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John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
G.F. Storm Vol. 6, Plate XXVIII
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
James Basire the younger Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
G.F. Storm Vol. 6, Plate XXIX
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
James Basire the younger Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire the younger Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire the younger Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
Charles James Richardson Sections of Room under Painted Chamber
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
James Basire the younger Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
unknown artist In the Via Mala, Between Coire and Splugen
unknown artist
In the Via Mala, Between Coire and Splugen
ca. 1796
T. Clarke Plate XXXVIII: House of Lords, as Fitted up in 1835
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
T. Kearnan The House of Lords, as Restored after the Fire
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
William Capon Elevation of Buildings Fronting Westminster Hall
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
Miss Mary Byrne The Houses of Lords and Commons
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
William Deeble The King's Entrance to the House of Lords, From Poets Corner
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
Charles James Richardson Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
Charles James Richardson Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
Charles James Richardson Decoration between Windows of Parlor, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
unknown artist Chance. The London Firemen's Dog
Print made by unknown artist
Chance. The London Firemen's Dog
1834
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
Edward Rooker Henry the Seventh's Chapel
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
William Capon Henry VII Chapel
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
John Phillipps Emslie Houses Adjacent to Westminster Abbey in the Process of Demolition
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
John Carter Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
John Carter Line of Buildings on East Side, Dean's Yard
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
John Carter Continuation of Details
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
John Carter Window, Dean's Yard
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
unknown artist Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
Thomas Rowlandson A Young Woman in a Blue Striped Dress
Thomas Rowlandson, 1756–1827
A Young Woman in a Blue Striped Dress
undated
John Carter Continuation of Detail
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
Thomas Rowlandson Spanish Inquisition
Thomas Rowlandson, 1756–1827
Spanish Inquisition
undated
John Carter Continuation of Detail
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
Thomas Rowlandson The London Citizen
Thomas Rowlandson, 1756–1827
The London Citizen
undated
John Carter Detail, Dean's Yard
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
Charles Schlecht The Stump Speaker
Charles Schlecht, 1843–1932
The Stump Speaker
undated
Thomas Rowlandson Interior of a Dressing Room with Jack Bannister
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
Richard Samuel Chattock Footbridge over the Wiley
Print made by Richard Samuel Chattock, 1825–1906
Footbridge over the Wiley
1884
Thomas Rowlandson Preparatory sketch for 'Dr Syntax Sketching the Lake'
Thomas Rowlandson, 1756–1827
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
J. S. Cooper Sheep
Print made by J. S. Cooper, active 1885
Sheep
ca. 1880
William Faithorne Portrait of Francis Moore
Print made by William Faithorne, ca. 1620–1691
Portrait of Francis Moore
ca. 1663
John Carter Figure study, Henry VII Chapel
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
Lucien Marcelin Gautier Venetian Canal
Lucien Marcelin Gautier, 1850–1925
Venetian Canal
ca. 1880
Maxime Lalanne Tour de Montalban, Amsterdam
Maxime Lalanne, 1827–1886
Tour de Montalban, Amsterdam
1881
Thomas Rowlandson Doctor Syntax loses his Money on the Race Ground at York
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
Thomas Langley The East Elevation of Windsor Castle, as built by Edward III
Thomas Langley, 1702–1751
The East Elevation of Windsor Castle, as built by Edward III
Mary Nimmo Moran "Tween the Gloamin' and the Mirk, When the Kye Come Hame"
Mary Nimmo Moran, 1842–1899
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
Henry Lambert Trafalgar Square
Henry Lambert, active 1926
Trafalgar Square
Henry Lambert Fleet Street
Henry Lambert, active 1926
Fleet Street
Joseph Pennell Venice
Joseph Pennell, 1860–1926
Venice
1883
Louis Haghe Interior of the Mosque of the Metwalys
Louis Haghe, 1806–1885
Interior of the Mosque of the Metwalys
1849
Charles Oliver Murray Apple Blossoms
Charles Oliver Murray, 1842–1923
Apple Blossoms
1885
unknown artist The Prodigal Son Taking Leave
unknown artist
The Prodigal Son Taking Leave
1788
Thomas Rowlandson One Way to Stop Your Horse
Thomas Rowlandson, 1756–1827
One Way to Stop Your Horse
undated
Arthur James Turrell The Cathedral Entrance
Arthur James Turrell, 1871–1940
The Cathedral Entrance
1889
Thomas Rowlandson Mr. and Mrs. Jolly at their Country House
Thomas Rowlandson, 1756–1827
Mr. and Mrs. Jolly at their Country House
undated
Thomas Rowlandson Venus Crowned by Cupid
Thomas Rowlandson, 1756–1827
Venus Crowned by Cupid
between 1810 and 1815
Thomas Rowlandson The Kill
Thomas Rowlandson, 1756–1827
The Kill
undated
John Russell Portrait of Anne and Maria Russell
John Russell, 1745–1806
Portrait of Anne and Maria Russell
1804
Thomas Rowlandson The Vicar of Wakefield: Frontispiece
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
James McNeill Whistler Jo (canceled plate)
James McNeill Whistler, 1834–1903
Jo (canceled plate)
1861
Thomas Rowlandson A Cavalry Barracks
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
James McNeill Whistler The Open Book
James McNeill Whistler, 1834–1903
The Open Book
1861
James McNeill Whistler A Nude Figure Posing
James McNeill Whistler, 1834–1903
A Nude Figure Posing
between 1873 and 1875
Peter DeWint Harvesters in Landscape in Sussex
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
unknown artist View of Conway Castle, Caernarvonshire
unknown artist
View of Conway Castle, Caernarvonshire
after 1814
unknown artist Light House on the Isle of Scalpa, Harris
unknown artist
Light House on the Isle of Scalpa, Harris
after 1814
unknown artist Lord Henry Seymours Castle
unknown artist
Lord Henry Seymours Castle
after 1814
unknown artist Mount Edgecombe, from the Citadel, Plymouth
unknown artist
Mount Edgecombe, from the Citadel, Plymouth
after 1814
unknown artist Winchelsea
unknown artist
Winchelsea
after 1814
unknown artist The Lizard Light-House Cornwall
unknown artist
The Lizard Light-House Cornwall
after 1814
unknown artist North Foreland Light House
unknown artist
North Foreland Light House
after 1814
unknown artist Freshwater Bay, Isle of Wight
unknown artist
Freshwater Bay, Isle of Wight
after 1814
unknown artist Pier at Margate
unknown artist
Pier at Margate
after 1814
unknown artist Port-looe, Cornwall
unknown artist
Port-looe, Cornwall
after 1814
unknown artist Dover, from Shakespears Cliff
unknown artist
Dover, from Shakespears Cliff
after 1814
unknown artist View on Puffin Island, near Anglesea
unknown artist
View on Puffin Island, near Anglesea
after 1814
unknown artist Torbay, Devon
unknown artist
Torbay, Devon
after 1814
unknown artist The Citadel, Plymouth
unknown artist
The Citadel, Plymouth
after 1814
Angela Conner A Morgan Horse, Rearing
Print made by Angela Conner, born 1935
A Morgan Horse, Rearing
1980
John Buckler FSA North East View of Harlaxton Manor House, Lincolnshire
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire
1817
John Buckler FSA South View of Thornbury Castle, Gloucestershire
John Buckler FSA, 1770–1851
South View of Thornbury Castle, Gloucestershire
1822
John Buckler FSA North West View of Harlaxton Manor House, Lincolnshire
John Buckler FSA, 1770–1851
North West View of Harlaxton Manor House, Lincolnshire
1817
John Buckler FSA Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
John Buckler FSA North East View of Samlesbury Hall, Lancashire
John Buckler FSA, 1770–1851
North East View of Samlesbury Hall, Lancashire
1814
John Le Keux The Bodleian Library
Engraved by John Le Keux, 1783–1846
The Bodleian Library
John Buckler FSA West view of the Ruins of Cowdray House, Sussex
John Buckler FSA, 1770–1851
West view of the Ruins of Cowdray House, Sussex
1825
John Buckler FSA View in the Court of Compton Winyate, Warwickshire
John Buckler FSA, 1770–1851
View in the Court of Compton Winyate, Warwickshire
1823