"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
17902
Jan Wyck, ca. 1645–1700
Stag Hunting
undated
17903
Jan Wyck, ca. 1645–1700
A Hawking Party
undated
17904
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
17905
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
17906
Charles Turner, 1774–1857
Backswords
1810
17907
Francis Sartorius, 1734–1804
Hunting in a Wood
undated
17908
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
17909
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
17910
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
17911
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
17912
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
17913
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
17914
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
17915
Charles Turner, 1774–1857
Wrestling
1810
17916
Possibly John West Giles, active 1827–1865
Man Leading a Horse in Front of a Stable
1827
17917
Michael "Angelo" Rooker, 1746–1801
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
undated
17918
unknown artist
Head of an Eagle, Facing Left
undated
17919
Peter DeWint, 1784–1849
A Terrier, Sitting, Facing Left
undated
17920
Thomas Rowlandson, 1756–1827
A Saddled Cavalry Horse
undated
17921
Richard Dighton, 1795–1880
R. W. Selby-Lowndes in a Scarlet Coat
1843
17922
Henry Thomas Alken, 1785–1851
Steeplechasing: The Start
undated
17923
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
17924
Peter DeWint, 1784–1849
Horses Resting in a Meadow near Bolsover Castle
undated
17925
Print made by Sir David Young Cameron, 1865–1945
Dunvalanree
1910
17926
Print made by James McNeill Whistler, 1834–1903
The Rag Gatherers
1858
17927
James McNeill Whistler, 1834–1903
Chelsea
undated
17928
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
17929
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
17930
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
17931
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
17932
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
17933
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
17934
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
17935
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
17936
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
17937
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1796
17938
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
17939
Peter P. Benazech, 1767–1794
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea
1761
17940
Daniel Lerpiniere, c.1745–1785
A View in the Island of Jamaica, of part of the River Cobre near Spanish Town
1778
17941
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
1762
17942
James Moore, 1762–1799
Unidentified Castle
undated
17943
Print made by George Cruikshank, 1792–1878
The Arrest of Lord Edward Fitzgerald
undated
17944
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica
1769
17945
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections of the East and West End
undated
17946
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
17947
Samuel Francis Marryat, 1826–1855
Dyak Women
1848
17948
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections, East and West End
undated
17949
Print made by George Cruikshank, 1792–1878
"That aint him!"
undated
17950
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
17951
Henry Thomas Alken, 1785–1851
[Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check ..
1834
17952
Henry Thomas Alken, 1785–1851
[Fox Hunting] A Pair: Yellowham Wood, / County of Dorset. .
1834
17953
Print made by Robert Branston, ca. 1803–1877
Natives of Bruni
1848
17954
Samuel Francis Marryat, 1826–1855
Dyak Women in Canoe
1848
17955
Charles Hunt, 1803–1877
The Few, not Funkers
1841
17956
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
17957
Print made by George Cruikshank, 1792–1878
The First Step
undated
17958
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
17959
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
17960
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
17961
Samuel Ireland, active 1760–died 1800
Joiner's Hall
between 1794 and 1800
17962
Samuel Ireland, active 1760–died 1800
Westminster Hall
1798
17963
Samuel Ireland, active 1760–died 1800
Dyer's Hall
between 1794 and 1800
17964
Samuel Ireland, active 1760–died 1800
Temple Church
between 1794 and 1800
17965
Samuel Ireland, active 1760–died 1800
Lion's Inn
between 1794 and 1800
17966
Samuel Ireland, active 1760–died 1800
Garden Front of Stationer's Hall
between 1794 and 1800
17967
Samuel Ireland, active 1760–died 1800
Middle Temple Gate
1800
17968
Samuel Ireland, active 1760–died 1800
Southwest View of Middle Temple
1800
17969
Samuel Ireland, active 1760–died 1800
Tallow Chandler's Hall
between 1794 and 1800
17970
Samuel Ireland, active 1760–died 1800
Gray's Inn
1800
17971
Samuel Ireland, active 1760–died 1800
Guildhall
1800
17972
Samuel Ireland, active 1760–died 1800
North Front of Temple Hall
between 1794 and 1800
17973
Print made by George Cruikshank, 1792–1878
Mr. Weazel Renews an Old Friendship
undated
17974
Samuel Ireland, active 1760–died 1800
Sergeant's Inn
1800
17975
Samuel Ireland, active 1760–died 1800
Barnard's Inn
1800
17976
Samuel Ireland, active 1760–died 1800
North Front of Temple Hall
1800
17977
Samuel Ireland, active 1760–died 1800
Temple Church
1800
17978
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
17979
Samuel Ireland, active 1760–died 1800
Leather Fullers Hall
1800
17980
Samuel Ireland, active 1760–died 1800
Staple Inn
1800
17981
Samuel Ireland, active 1760–died 1800
Clement's Inn
1800
17982
Samuel Ireland, active 1760–died 1800
Rolls Chapel
1800
17983
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Hall and Chapel
1800
17984
Samuel Ireland, active 1760–died 1800
Westminster Hall
1800
17985
Samuel Ireland, active 1760–died 1800
New Inn
1800
17986
Samuel Ireland, active 1760–died 1800
Clifford's Inn
1800
17987
Samuel Ireland, active 1760–died 1800
Furnival's Inn
1800
17988
Print made by George Cruikshank, 1792–1878
An Awkward Post
undated
17989
Print made by George Cruikshank, 1792–1878
Hatchway's Eagerness to Meet Peregrine
ca. 1830
17990
Print made by George Cruikshank, 1792–1878
The Capture of Coldough and Harvey
undated
17991
Thomas Daniell, 1749–1840
Landscape
undated
17992
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
17993
Thomas Daniell, 1749–1840
Landscape with Rock Formed Hills in the Background