Credit Line: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro / Date: 1860 / Topic subjectplace ss: United Kingdom - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

Date 1860

Topic subjectplace ss United Kingdom

1. Bend in the Dargle

Bend in the Dargle

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

2. Stubbes, Essex

Creator:: George Shadbolt, 1830–1901
Date:: 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

3. View of Oakfield, Hornsey

View of Oakfield, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

4. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

Creator:: unknown artist
Date:: before 1868
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

5. On the Severn

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 7/8 inches (22.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6. On the Teith, near Collander

On the Teith, near Collander

Creator:: W. Church Esq., active 1862–1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

7. View in Betchworth Park, Surrey

View in Betchworth Park, Surrey

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

8. Mt. Pleasant Fields, Hornsey

Mt. Pleasant Fields, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

9. View on the Trent, Nottingham Castle in the Distance

View on the Trent, Nottingham Castle in the Distance

Creator:: George Bankart, died 1903
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

10. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro