Collection: Prints and Drawings - YCBA Collections Search Search Results

33901. La Chaise de Gargantua near Duclair

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33902. Tancarville

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, white chalk, and scraping; touched engraver's proof on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33903. Rouen, Looking Down the River

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33904. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33905. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33906. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33907. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; early touched engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33908. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33909. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof (ab) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 3/8 inches (31.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33910. Tancarville

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33911. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; early engraver's proof (1) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/8 inches (21.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33912. Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33913. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33914. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33915. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33916. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33917. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (ab) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33918. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33919. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33920. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, and scraping out; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33921. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slighlty textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33922. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (3) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33923. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33924. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33925. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving, with white chalk, black ink, and scraping out; early touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 inches (14.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33926. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33927. View on the Seine, between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33928. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33929. View on the Seine, between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33930. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33931. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof (1) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33932. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and white chalk; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33933. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; finished engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33934. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite, white chalk, and chine collé; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33935. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33936. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33937. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33938. Craigmillar Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 11 5/8 inches (37.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33939. Wolf's Hope

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33940. Col. Mannering, Hazlewood, and the Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33941. Summer Eve, the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33942. Sinai's Thunder

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33943. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33944. A Flower Piece

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1779
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/16 x 9 7/16 inches (34.1 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33945. The Farmer's Boy

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33946. Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828

Creator:: unknown artist
Date:: 1829
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33947. Sir George Beaumont, Bart.

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33948. Henry Fuseli, Esq.

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33949. Henry Fuseli, Esq. R. A.

Creator:: John Rogers, 1808–ca.1888
Date:: 1834
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33950. Richard Grainger, Esqr.

Creator:: George H. Phillips, active 1819–1825
Date:: 1840
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33951. John Greenwood

Creator:: William Pether, ca. 1738–1821
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33952. John Greenhill

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33953. Fores's National Sports: Racing - The Run In

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33954. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Creator:: William Pether, ca. 1738–1821
Date:: 1789
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33955. The Housewife's Employment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33956. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: between 1769 and 1787
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33957. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33958. Ticket: Anacreontic Society Meeting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33959. Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33960. For Japanning, Plate 3

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 11 3/16 inches (20.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33961. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33962. For Japanning, Plate 4

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33963. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

33964. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33965. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

33966. For Japanning, Plate 6

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33967. For Japanning, Plate 2

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 13/16 × 10 13/16 inches (17.3 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33968. For Japanning, Plate 5

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 10 9/16 inches (17.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33969. Plate 1

Creator:: Ian McKeever, born 1946
Date:: 1993
Materials & Techniques:: Woodcut; second impression on 300gsm BFK Rives white wove paper
Dimensions:: Sheet: 35 × 27 inches (88.9 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

33970. Plate 10

Creator:: Ian McKeever, born 1946
Date:: 1993
Materials & Techniques:: Woodcut on 300gsm BFK Rives white wove paper
Dimensions:: Sheet: 27 × 35 inches (68.6 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

33971. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

33972. Pair 2

Creator:: Therese Oulton, born 1953
Date:: 1989
Materials & Techniques:: Lithograph on 250gsm Zerkall white wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/4 inches (75.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

33973. Untitled (Plate 3)

Creator:: Marc Quinn, born 1964
Date:: 1995
Materials & Techniques:: Three color soft-ground etching on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 37 1/4 × 30 1/2 inches (94.6 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

33974. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33975. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33976. Caricature of the County Lancashire

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33977. The Golden D'Or

Creator:: Ian Stephenson, 1934–2000
Date:: before 1980
Materials & Techniques:: Acrylic on paper
Dimensions:: Sheet: 10 7/8 x 7 1/4 inches (27.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Samuel and Gabrielle Lurie

33978. Caricatures of the counties of Devonshire and Gloucestershire

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33979. Snowballing

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 3/8 inches (9.2 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33980. Crinolines by the River

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 3/8 inches (10.5 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33981. The Captain on Full Pay

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33982. Highland Regiment in Camp

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33983. Iron Bridge on the Outskirts of an Industrial Town

Creator:: Thomas Charles Leeson Rowbotham, 1823–1875
Date:: 1871
Materials & Techniques:: Watercolor, white gouache, pen and black ink, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 23 5/8in. (26.4 x 60cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33984. Maid with a Mop

Creator:: John Leech, 1817–1864
Date:: ca. 1862
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33985. Study for the Portrait of Hannah, Countess of Roseberry

Creator:: Frederic Leighton, 1830–1896
Date:: ca. 1880
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33986. Marietta, Capri

Creator:: Frederic Leighton, 1830–1896
Date:: 1859
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 inches (27 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33987. Pot Valiant: Scene in a Tap-Room

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33988. Boarding a Train

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

33989. Landscape with Ruined Castle on the Esk

Creator:: Richard Principle Leitch, 1844–1875
Date:: 1874
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33990. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33991. Why, what's the matter with Tommy?

Creator:: John Leech, 1817–1864
Date:: 1852
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 4 3/4 inches (11.1 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

33992. Porta S. Giovanni, Rome

Creator:: William Leighton Leitch, 1804–1883
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33993. Mist on the Downs

Creator:: William Leighton Leitch, 1804–1883
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 x 11 9/16in. (19.2 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33994. Two Studies of Buildings

Creator:: Richard Principle Leitch, 1844–1875
Date:: 1849
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 15/16 x 11 7/8in. (20.2 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33995. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33996. Castletown Harbour, Isle of Man

Creator:: William Leighton Leitch, 1804–1883
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33997. Study for the Portrait of a Lady

Creator:: Attributed to Sir Peter Lely, 1618–1680
Date:: undated
Materials & Techniques:: Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33998. Studies of Hands

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33999. View of Arundel, Sussex

Creator:: Bernard Lens III, 1682–1740
Date:: ca. 1720
Materials & Techniques:: Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34000. Bust of a Woman Looking upwards to left

Creator:: Bernard Lens III, 1682–1740
Date:: 1703
Materials & Techniques:: Red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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33901. La Chaise de Gargantua near Duclair

33902. Tancarville

33903. Rouen, Looking Down the River

33904. Rouen Cathedral

33905. Rouen Cathedral

33906. Château de la Mailleraie

33907. Rouen Cathedral

33908. Château de la Mailleraie

33909. Château de la Mailleraie

33910. Tancarville

33911. Between Quilleboeuf and Villequier

33912. Quilleboeuf

33913. Honfleur

33914. Between Quilleboeuf and Villequier

33915. Honfleur

33916. Château Gaillard, from the South

33917. Château Gaillard, from the South

33918. Château Gaillard, from the South

33919. Vernon

33920. Château de la Mailleraie

33921. Vernon

33922. Vernon

33923. Château Gaillard, from the South

33924. Pont de l'Arche

33925. Pont de l'Arche

33926. Pont de l'Arche

33927. View on the Seine, between Mantes and Vernon

33928. Château Gaillard, from the South

33929. View on the Seine, between Mantes and Vernon

33930. Bridge of Meulan

33931. Mantes

33932. Pont de l'Arche

33933. Mantes

33934. Bridge of Meulan

33935. The Temptation on the Mountain

33936. Beaugency

33937. Skiddaw

33938. Craigmillar Castle

33939. Wolf's Hope

33940. Col. Mannering, Hazlewood, and the Smugglers

33941. Summer Eve, the Rainbow

33942. Sinai's Thunder

33943. Kelso

33944. A Flower Piece

33945. The Farmer's Boy

33946. Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828

33947. Sir George Beaumont, Bart.

33948. Henry Fuseli, Esq.

33949. Henry Fuseli, Esq. R. A.

33950. Richard Grainger, Esqr.

33951. John Greenwood

33952. John Greenhill

33953. Fores's National Sports: Racing - The Run In

33954. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

33955. The Housewife's Employment

33956. Ticket for the Benefit of Mr. Giardini

33957. Lady Gertrude, Marchioness of Halifax

33958. Ticket: Anacreontic Society Meeting

33959. Dr. John Fothergill

33960. For Japanning, Plate 3

33961. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

33962. For Japanning, Plate 4

33963. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

33964. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

33965. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

33966. For Japanning, Plate 6

33967. For Japanning, Plate 2

33968. For Japanning, Plate 5

33969. Plate 1

33970. Plate 10

33971. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

33972. Pair 2

33973. Untitled (Plate 3)

33974. McLean's Scraps for Albums

33975. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's