Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Genre: literary theme

1. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1800; impression printed in 1924
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Farmer's Wife and the Raven

Creator:: George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette and rocker work, first state
Dimensions:: Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Aesacus and Hesperie

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. From Spenser's Fairy Queen

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Aesacus and Hesperie

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. From Spenser's Fairy Queen

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Aeneas Relating His Adventures to Dido

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Book of Thel, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Songs of Experience, Frontispiece (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 28 Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Albion thy fear has made me tremble..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The First Book of Urizen, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Chapter II, "Muster around the bleak desarts..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Urizen Swims through Dark Waters (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Chapter III, "As the stars are apart from the earth..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Urizen (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Cypress Grove

2. The Homeward Star

3. Moeris and Galatea

4. The Homeward Star

5. Opening the Fold

6. The Sleeping Shepherd

7. The Sepulchre

8. The Bellman

9. The Bellman

10. The Homeward Star

11. The Lonely Tower

12. The Homeward Star

13. The Farmer's Wife and the Raven

14. Opening the Fold

15. Opening the Fold

16. Aesacus and Hesperie

17. Apuleia in Search of Apuleius

18. The Deluge

19. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

20. From Spenser's Fairy Queen

21. Apuleia in Search of Apuleius

22. Aesacus and Hesperie

23. Procris and Cephalus

24. From Spenser's Fairy Queen

25. The Fifth Plague of Egypt

26. Aeneas Relating His Adventures to Dido

27. Thel's Motto (Plate 1)

28. The Book of Thel, Title Page (Plate 2)

29. II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

30. 'Tis greatly wise to talk with our past hours' (Page 31)

31. 'Like that, the dial speaks; and points to thee' (Page 33)

32. 'Teaching, we learn; and giving, we retain' (Page 35)

33. 'Love, and love only, is the loan for love' (Page 37)

34. 'Angels should paint it, angels ever there' (Page 40)

35. 'One radiant mark, – the death-bed of the just' (Page 41)

36. Night the Third. Narcissa; Title Page

37. 'Where sense runs savage broke from reason's chain' (Page 46)

38. Songs of Experience, Frontispiece (Plate 32)

39. Visions of the Daughters of Albion; Frontispiece (Plate 1)

40. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

41. "And none but Bromian can hear my lamentations..." (Plate 6)

42. Visions of the Daughters of Albion; Title Page (Plate 2)

43. "But when the morn arose, her lamentation renewd..." (Plate 8)

44. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

45. Jerusalem, Frontispiece (Plate 1)

46. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

47. Jerusalem, Tailpiece (Plate 100)

48. Jerusalem, Plate 28 Proof Impression

49. "To labours mighty, with vast strength..." (Plate 11)

50. "Why wilt thou give to her a Body..." (Plate 12)

51. "And that toward Eden, four..." (Plate 13)

52. "One hair nor particle of dust..." (Plate 14)

53. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

54. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

55. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

56. "From every-one of the Four Regions..." (Plate 18)

57. "His Children exil'd from his breast..." (Plate 19)

58. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

59. "But when they saw Albion fall'n..." (Plate 20)

60. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

61. "Albion thy fear has made me tremble..." (Plate 22)

62. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

63. "What have I said? What have I done?..." (Plate 24)

64. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

65. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

66. Night the First. On Life, Death, and Immortality; Title Page

67. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

68. 'What, though my soul fantastick measures trod' (Page 4)

69. 'Disease invades the chastest temperence' (Page 10)

70. 'Its favours here are trials, not rewards' (Page 12)

71. 'The present moment terminates our sight' (Page 13)

72. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

73. 'Emblem of that which shall awake the dead' (Page 19)