Collection: Prints and Drawings - YCBA Collections Search Search Results

17001. The Royal Review in Hatfield Park

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 17 5/8 x 26 1/2in. (44.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17002. A Clerical Rebuke & Parochial Reply

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 15 7/16in. (26 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17003. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17004. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17005. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Creator:: Archibald Robertson, 1748–1788
Date:: 1782
Materials & Techniques:: Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17006. South West View of Saint Paul's Cathedral and Blackfrairs Bridge

Creator:: William James Bennett, 1787–1844
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 x 14in. (40.6 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17007. Salmon Leap at Leixlip

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17008. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17009. Two Shetland Ponies With a Groom

Creator:: Charles Hancock, 1802–1877
Date:: 1834
Materials & Techniques:: Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper
Dimensions:: Mount: 9 5/16 × 10 3/16 inches (23.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17010. Study of a Horse

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Graphite, chalk and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17011. Forming the Civic Crown

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17012. The Queen's English: An Iillustration in "Punch", Aug. 11, 1877

Creator:: Charles Samuel Keene, 1823–1891
Date:: ca. 1877
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17013. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted on stretched canvas
Dimensions:: Sheet: 12 1/8 × 20 inches (30.8 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17014. A Chestnut Horse at Exercise

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache, graphite, and pen and black ink on medium, slightly textured, laid paper
Dimensions:: Contemporary drawn border: 6 11/16 × 8 inches (17 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17015. George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721

Creator:: James Seymour, 1702–1752
Date:: 1721
Materials & Techniques:: Gouache, graphite, pen andn black ink, and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 6 3/16 × 10 9/16 inches (15.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17016. Fox Hunting: The Death

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17017. Fox Hunting: Getting Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17018. Set of four [Foxhunting]: 3. Full Cry

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

17019. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17020. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17021. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17022. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17023. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17024. A View of the City of Oporto

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17025. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17026. Epsom

Creator:: unknown artist
Date:: 1896
Materials & Techniques:: Watercolor with graphite and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17027. Horse Fair in East Anglia

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1899
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17028. A Black Rabbit

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on linen
Dimensions:: Image: 9 7/8 × 13 1/2 inches (25.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17029. Mare and Foal

Creator:: Arthur James Stark, 1831–1902
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17030. James Ward, R.A.

Creator:: John Jackson, 1778–1831
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 9 1/2 inches (28.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17031. Donkey Beside a Tree, Hampstead

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, smooth, beige wove paper
Dimensions:: Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17032. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17033. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Creator:: Print made by William Austin, 1721–1820
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17034. Coastal Village in Sussex

Creator:: James Chisholm Gooden, active 1835–1865
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 15 inches (24.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17035. An Open Road

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: recto: Gouache verso: black chalk on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 6 1/16 × 10 1/2 inches (15.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17036. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17037. Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 9 1/16 inches (34.3 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17038. Alligator or Crocodile, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 10 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: 20th century
Materials & Techniques:: Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 9 inches (11 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17039. Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/8 × 8 13/16 inches (13.7 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17040. Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 13/16 inches (14 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17041. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and soft-ground on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

17042. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, aquatint, and drypoint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

17043. Ex Libris Richard Isdell-Carpenter

Creator:: Eric Gill, 1882–1940
Date:: 1936
Materials & Techniques:: Pen and black ink, black wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17044. "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17045. St. Sebastian

Creator:: Print made by James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 6 3/4 inches (27.1 × 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17046. A Carriage and Pair, with Coachman

Creator:: Paul Sandby, 1731–1809
Date:: 1774
Materials & Techniques:: Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 4 1/16 × 4 15/16 inches (10.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17047. Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17048. A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Charcoal on medium, slightly textured, brown wove paper
Dimensions:: Mount: 11 1/4 × 15 5/16 inches (28.6 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17049. Delivering a Calf

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 3/4 inches (13.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17050. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 12 7/16 inches (21.1 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17051. The Ice-Wagon

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17052. Patience in a Punt

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17053. Two Riders Jumping a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17054. Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, smooth, beige wove paper
Dimensions:: Mount: 9 7/8 × 7 13/16 inches (25.1 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17055. Gone Away

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17056. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17057. Drawing Covert

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17058. The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17059. View of a Park with Deer

Creator:: William Byron, fourth Baron Byron, 1669–1736
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gold on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 1/2 × 16 1/16 inches (31.8 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17060. A Groom Leading a Bay Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17061. A Travelling Coach and Pair

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 12 1/2 inches (19.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17062. A Game of Bowls

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17063. Rider on a Brown Horse Going at a Wall

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17064. Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17065. The Huntsman, Galloping to Left and Encouraging Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17066. The Death: The Fox Hoist to a Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17067. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17068. Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

Creator:: George Chinnery, 1774–1852
Date:: 1840
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 11 11/16 × 11 1/4 inches (29.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17069. Gone Away

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 13 3/16 inches (23.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17070. A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: ca. 1835
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/16 × 8 3/4 inches (18.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17071. The Huntsman and a Rider Encouraging the Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17072. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17073. A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 5/8 inches (16.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17074. Two Old Horses Standing in a Field

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/16 inches (21.6 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17075. 'Rather Too Slow'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 1/8 inches (23.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17076. 'Getting Across the Country Like a Gentleman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 3/8 inches (23.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17077. 'Riding to Horses with Difficulty'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17078. 'Rather Too Fast'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17079. The Death: Yokels Watching in Foreground

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17080. A Rhinoceros Standing on a River Bank

Creator:: William Daniell, 1769–1837
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 × 11 11/16 inches (22.4 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17081. Rider on a Brown Horse About to Jump a Rail Fence to the Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17082. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17083. Four Ponies on a Welsh Moor

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 13/16 inches (20.6 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17084. Ultima, One of Lord Maynard's Mares

Creator:: William Henry Davis, active 1803–1849
Date:: 1815
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17085. The Death: Huntsman Holding Fox Aloft

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 5/16 inches (26 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17086. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17087. Jumping a Double Oxer - A Rider in Difficulties

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17088. Jumping a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17089. Rider Holding on to a Gray Horse After a Fall

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17090. Jumping a Low Rail and a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17091. William Turner's House at Valence, Kent

Creator:: John Donowell, active 1753–1786
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17092. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:: Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17093. Snipe Shooting

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17094. Steeplechasing: Five Riders Galloping Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17095. Steeplechasing: The Field Coming up to a Ditch

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17096. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17097. Study of a Lion, Resting

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 × 12 9/16 inches (20.5 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17098. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Graphite on very thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 16 5/8 inches (27.9 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17099. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17100. Steeplechasing: The Field Jumping in and Out of a Lane

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Collection Prints and Drawings

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17001. The Royal Review in Hatfield Park

17002. A Clerical Rebuke & Parochial Reply

17003. Marriage A-La-Mode, Plate IV: The Toilet Scene

17004. Marriage A-La-Mode, Plate III: The Scene with the Quack

17005. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

17006. South West View of Saint Paul's Cathedral and Blackfrairs Bridge

17007. Salmon Leap at Leixlip

17008. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

17009. Two Shetland Ponies With a Groom

17010. Study of a Horse

17011. Forming the Civic Crown

17012. The Queen's English: An Iillustration in "Punch", Aug. 11, 1877

17013. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

17014. A Chestnut Horse at Exercise

17015. George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721

17016. Fox Hunting: The Death

17017. Fox Hunting: Getting Away

17018. Set of four [Foxhunting]: 3. Full Cry

17019. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17020. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17021. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17022. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17023. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17024. A View of the City of Oporto

17025. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

17026. Epsom

17027. Horse Fair in East Anglia

17028. A Black Rabbit

17029. Mare and Foal

17030. James Ward, R.A.

17031. Donkey Beside a Tree, Hampstead

17032. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

17033. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

17034. Coastal Village in Sussex

17035. An Open Road

17036. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

17037. Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]

17038. Alligator or Crocodile, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 10 A]

17039. Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]

17040. Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]

17041. Untitled

17042. Untitled

17043. Ex Libris Richard Isdell-Carpenter

17044. "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail

17045. St. Sebastian

17046. A Carriage and Pair, with Coachman

17047. Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left

17048. A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

17049. Delivering a Calf

17050. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

17051. The Ice-Wagon

17052. Patience in a Punt

17053. Two Riders Jumping a Wooden Fence

17054. Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

17055. Gone Away

17056. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

17057. Drawing Covert

17058. The Death

17059. View of a Park with Deer

17060. A Groom Leading a Bay Horse

17061. A Travelling Coach and Pair

17062. A Game of Bowls

17063. Rider on a Brown Horse Going at a Wall

17064. Full Cry

17065. The Huntsman, Galloping to Left and Encouraging Hounds

17066. The Death: The Fox Hoist to a Fence

17067. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

17068. Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

17069. Gone Away

17070. A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835

17071. The Huntsman and a Rider Encouraging the Hounds

17072. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

17073. A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835

17074. Two Old Horses Standing in a Field

17075. 'Rather Too Slow'