Sketchbook. 150 sheets of graphite, and pen and ink drawings (with one loose 18th century etching
43706
unknown artist
Allegory of the Arts and Sciences
43707
George Moutard Woodward, ca. 1760–1809
Johnny in a Flatting Mill
1800
43708
George Moutard Woodward, ca. 1760–1809
The Volunteer Review or Effects of Rain
1800
43709
George Moutard Woodward, ca. 1760–1809
Fashionable Contrasts or The Female Jockey and Man Millner
1800
43710
George Moutard Woodward, ca. 1760–1809
The Ghost of St. Stephens or The Stranger at Home
1800
43711
George Moutard Woodward, ca. 1760–1809
The Hats or Exchange is no Robbery
1800
43712
George Moutard Woodward, ca. 1760–1809
Administering to an Old Friend
1800
43713
George Moutard Woodward, ca. 1760–1809
Unexpected Visitors on the Subject of the Divorce Bill
1800
43714
George Moutard Woodward, ca. 1760–1809
Plucking a Rose
1800
43715
George Moutard Woodward, ca. 1760–1809
Bleeding Neptune or A Scotch Experiment
1800
43716
George Moutard Woodward, ca. 1760–1809
Oratorical Hints to Members of Parliament
1800
43717
George Moutard Woodward, ca. 1760–1809
More Luxeries for John Bull
1800
43718
Luigi Balugani, 1737–1770
Crab
undated
43719
Henry Cave, 1780–1836
York Minister
ca. 1813
43720
Henry Cave, 1780–1836
York Minister
ca. 1813
43721
Henry Cave, 1780–1836
York Minister
ca. 1813
43722
Henry Cave, 1780–1836
York Minister
ca. 1813
43723
Henry Cave, 1780–1836
York Minister
ca. 1813
43724
Henry Cave, 1780–1836
York Minister
ca. 1813
43725
Henry Cave, 1780–1836
York Minister
ca. 1813
43726
Henry Cave, 1780–1836
York Minister
ca. 1813
43727
Henry Cave, 1780–1836
York Minister
ca. 1813
43728
Henry Cave, 1780–1836
York Minister
ca. 1813
43729
Henry Cave, 1780–1836
York Minister
ca. 1813
43730
Henry Cave, 1780–1836
York Minister
ca. 1813
43731
Henry Cave, 1780–1836
York Minister
ca. 1813
43732
Henry Cave, 1780–1836
York Minister
ca. 1813
43733
Henry Cave, 1780–1836
York Minister
ca. 1813
43734
Henry Cave, 1780–1836
York Minister
ca. 1813
43735
Henry Cave, 1780–1836
York Minister
ca. 1813
43736
Henry Cave, 1780–1836
York Minister
ca. 1813
43737
Henry Cave, 1780–1836
York Minister
ca. 1813
43738
Henry Cave, 1780–1836
York Minister
ca. 1813
43739
Henry Cave, 1780–1836
York Minister
ca. 1813
43740
Henry Cave, 1780–1836
York Minister
ca. 1813
43741
Henry Cave, 1780–1836
York Minister
ca. 1813
43742
Henry Cave, 1780–1836
York Minister
ca. 1813
43743
Henry Cave, 1780–1836
York Minister
ca. 1813
43744
Henry Cave, 1780–1836
York Minister
ca. 1813
43745
Henry Cave, 1780–1836
York Minister
ca. 1813
43746
Henry Cave, 1780–1836
York Minister
ca. 1813
43747
Henry Cave, 1780–1836
York Minister
ca. 1813
43748
Henry Cave, 1780–1836
York Minister
ca. 1813
43749
Henry Cave, 1780–1836
York Minister
ca. 1813
43750
Henry Cave, 1780–1836
York Minister
ca. 1813
43751
Henry Cave, 1780–1836
York Minister
ca. 1813
43752
Henry Cave, 1780–1836
York Minister
ca. 1813
43753
Henry Cave, 1780–1836
York Minister
ca. 1813
43754
Henry Cave, 1780–1836
York Minister
ca. 1813
43755
Henry Cave, 1780–1836
York Minister
ca. 1813
43756
Henry Cave, 1780–1836
York Minister
ca. 1813
43757
Henry Cave, 1780–1836
York Minister
ca. 1813
43758
Henry Cave, 1780–1836
York Minister
ca. 1813
43759
Henry Cave, 1780–1836
York Minister
ca. 1813
43760
Henry Cave, 1780–1836
York Minister
ca. 1813
43761
Henry Cave, 1780–1836
York Minister
ca. 1813
43762
Henry Cave, 1780–1836
York Minister
ca. 1813
43763
Henry Cave, 1780–1836
York Minister
ca. 1813
43764
Henry Cave, 1780–1836
York Minister
ca. 1813
43765
Henry Cave, 1780–1836
York Minister
ca. 1813
43766
Henry Cave, 1780–1836
York Minister
ca. 1813
43767
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43768
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43769
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43770
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43771
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43772
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43773
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43774
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43775
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43776
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43777
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43778
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43779
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43780
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43781
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43782
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43783
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
43784
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
43785
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
43786
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
43787
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
43788
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
43789
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
43790
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
43791
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
43792
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
43793
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43794
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
43795
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43796
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43797
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
43798
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43799
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43800
William Havell, 1782–1857
[One from a group of views] Thames and South Coast