Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
18202
Print made by Thomas Rowlandson, 1756–1827
A New Insect
1784
18203
Augustus Edwin John, 1878–1961
The Chemise
undated
18204
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
18205
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
18206
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
18207
Augustus Edwin John, 1878–1961
Dorelia Asleep
1903
18208
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
18209
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
18210
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
18211
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
18212
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
18213
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
18214
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
18215
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
18216
James Gillray, 1756–1815
A Man of Importance
1799
18217
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
18218
James Gillray, 1756–1815
Independence
1799
18219
James Gillray, 1756–1815
A Portrait ------------
1799
18220
Augustus Edwin John, 1878–1961
Dorelia
undated
18221
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
18222
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
18223
Isaac Weld, 1774–1856
Studies of Roman Saddles
ca. 1818
18224
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
18225
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
18226
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
18227
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
18228
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison: Aerial Perspective
undated
18229
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
18230
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison
ca. 1830
18231
unknown artist
George III's Visit to Portsmouth
ca. 1794
18232
unknown artist
Dalmally, Western Highlands, Scotland
1813
18233
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
18234
unknown artist
Steam Packet Victory off Margate
1821
18235
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
18236
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
18237
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
18238
James Gillray, 1756–1815
Patience on a Monument
1791
18239
unknown artist
the East Prospect of the Ruins of Furness Abbey in Lancashire
1727
18240
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
18241
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
18242
John Young, 1755–1825
Chevy Chase
1813
18243
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
18244
unknown artist
A View of Windsor Castle
1813
18245
John Young, 1755–1825
Chevy Chase
1813
18246
Peltro W. Tomkins, 1760–1840
Three Actors in a Play
1785
18247
John Young, 1755–1825
The Surrender of Callais
1815
18248
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Peter at Rome
1765 to 1767
18249
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Mary at Rome
1765 to 1767
18250
John Young, 1755–1825
The Surrender of Callais
1815
18251
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of the New Prison at Rome
1765 to 1767
18252
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
18253
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
18254
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Temple of Bacchus at Rome
1765 to 1767
18255
Gwen John, 1876–1939
Study of a Nun
between 1916 and 1918
18256
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Church
1765 to 1767
18257
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Sepulchrale Church
1765 to 1767
18258
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
18259
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
18260
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
18261
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
18262
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
18263
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
18264
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
18265
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
18266
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
18267
James Gillray, 1756–1815
The Royal Academy
1786
18268
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
18269
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
18270
Gwen John, 1876–1939
Rue Terre Neuve
ca. 1921
18271
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
18272
James Scouler, 1741–1812
Portrait of Lady Menzies
1770
18273
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
18274
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
18275
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
18276
Edward Duncan, 1803–1882
Launch of S. S. Forth at Leith
1842
18277
Francesco Bartolozzi, 1728–1815
The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
1786
18278
Francesco Bartolozzi, 1728–1815
Certificate From The Royal Academy, Appointing John Opie, As An Academician
1788
18279
Francis Jukes, 1747–1812
View of Jedburgh Abbey
1793
18280
Gwen John, 1876–1939
Portrait of Marie Hamonet
between 1918 and 1919
18281
John Goldar, 1729–1795
The Honey-moon from Modern Love III: Modern Love Pl. 2
1766
18282
unknown artist
A Morning Frolic or the Transmutation of Sexes
undated
18283
unknown artist
Kitty Coaxer driving Dupe, towards Rotten Row
1779
18284
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
18285
unknown artist
The Feathered Fair in a Fright
undated
18286
unknown artist
The Manchester Hero, or Arts yieId to Arms
undated
18287
James Gillray, 1756–1815
The Bubbles of Opposition
1788
18288
James Gillray, 1756–1815
The Friendly Agent
1787
18289
Gwen John, 1876–1939
Girl with Large Hat and Straw-Colored Hair
ca. 1910
18290
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
18291
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
18292
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
18293
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
18294
Anthony Walker, 1726–1765
A View of the New Bridge Over the Thames at Walton in Surrey