Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Associated Places: City of Westminster

Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

1921

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Sir Charles Barry, 1795–1860

Perspective View: the New Houses of Parliament

ca. 1840-1849

Paul Sandby, 1731–1809

The Gunpowder Magazine, Hyde Park

ca. 1793

Albert Goodwin, 1845–1932

Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

undated

Canaletto, 1697–1768

The City of Westminster from Near the York Water Gate

between 1746 and 1747

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

William Parrott, 1813–ca. 1869

Waterloo Bridge from the Garden of M. A. Taylor, Esq

undated

unknown artist

Whitehall Palace, London: Elevation of Proposed Design

between 1710 and 1740

unknown artist

Elevation of the Ordnance Office

after 1780

Attributed to Charles Gore, 1729–1807

A Large Church (Westminster Abbey) at Sunset

undated

Alexander Nasmyth, 1758–1840

Westminster Abbey from Dean's Yard

undated

Patrick Nasmyth, 1787–1831

Part of Regent's Park

1805

George Belton Moore, 1805–1875

A Proposed plan for Trafalgar Square

1841

Paul Sandby, 1731–1809

A Family in Hyde Park

undated

attributed to Michael "Angelo" Rooker, 1746–1801

Scenery, Haymarket Theatre

undated

Thomas Malton the Younger, 1748–1804

York Water Gate

1795

Frederick Nash, 1782–1856

Ambulatory, Westminster Abbey

undated

unknown artist

Whitehall Palace, London: Section of Proposed Design

between 1710 and 1740

George Sidney Shepherd, 1784–1862

Green Park

ca. 1830

Thomas Hosmer Shepherd, 1792–1864

The Houses of Parliament

undated

Louis Philippe Boitard, active 1734–1760

Holbein's Gateway and Jones's Banqueting House, Whitehall..

undated

unknown artist

View of Cumberland Terrace

undated

Thomas Rowlandson, 1756–1827

The Exhibition Stare-Case, Somerset House

ca. 1800

Thomas Rowlandson, 1756–1827

Skating on the Serpentine

before 1790

Thomas Rowlandson, 1756–1827

Hyde Park Corner

undated

unknown artist

Plan of Westminster Showing the Coronation Route of George II

ca. 1727

Print made by Charles J. Hullmandel, 1789–1850

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

unknown artist

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

printed 1740, drawn ca. 1760

unknown artist

View of the Coronation Procession of George IV

ca. 1821

Print made by unknown artist

Part of Westminster

ca. 1850

Print made by James Basire the younger, 1769–1822

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

1828

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

Studio of Sir John Soane, 1753–1837

Section of the Court of Common Pleas and the Robery Room

1823

unknown artist

Plan of the Old Parliament Houses, Westminster

1820

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

unknown artist

Westminster Hall

ca. 1850

Print made by John Thomas Smith, 1766–1833

Ceiling of the Star Chamber

1805

unknown artist

Westminster Hall

ca. 1820

Print made by Day & Co., 1824–1913

Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

ca. 1845

Print made by B. Winkles, active 1830–1840

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Print made by Day & Co., 1824–1913

Chimney piece, Star Chamber, Westminster

ca. 1845

Print made by B. Winkles, active 1830–1840

Longitudinal Section of Westminster Hall

ca. 1821

unknown artist

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

unknown artist

Mr. Lee's House After the Fire, House of Lords

ca. 1835

Print made by William Francis Starling, active first half 19th century

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

John Carter, 1748–1817

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

Attributed to John Carter, 1748–1817

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Print made by John Le Keux, 1783–1846

Compartment on One Side, St Stephen's Chapel

1825

Print made by James Basire, 1730–1802

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Attributed to John Carter, 1748–1817

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

unknown artist

Grave of the Supposed William Lyndewode

1852

unknown artist

View of the Office of Ordnance with the Entrance of the House of Lords

undated

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

1823

Print made by James Fittler, 1758–1835

The King on his Throne in the House of Lords

1804

Attributed to John Carter, 1748–1817

North Side, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

East End, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Door on South Side of Painted Chamber

between 1793 and 1799

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated