The Gardens of Carleton House with Neapolitan Ballad Singers
1784
5
Humphry Repton, 1752–1818
North Parade, Bath
1784
6
James Ward, 1769–1859
Studies of Geese
undated
7
James Ward, 1769–1859
Collcombe Castle, Devonshire
undated
8
James Ward, 1769–1859
A Timber Cart Laden with Tree Trunks, Drawn by a Pair of Horses and a Pair of Oxen
undated
9
James Ward, 1769–1859
Study of a Thistle
undated
10
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
11
James Ward, 1769–1859
Study of a Coat and Breeches
undated
12
James Ward, 1769–1859
A Foliated Branch
undated
13
James Ward, 1769–1859
An Oat Cake
undated
14
James Ward, 1769–1859
A Sheet of Slight Sketches
undated
15
James Ward, 1769–1859
A Bell on a Notched Post
undated
16
James Ward, 1769–1859
A Broad-Wheeled Road Waggon
undated
17
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
18
James Ward, 1769–1859
Study of Undergrowth
undated
19
James Ward, 1769–1859
Mountainous Landscape
undated
20
James Ward, 1769–1859
Sleeping Pig
undated
21
James Ward, 1769–1859
Plant Study
undated
22
James Ward, 1769–1859
Tree on a Hillside
undated
23
James Ward, 1769–1859
A Thatched Shelter Suspended from a Tree
undated
24
James Ward, 1769–1859
Larch Tree
undated
25
James Ward, 1769–1859
House among Trees
undated
26
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
27
James Ward, 1769–1859
A Farm Cart
undated
28
James Heath, 1757–1834
Geshe el Aube
ca. 1789
29
James Heath, 1757–1834
Balesson
ca. 1789
30
Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
31
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
32
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
33
Charles Howard Hodges, 1764–1837
Rev. Thomas Warton
1784
34
James Basire II, 1769–1822
St. Martin, Outwich
undated
35
John Record, active 1768–1784
Christ's Hospital, London
1784
36
John Record, active 1768–1784
Christ's Hospital, London
1784
37
John Keyse Sherwin, c.1751–1790
Captain James Cook
1784
38
James Ward, 1769–1859
Sir William Forbes, 6th Baronet of Monymusk and Pitsligo
undated
39
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
40
Print made by Caroline Watson, 1760–1814
Sir Joshua Reynolds
ca. 1789
41
Samuel Collings, active 1784–1795
Magnetic Dispensary
undated
42
Robert Hills, 1769–1844
Studies of a Turkey
undated
43
John Peltro, 1760–1808
The Happy Shepherd with a View of Childs Hill, Middlesex
1784
44
James Basire II, 1769–1822
Seal from the Indenture
undated
45
John Raphael Smith, 1752–1812
A Bachante (Emma Hart, later Lady Hamilton)
1784
46
unknown artist
View of the Banqueting House, White Hall; page 24 (Volume One)
1784
47
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
48
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
undated
49
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
50
John Beugo, 1759–1841
Sassa
ca. 1789
51
Robert Marcuard, 1751–1792
Francis Bartolozzi
1784
52
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
53
Robert Dodd, 1748–1816
A View of the Royal Dockyard at Deptford
ca. 1789
54
attributed to James Ward, 1769–1859
Hunstanton Cliffs
undated
55
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
56
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
57
James Ward, 1769–1859
Woman Standing, Seen from the Back
undated
58
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
59
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
60
James Ward, 1769–1859
Head of a Tiger
undated
61
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
62
James Ward, 1769–1859
Lady Londonderry's Dog
undated
63
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
64
James Ward, 1769–1859
Sheep-shearing
undated
65
James Ward, 1769–1859
Arctic Dog, Facing Right
undated
66
James Ward, 1769–1859
Arctic Dog, Facing Left
undated
67
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
68
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
69
William Dent, active 1784–1793
Whiggism, or Master Billy learning his Task
1784
70
Robert Hills, 1769–1844
Sketch of a Horse
undated
71
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
72
James Ward, 1769–1859
Farmyard and Horses
undated
73
James Ward, 1769–1859
Windsor Park Paling
undated
74
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
75
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
76
Francesco Bartolozzi, 1728–1815
Euphrosine
1784
77
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
78
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
79
James Ward, 1769–1859
Delivering a Calf
undated
80
William Daniell, 1769–1837
A Rhinoceros Standing on a River Bank
undated
81
James Ward, 1769–1859
Eagles
undated
82
Raphael Lamar West, 1769–1850
A Horseman and Other Figures at a Race-Course
undated
83
James Ward, 1769–1859
Sir Charles Blunt Hunting the Boar and Escaping From the Tiger
undated
84
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
85
Print made by Francesco Bartolozzi, 1728–1815
Jupiter and Juno on Mount Ida
1784
86
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
87
Francesco Bartolozzi, 1728–1815
George Frideric Handel
1784
88
Print made by Francesco Bartolozzi, 1728–1815
George James Riddell
1784
89
Print made by Francesco Bartolozzi, 1728–1815
Colonel Stanley
undated
90
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
91
Print made by Francesco Bartolozzi, 1728–1815
Cleone
1784
92
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
93
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
94
Francesco Bartolozzi, 1728–1815
Sophia and Olivia
1784
95
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
96
Print made by Isaac Cruikshank, 1764–1811
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture
1784
97
Print made by Thomas Rowlandson, 1756–1827
A New Insect
1784
98
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
99
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )