Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Date: 1824

1. A Bridge near Salisbury Court, Perhaps Milford Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1829
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Cornfields with Barn, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Folkestone Harbour and Coast to Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. May Day

Creator:: unknown artist
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Richmond

Creator:: William Henry Bartlett, 1809–1854
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Interior of a Coppersmith's, Shoe Lane

Creator:: Henry William Burgess, active 1809–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Nemi

Creator:: James William Giles, 1801–1870
Date:: 1824
Materials & Techniques:: Brown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Villa Adrianna, Rome

Creator:: James William Giles, 1801–1870
Date:: 1824
Materials & Techniques:: Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Fish Market, Hastings

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1824
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Georgiana, Duchess of Bedford

Creator:: Sir George Hayter, 1792–1871
Date:: 1824
Materials & Techniques:: Pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 7 inches (22.2 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Circassians

Creator:: William Heath, 1795–1840
Date:: 1824
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on very thick, slightly textured, beige card
Dimensions:: Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Russian Cossacks at a Boathouse on the Banks of the Don

Creator:: William Heath, 1795–1840
Date:: 1824
Materials & Techniques:: Watercolor and graphite on very thick, slightly textured, beige card
Dimensions:: Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Woman with Ringlets, Standing

Creator:: William Mulready, 1786–1863
Date:: 1824
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 4 1/8 inches (21 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Sandwich Islands Group

Creator:: Julia Swinburne, ca. 1795–1893
Date:: June 5, 1824
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Effigy of a Crusader, Stisted Church

Creator:: George Richmond, 1809–1896
Date:: 1824-1896
Materials & Techniques:: Graphite and white gouache on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 19 3/4 inches (34 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fulham Church (Middlesex)

Creator:: unknown artist
Date:: 1824
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. St. James Pentonville (Middlesex)

Creator:: unknown artist
Date:: 1824
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Minuet

Creator:: Sir George Hayter, 1792–1871
Date:: 1824
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Figures and Animals in a Vineyard

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1829
Materials & Techniques:: Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Mrs. William Wilberforce and Child

Creator:: John Linnell, 1792–1882
Date:: 1824
Materials & Techniques:: Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:: Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Deepdene near Dorking

Creator:: Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Ehrenbreitstein

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. W. Sharp

Creator:: Print made by James Thompson, 1790–1850
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Martin Archer Shee

Creator:: Henry Thomson, 1773–1843
Date:: 1824
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 3/4 inches (26.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Walking Dress, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1824
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Study of Country Boys

Creator:: William Evans of Bristol, 1809–1858
Date:: undated
Materials & Techniques:: Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Exeter College Eight on the Isis, Oxford

Creator:: William Turner of Oxford, 1789–1862
Date:: 1824
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. [Shooting] The Sportsman (four lines of verse by J. Emery)

Creator:: George Maile, active 1824–1840
Date:: 1824
Materials & Techniques:: Color printed etching and mezzotint
Dimensions:: Sheet: 10 1/2 x 7 1/2in. (26.7 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Toast

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. H. Bone, Esqr., R.A.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. James Northcote

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:: Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Wilson Lowry

Creator:: unknown artist
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. An Irish Tilting Match, or the Poissardes against the Poignards

Creator:: Henry Heath, active 1824–1835
Date:: 1824
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Turk on a Horse

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: undated
Materials & Techniques:: Pen and sepia ink
Dimensions:: Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Merchantman Becalmed Offshore

Creator:: David Cox Jr., 1809–1885
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Creator:: J. W. Wageman, active 1824
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bramber Castle

Creator:: unknown artist
Date:: between 1824 and 1835
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hotel de Ville, Bruges

Creator:: John Coney, 1786–1833
Date:: 1824
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 7/8in. (24.4 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Entrance to Calais Harbour

Creator:: David Cox, 1783–1859
Date:: ca. 1829
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Collection of Drawings Volume 2

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Collection of Drawings Volume 3

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Heads of Fisherman

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A High Caste Woman Standing by a Wall

Creator:: William Daniell, 1769–1837
Date:: ca. 1829
Materials & Techniques:: Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Collection of Drawings Volume 1

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Footbridge

Creator:: Joseph Stannard, 1797–1830
Date:: 1824 to 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 4 5/16 x 10 3/8in. (11 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Thatched Cottage with a Gable End

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 3/4 x 8 1/4in. (14.6 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Old Whittlingham Church

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 1/8 x 6in. (10.5 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Hammersmith Church (Middlesex)

Creator:: unknown artist
Date:: 1824
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

Creator:: Robert Havell II, 1793–1878
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Royal Banquet - 19th July 1821

Creator:: William James Bennett, 1787–1844
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Church at Highgate, Middlesex

Creator:: unknown artist
Date:: 1824
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Miss-Ann-Thropy

Creator:: Print made by Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Dust O.

Creator:: William Heath, 1795–1840
Date:: 1824
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 9 1/2 x 15 9/16in. (24.2 x 39.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Summer Room in the Artist's House at Patna

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1824
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Set of Seven: Shakespeare's Seven Ages of Man

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching, 1 leaf of letterpress and the original wrappers
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. One of a set of 6: A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Winter Room in the Artist's House at Patna

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1824
Materials & Techniques:: Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Mount Honey, Fonthill, Wiltshire

Creator:: William Rider, active 1824–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. One of a set of 6 (2): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. One of a set of 6 (4): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Date 1824

Search Results

1. A Bridge near Salisbury Court, Perhaps Milford Bridge

2. A Cow Lodge with a Mossy Roof

3. Cornfields with Barn, Shoreham

4. Folkestone Harbour and Coast to Dover

5. Cader Idris

6. More Park, near Watford, on the River Colne

7. More Park, near Watford, on the River Colne

8. Norham Castle, on the River Tweed

9. May Day

10. Cowdray Ruins

11. Richmond

12. Interior of a Coppersmith's, Shoe Lane

13. Clovelly Bay and Lundy Island

14. Hythe, Kent

15. Hythe, Kent

16. Nemi

17. The Villa Adrianna, Rome

18. Fish Market, Hastings

19. Georgiana, Duchess of Bedford

20. Circassians

21. Russian Cossacks at a Boathouse on the Banks of the Don

22. Woman with Ringlets, Standing

23. A Sandwich Islands Group

24. Bell Rock Lighthouse

25. Effigy of a Crusader, Stisted Church

26. Fulham Church (Middlesex)

27. St. James Pentonville (Middlesex)

28. A Minuet

29. Figures and Animals in a Vineyard

30. Mrs. William Wilberforce and Child

31. Hythe, Kent

32. Hythe, Kent

33. Dunbar

34. Dunbar

35. Bell Rock Lighthouse

36. Deepdene near Dorking

37. Ehrenbreitstein

38. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

39. Cologne

40. Cologne

41. Cologne

42. Cologne

43. W. Sharp

44. Martin Archer Shee

45. Dunbar

46. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

47. Walking Dress, Tenerife

48. Study of Country Boys

49. Elevations and Plans of the Court of Kings Bench

50. The Exeter College Eight on the Isis, Oxford

51. [Shooting] The Sportsman (four lines of verse by J. Emery)

52. The Toast

53. H. Bone, Esqr., R.A.

54. James Northcote

55. Wilson Lowry

56. An Irish Tilting Match, or the Poissardes against the Poignards

57. Turk on a Horse

58. A Merchantman Becalmed Offshore

59. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

60. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

61. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

62. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

63. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

64. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

65. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

66. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

67. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

68. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

69. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

70. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

71. Bramber Castle

72. Hotel de Ville, Bruges

73. Entrance to Calais Harbour