Print made by John Smith, the mezzotinter, 1652–1743
Mr. and Mrs. Gibbons
1691
36912
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
36913
Print made by Daniel J. Pound, active ca. 1860
John Gibson
between 1850 and 1860
36914
Print made by Alexander Bannerman, ca. 1730–1780
Marc Garrard
1765
36915
Print made by William Daniell, 1769–1837
Edmund Garvey, R.A
between 1802 and 1814
36916
William Thomas Fry, 1789–1843
Robert Hills
36917
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
36918
Print made by William Daniell, 1769–1837
Prince Hoare
1814
36919
Charles Turner, 1774–1857
Prince Hoare
1831
36920
Charles Townley, 1746–c.1800
Hogarth
1781
36921
Print made by William Daniell, 1769–1837
John Hoppner, R.A
1810
36922
Sir George Hayter, 1792–1871
Sir George Hayter
1822
36923
Print made by John Smith, the mezzotinter, 1652–1743
Abraham Hondius Pictor
1689
36924
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
36925
Print made by Edward Fisher, 1722–1785
Nathaniel Hone
between 1758 and 1782
36926
Thomas Rowlandson, 1756–1827
Heads: Fancynina
1800
36927
John Young, 1755–1825
Christ giving sight to the blind
1816
36928
Sir David Wilkie, 1785–1841
Benjamin Robert Haydon
36929
Thomas Rowlandson, 1756–1827
Heads: Epicurum
1800
36930
Thomas Rowlandson, 1756–1827
Heads: Publicorum
1800
36931
Thomas Rowlandson, 1756–1827
Heads: Physicorum
1800
36932
Thomas Rowlandson, 1756–1827
Heads: Allegora
1800
36933
Thomas Rowlandson, 1756–1827
Heads: Flora
1800
36934
Thomas Rowlandson, 1756–1827
Heads: Virginia
1800
36935
Thomas Rowlandson, 1756–1827
Heads: Hazardorum
1800
36936
Thomas Rowlandson, 1756–1827
Heads: Penserosa
1800
36937
Thomas Rowlandson, 1756–1827
Heads: Barberorum
1800
36938
Thomas Rowlandson, 1756–1827
Heads: Billingsgatina
1800
36939
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
36940
Thomas Rowlandson, 1756–1827
Heads: Nunina
1800
36941
Thomas Rowlandson, 1756–1827
Heads: Battleorum
1800
36942
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
1853
36943
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
1853
36944
Charles Denton, active 1853
Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
1853
36945
Print made by Jan van Somer, ca. 1645–after 1699
Man and Woman Drinking
undated
36946
James Gillray, 1756–1815
Hounds Throwing-Off
1800
36947
James Gillray, 1756–1815
Hounds in Finding
1800
36948
James Gillray, 1756–1815
Coming-In at the Death
1800
36949
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
36950
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
36951
John Harris, 1811–1865
Coaching: The Early Delivery
1863
36952
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
36953
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
36954
John Harris, 1811–1865
Coaching: The Right Sort
1863
36955
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
36956
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
36957
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
36958
John Harris, 1811–1865
Fores's National Sports: Racing - A False Start
1866
36959
John Harris, 1811–1865
Coaching: The Last Change Down
1863
36960
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
1837
36961
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
1837
36962
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
1837
36963
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
1837
36964
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
36965
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
36966
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
36967
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
36968
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
36969
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
36970
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
36971
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
36972
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
36973
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
36974
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
36975
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
36976
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
36977
Frederick Tatham, 1805–1878
Mr. William Williams
ca. 1830
36978
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
36979
Frederick Tatham, 1805–1878
William William's Second Wife
ca. 1830
36980
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
36981
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
36982
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
36983
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
36984
Print made by Alphonse Legros, 1837–1911
Alphonse Legros
undated
36985
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
36986
unknown artist
Thomas Lawrence, Late President of the Royal Academy
36987
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
36988
Print made by Richard Earlom, 1743–1822
James McArdell
1771
36989
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
36990
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
36991
William Sharp, 1749–1824
Thomas Paine
1793
36992
Peter DeWint, 1784–1849
Castle above a River, Woodcutters in the Foreground
ca. 1820
36993
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
36994
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
36995
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
36996
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
36997
Wenceslaus Hollar, 1607–1677
Portrait of Inigo Jones
1655
36998
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
36999
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
37000
Print made by John Faber the Younger, ca. 1695–1756