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30001. Approach to Thiers, France

Approach to Thiers, France
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30002. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Maria Theresa Charlotte, Daughter of Louis the Sixteenth
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1794
Materials & Techniques:
Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30003. No.3 Edmonton, Hark Away Dick

No.3 Edmonton, Hark Away Dick
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30004. No.4 The Brothers' Gibbet at Gonerly

No.4 The Brothers' Gibbet at Gonerly
Creator:
Print made by unknown framemaker
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30005. No.5 Poor Bess Revived

No.5 Poor Bess Revived
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30006. No.2 Leaping Hornsey Toll Gate

No.2 Leaping Hornsey Toll Gate
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30007. No.6 The Phantom Horseman

No.6 The Phantom Horseman
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30008. Figure Sketch

Figure Sketch
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 4 3/4 inches (11.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30009. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30010. No.7 Bess Swimming the Ouse

No.7 Bess Swimming the Ouse
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30011. Mr. Winkle's Situation When the Door Blew To

Mr. Winkle's Situation When the Door Blew To
Creator:
Print made by Hablot Knight Browne, 1815–1882
Date:
1837
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30012. Count Bertram's Shipwreck

Count Bertram's Shipwreck
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1816
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30013. The Antiquarian

The Antiquarian
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30014. A Macaroni

A Macaroni
Creator:
after Edward Topham, 1751–1820
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30015. The Marquis de Guiscard Attempting to Assassinate Harley

The Marquis de Guiscard Attempting to Assassinate Harley
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1844
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30016. A Connoiseur Admiring a Dark Nigh Piece

A Connoiseur Admiring a Dark Nigh Piece
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1771
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30017. Young Angel

Young Angel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 2 1/2 inches (11.1 × 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30018. Distant View of St. Michel

Distant View of St. Michel
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30019. Chamberry from the Road to Aix

Chamberry from the Road to Aix
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30020. The Unfortunate Death of Major André

The Unfortunate Death of Major André
Creator:
Print made by John Goldar, 1729–1795
Date:
1783
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30021. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30022. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30023. Pass of Sant Alessio between Taormina and Messina, Sicily

Pass of Sant Alessio between Taormina and Messina, Sicily
Creator:
after Peter DeWint, 1784–1849
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30024. Peaks Hole, Derbyshire

Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30025. Mother and Children

Mother and Children
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30026. Pirna and the Castle of Sonnenstein

Pirna and the Castle of Sonnenstein
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1828
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30027. North Queen's Ferry

North Queen's Ferry
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30028. Mill on Wimbledon Common

Mill on Wimbledon Common
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30029. The Virgin Mother

The Virgin Mother
Creator:
after William Dyce, 1806–1864
Date:
1854
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30030. The Battle of the Pictures

The Battle of the Pictures
Creator:
Print made by unknown artist
Date:
1870
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30031. Wolsey's Well at Esher, Surrey

Wolsey's Well at Esher, Surrey
Creator:
Print made by George Cooke, 1781–1834
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30032. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving
Creator:
Print made by unknown artist
Date:
ca. 1860
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30033. A View of the Grand Fete on Parker's Piece, Cambridge

A View of the Grand Fete on Parker's Piece, Cambridge
Creator:
Print made by George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Lithography on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30034. Sèvres

Sèvres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30035. The Imposture of the Holy Maid of Kent

The Imposture of the Holy Maid of Kent
Creator:
Print made by Isaac Taylor, 1759–1829
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30036. For Sale by the Candle at Garraways

For Sale by the Candle at Garraways
Creator:
Print made by unknown artist
Date:
1733
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30037. Dublin Fireworks

Dublin Fireworks
Creator:
Print made by unknown artist
Date:
1749
Materials & Techniques:
Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30038. Solway Firth from Allonby, Cumberland

Solway Firth from Allonby, Cumberland
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30039. Dodging the Draft

Dodging the Draft
Creator:
Print made by unknown artist
Date:
between 1861 and 1865
Materials & Techniques:
Wood engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30040. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30041. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30042. Tail Piece to the Artist's Catalogue, 1761

Tail Piece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30043. The Temptation of Christ

The Temptation of Christ
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30044. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30045. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30046. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30047. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30048. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30049. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30050. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30051. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30052. Group of Figures

Group of Figures
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30053. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30054. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30055. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30056. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30057. Lady Hamilton as Circe

Lady Hamilton as Circe
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 1/2 inches (14 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30058. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30059. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30060. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30061. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30062. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30063. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30064. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30065. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30066. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30067. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30068. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30069. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30070. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30071. Two Sketches of Running Figure

Two Sketches of Running Figure
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30072. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30073. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30074. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30075. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30076. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30077. Plate I, Pikemen

Plate I, Pikemen
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30078. Lady Hamilton as Hygia?

Lady Hamilton as Hygia?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 2 3/4 inches (15.9 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30079. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30080. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30081. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30082. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30083. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30084. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30085. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30086. Ticket of the London Hospital

Ticket of the London Hospital
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30087. None

None
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30088. The Right Hon. Gustavus Lord Viscount Boyne &c

The Right Hon. Gustavus Lord Viscount Boyne &c
Creator:
Print made by A. M. Ireland, active before 1801
Date:
before 1800
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30089. Two Women in Gowns

Two Women in Gowns
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 7 1/2 inches (15.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30090. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30091. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30092. The Gate of Calais, O the Roast Beef of Old England

The Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30093. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30094. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30095. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30096. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30097. Scene from the Tempest

Scene from the Tempest
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 5/8 inches (14 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30098. First Stage of Cruelty

First Stage of Cruelty
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30099. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30100. First Stage of Cruelty

First Stage of Cruelty
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection