Lord North on the Stool of Repentance, or the Ill Effects of Meddling with Salts
1782
18604
Capt. Francis Grose, 1731–1791
City Malitia (sic) Marching
ca. 1788
18605
unknown artist
[ man with a candle ]
178-?
18606
Print made by unknown artist
The Sacred page Displayed
1821
18607
James Gillray, 1756–1815
Breathing a vein
1804
18608
James Gillray, 1756–1815
Taking Physick
1800
18609
John Kay, 1742–1826
Officers of the Hopeton fincible Regim't
1795
18610
James Gillray, 1756–1815
Wha Wants Me?
1792
18611
Print made by unknown artist
La Fruitiere / Le Tailleur
ca. 1800
18612
unknown artist
Fools Eloquence
1795
18613
Print made by unknown artist
L'Armurier / Le Pecheur
ca. 1800
18614
unknown artist
Chambroochee
before 1791
18615
Isaac Cruikshank, 1764–1811
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament
1795
18616
unknown artist
Illustrations for Scrap Books
1825
18617
Henry Heath, active 1824–1835
And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
1827
18618
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
18619
Isaac Cruikshank, 1764–1811
The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends
1794
18620
Henry Heath, active 1824–1835
An Irish Tilting Match, or the Poissardes against the Poignards
1824
18621
Charles Williams, active 1796–1830
The Acquittal or the Managers Poisened with a Beer of Their Own Brewing
1806
18622
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
18623
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
18624
unknown artist
The Battle Royal, or who wears the Breeches
1784
18625
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
18626
Isaac Cruikshank, 1764–1811
A legal method of thrashing out Grain
1800
18627
Henry Heath, active 1824–1835
The new Master of the Crown Inn discharging Betty the head Chambermaid
1830
18628
William Heath, 1795–1840
The Taylor Sheering the Geese
1811
18629
Thomas Rowlandson, 1756–1827
Secret Influence directing the new Parliament
1784
18630
James Gillray, 1756–1815
Egyptian Sketches
1799
18631
James Gillray, 1756–1815
The Pigs Possessed
1807
18632
Henry Heath, active 1824–1835
Where the Carcase is, there will ... the Birds of Prey be gathered
1827
18633
Charles Williams, active 1796–1830
A Meeting of Monopolizers, or the Good Effect of Peace
1801
18634
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
18635
unknown artist
The Rival Accoucheurs or who shall Deliver Europe
1800
18636
James Gillray, 1756–1815
New Morality
1798
18637
James Gillray, 1756–1815
Light Expelling Darkness
1795
18638
James Gillray, 1756–1815
Doublûres of Characters
1798
18639
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
18640
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
18641
James Gillray, 1756–1815
The Generae of Patriotism
1796
18642
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
18643
James Gillray, 1756–1815
Playing in Parts
1801
18644
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
18645
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
18646
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
18647
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
18648
James Gillray, 1756–1815
The Friend of the People
1806
18649
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
18650
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
18651
James Gillray, 1756–1815
Le Diable Boiteaux
1806
18652
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
18653
unknown artist
The Magnanimous Ally
1799
18654
Richard Newton, 1777–1798
The Ins and Outs or the Jesuits treatment of his friends
1797
18655
James Gillray, 1756–1815
Visiting the Sick
1806
18656
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
18657
unknown artist
The Triumph of Sentiment / The Prospect of Happiness
1800
18658
Isaac Cruikshank, 1764–1811
Table D'Hote
1821
18659
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
18660
Thomas Rowlandson, 1756–1827
The Fall of Dagon or Rare News for Leadenhall Street
1784
18661
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
18662
Thomas Rowlandson, 1756–1827
The Westminster Watchman
1784
18663
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
18664
unknown artist
Greater Sulphur Crested Cockatoo
ca. 1832
18665
Print made by Arthur Pond, ca. 1705–1758
Self-portrait
1751
18666
Print made by John Smith, 1652–1743
William, Duke of Gloucester
ca. 1700
18667
Print made by Thomas Cook, 1744–1818
David Garrick in the Character of Richard III
1798
18668
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
18669
Print made by Richard Earlom, 1743–1822
Angelica and Medoro
1768
18670
unknown artist
Red and Yellow Macaw
1832
18671
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
18672
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745
18673
Print made by Thomas Picken, active 1838–died 1870
The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852
1853
18674
Paul Sandby, 1731–1809
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania
1761
18675
James Peak, 1703–1782
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm
1761
18676
unknown artist
Dwarf Parakeet Macaw
1832
18677
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: An East View of Montreal in Canada
1762
18678
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
1770
18679
unknown artist
Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
1769
18680
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
1769-1770
18681
Print made by John Simon, 1675–1755
Portraits of Four Indian Kings of Canada: Ho Nee Yeath Taw No Row, King of the Generethgarich
ca. 1755
18682
unknown artist
Pale-headed Parakeet
1832
18683
Print made by John Simon, 1675–1755
Portraits of Four Indian Kings of Canada: Etow Oh Koam, King of the River Nation
ca. 1755
18684
Print made by Bernard Lens II, 1659–1725
Portraits of Four Indian Kings of Canada: The Four Indian Kings
1710
18685
Print made by John Simon, 1675–1755
Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations
ca. 1755
18686
unknown artist
Brown's Parakeet
1832
18687
unknown artist
Red-capped Parakeet (female)
1832
18688
unknown artist
Pigeon Parrakeet
1832
18689
unknown artist
Abyssinian Parakett
1832
18690
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
18691
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
18692
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
18693
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
18694
Henry Thomas Alken, 1785–1851
Studies of Anglers
undated
18695
Cecil Charles Windsor Aldin, 1870–1935
Cracker and Friend lying in an Armchair (Turps finds a new use for bull terriers)
undated
18696
Print made by Charles William Cain, 1893–1962
The Highland Ferry, Scotland
undated
18697
Henry Thomas Alken, 1785–1851
A Gentleman driving a four-in-hand to a Mail Phaeton, accompanied by three grooms