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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
1
- Dog [A Foxhound on the Scent]
- 1788
2
- A Horse Affrighted by a Lion
- 1788
3
- Tygers at Play
- 1780
4
- Study for the Self-portrait in Enamel
- ca. 1781
5
- A Sleeping Leopard
- 1791
6
- A Foxhound on the Scent
- 1788
7
- Hay-Makers
- 1791
8
- The Farmer's Wife and the Raven
- 1788
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
9
- A Lion [A recumbent Lion]
- 1788
10
- A Tyger (Sleeping Leopard)
- 1788
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
11
- A Lion [A Lion resting on a Rock]
- 1788
12
- A Tiger and a Sleeping Leopard
- 1788
13
- A Prancing Horse, Facing Right
- ca. 1790
14
- Grotesque Male Head
- undated
15
- The First Stage of Cruelty
- ca. 1750
16
- Grotesque Female Head
- undated
17
- Grotesque Female Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Female Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Female Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Female Head
- undated
30
- William Hogarth
- 1764
31
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
32
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
33
- Study of a Female Nude
- undated
34
- Study for the Foundlings
- ca. 1739
35
- Gabriel Hunt
- undated
36
- Benjamin Read
- ca. 1757
37
- Hymen
- ca. 1748
38
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
39
- The Four Times of Day, Plate IV: Night
- 1738
40
- The Four Times of Day, Plate I: Morning
- 1738
41
- The Four Times of Day, Plate II: Noon
- 1738
42
- Prospectus print "Crown & Mitre"
- 1754
43
- Fair Scene
- 1733
44
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
45
- A Midnight Modern Conversation
- 1733
46
- A Rake's Progress, Plate I: He Takes Possession
- 1735
47
- A Rake's Progress, Plate II: His Levee
- 1735
48
- A Rake's Progress, Plate III: He Revels
- 1735
49
- A Rake's Progress, Plate IV: Goes to Court
- 1735
50
- Southwark Fair
- 1733
51
- A Rake's Progress, Plate V: He Marries
- 1735
52
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
53
- A Rake's Progress, Plate VI: He Gambles
- 1735
54
- Colombus breaking the Egg
- 1753
55
- The Stage Coach; Or Country Inn Yard
- 1747
56
- Scholars at a Lecture (A Chorus of Singers)
- 1736
57
- The Sleeping Congregation
- 1736
58
- A Consultation of Physicians
- 1736
59
- Strolling Actresses Dressing in a Barn
- 1738
60
- The Distrest(ed) Poet
- 1740
61
- The Enraged Musician
- 1741
62
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
63
- Gulielmus Hogarth
- 1749
64
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
65
- Simon Lord Lovat
- 1746
66
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
67
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
68
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
69
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
70
- An Election Entertainment, Plate I
- 1755-58
71
- Analysis of Beauty, Plate II: A Country Dance
- 1753
72
- The Invasion, Plate I: France
- 1756
73
- The Invasion, Plate II: England
- 1756
74
- Chairing the Members, Plate IV
- 1758
75
- The Laughing Audience
- 1733
76
- Hogarth Painting the Comic Muse
- 1764
77
- The Cockpit
- 1759
78
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
79
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
80
- The Bench
- 1758
81
- The Polling, Plate III
- 1758
82
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
83
- View of Ely Cathedral
- ca. 1796
84
- Man with Horse and Cart Entering a Quarry
- ca. 1797
85
- Interior of St. John's Palace, Eltham
- ca. 1793
86
- Saint Augustine's Gate, Canterbury
- ca. 1793
87
- The Angler
- 1794
88
- North East View of Grantham Church, Lincolnshire
- ca. 1797
89
- A Great Tree
- ca. 1796
90
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
91
- A Three Storied Georgian House in a Park
- ca. 1795
92
- Near Grindelwald
- ca. 1796
93
- From the Isola Borromena, Lago Maggiore
- ca. 1795
94
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
95
- Newark - upon - Trent
- ca. 1796
96
- Autumn Sowing of the Grain
- ca. 1794
97
- The Hurries, Coal Boats Loading, North Shields
- ca. 1795
98
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
99
- In the Valley Near Vietri
- ca. 1794
100
- Villa Salviati on the Arno
- between 1796 and 1797