563
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16564
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of the City of Naples
undated
16565
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16566
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
16567
Helen Allingham, 1848–1926
Doves
undated
16568
George Bryant Campion, 1796–1870
Royal Horse Artillery at the Gallop
undated
16569
Arthur Claude Cooke, 1867–op 1890
English Dragoons and Hussars
undated
16570
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
16571
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
16572
Thomas Sidney Cooper, 1803–1902
A Horse in Harness Seen From the Near Side
undated
16573
Peter DeWint, 1784–1849
Building a Hayrick
undated
16574
George Dance, 1741–1825
Soldier's Head: front and back
undated
16575
Peter DeWint, 1784–1849
Still Life with a Jug and Copper Pan
undated
16576
Peter DeWint, 1784–1849
Building a Hayrick
undated
16577
Peter DeWint, 1784–1849
Hay Wagons
undated
16578
Peter DeWint, 1784–1849
Plough Horses
undated
16579
Print made by unknown artist
The City of Breslau
16580
George-Haydock Dodgson, 1811–1880
Clare College, Cambridge
undated
16581
Peter DeWint, 1784–1849
Loading a Haywain
undated
16582
John Fulleylove, 1845–1908
Clare College and Bridge over the Cam with King's College in the background
1889
16583
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red
undated
16584
Possibly Anthony Vandyke Copley Fielding, 1787–1855
Landscape Near Newmarket, Suffolk
1812
16585
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
16586
Print made by Thomas Bowles III, ca. 1712–1767
The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church
undated
16587
Sir Alfred J. Munnings, 1878–1959
"An Easy Liver": Study of a Grazing Horse, Facing Right
undated
16588
Sir Alfred J. Munnings, 1878–1959
"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
undated
16589
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
16590
Sir Alfred J. Munnings, 1878–1959
"On Tom Bland": Study of a Carriage Horse, Facing Left
undated
16591
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
16592
Sir Alfred J. Munnings, 1878–1959
"Mare": Study of a Grazing Mare, Facing Right
undated
16593
Print made by Thomas Bowles III, ca. 1712–1767
The Inside of the Pantheon at Rome
16594
Sir Alfred J. Munnings, 1878–1959
Gypsy Caravan
undated
16595
Ogilvie, Earl of Airlie
Design for a Cartouche: Armour, Bugles, etc
undated
16596
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V
16597
Walter Paris, 1842–1906
A Cricket Match of the Royal Marine Artillery, London
1888
16598
Leonard A. Pownall
A Boy Playing Cricket: Standing, Seen From Back Side
undated
16599
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas