A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
17303
unknown artist
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
17304
George Moutard Woodward, ca. 1760–1809
An Invaluable Donkey
17305
George Moutard Woodward, ca. 1760–1809
Return from Bond Street - or - Loads of Fashion to Astonish the Vulgar
17306
George Moutard Woodward, ca. 1760–1809
Late Hours or the Watchman's Doubt
17307
George Moutard Woodward, ca. 1760–1809
Irish Bulls!!
17308
George Moutard Woodward, ca. 1760–1809
Circles of Wisdom No. 1
17309
unknown artist
A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London
17310
George Moutard Woodward, ca. 1760–1809
Malbrouke
17311
George Moutard Woodward, ca. 1760–1809
Leonora!!
17312
George Moutard Woodward, ca. 1760–1809
Circles of Wisdom No. 2
17313
George Moutard Woodward, ca. 1760–1809
Printed Cotton Gowns Defended
17314
George Moutard Woodward, ca. 1760–1809
The Irish Baronet and His Nurse!!
17315
George Moutard Woodward, ca. 1760–1809
A Game at [Put] in a Country Alehouse!
17316
George Moutard Woodward, ca. 1760–1809
A Dasher! -- Or the Road to Ruin in the West!
17317
George Moutard Woodward, ca. 1760–1809
Leonora in the Padlock
17318
George Moutard Woodward, ca. 1760–1809
Two-Penny Cribboa'e!!
17319
George Moutard Woodward, ca. 1760–1809
Young Ladies!!
17320
George Moutard Woodward, ca. 1760–1809
[Woman and Man with Sword]
17321
George Moutard Woodward, ca. 1760–1809
[Faces]
17322
George Moutard Woodward, ca. 1760–1809
Avarice and Prodigality!!
17323
George Moutard Woodward, ca. 1760–1809
Matrimonial Comforts!!: A Fashionable Suit!
17324
George Moutard Woodward, ca. 1760–1809
Matrimonial Comforts!!: Late Hours!!
17325
George Moutard Woodward, ca. 1760–1809
Matrimonial Comforts!!: Washing Day!!
17326
Remi Parr, active 1723–1750
The Assault on the Main Body of the Palace;..
17327
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Up! --Huzza!!
17328
George Moutard Woodward, ca. 1760–1809
Matrimonial Comforts!!: A Return from a Walk!!
17329
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Down --Heigh-Ho!!
17330
George Moutard Woodward, ca. 1760–1809
Desire
17331
George Moutard Woodward, ca. 1760–1809
Desire!
17332
unknown artist
The Royal Palace of Windsor
17333
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
17334
Richard Pettigrew Leitch, active 1870
Landscape
ca. 1870
17335
unknown artist
Daguerreotype View of Rhuddlan Castle
between 1850 and 1860
17336
Richard Pettigrew Leitch, active 1870
Trees and Foliage
ca. 1870
17337
Richard Pettigrew Leitch, active 1870
Trees
ca. 1870
17338
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
17339
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
17340
unknown artist
Margain Abbey, Glamorganshire
1805
17341
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
17342
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
17343
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
17344
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
17345
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
17346
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
17347
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
17348
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
17349
Giles King, active 1732–1746
Water Fall at Powers Court
17350
Giles King, active 1732–1746
A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..
17351
Giles King, active 1732–1746
Salmon Leap at Leixlip
17352
unknown artist
A Prospect of the Library of Trinity College, Dublin
undated
17353
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
17354
unknown artist
The Battle of Culloden, near Inverness in Scotland..
17355
Remi Parr, active 1723–1750
The Place given up to Plunder;..
17356
Remi Parr, active 1723–1750
An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..
17357
Remi Parr, active 1723–1750
How Sallies are defended and repulsed;..
17358
unknown artist
The City of Leipzig
17359
unknown artist
A General View of the City of Dantzick
17360
Jake Chapman, born 1966
Untitled
1999
17361
Jake Chapman, born 1966
Untitled
1999
17362
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
17363
Thomas Bowles, ca. 1712–died 1753
A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam
undated
17364
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
17365
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
17366
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
17367
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
17368
James Seymour, 1702–1752
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
17369
James Seymour, 1702–1752
Victorious
undated
17370
unknown artist
A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
17371
James Seymour, 1702–1752
The Famous Childers
undated
17372
James Ward, 1769–1859
Hereford Boar
ca. 1803
17373
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
17374
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
17375
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
17376
Possibly Joseph Wolf, 1820–1899
Chaffinch
ca. 1840
17377
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
17378
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
17379
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
17380
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
17381
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
17382
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
17383
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
17384
George Hunt, active 1820–1840
The Cover
1823
17385
George Hunt, active 1820–1840
Full Cry
1823
17386
George Hunt, active 1820–1840
Breaking Cover
1823
17387
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
17388
George Hunt, active 1820–1840
The Death
1823
17389
George Hunt, active 1820–1840
The Toast
1824
17390
unknown artist
The City of Dresden
between 1780 and 1815
17391
Charles Bentley, 1806–1854
Fox Hunting: Full Cry
1828
17392
unknown artist
Set of four [Foxhunting]: 4. The Death
1817
17393
Richard Gilson Reeve, 1803–1889
Plate 2. The Repast
1813
17394
unknown artist
A View of the City of Oporto
between 1780 and 1815
17395
unknown artist
The Remains of the Great Temple in Palmira seen from the West. ..
between 1780 and 1815
17396
Thomas Bowles, ca. 1712–died 1753
A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol