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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
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1
- The Herdsman's Cottage
- 1850
2
- The Sleeping Shepherd
- 1857
3
- A Foxhound on the Scent
- 1788
4
- The Skylark
- 1850
5
- Thel's Motto (Plate 1)
- 1789
6
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
- 1794
7
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
8
- Urizen Swims through Dark Waters (Plate 5)
- 1794
9
- Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
- 1794
10
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
11
- Fettered Urizen Weeping (Plate 12)
- 1794
12
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
- 1794
13
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
14
- Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
- 1794
15
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
16
- Fettered Urizen Weeping (Plate 3)
- 1794
17
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
18
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
19
- Urizen Swims through Dark Waters (Plate 7)
- 1794
20
- Thel's Motto (Plate 1)
- 1789
21
- Chapter IV, "Los smitten with astonishment..." (Plate 12)
- 1794
22
- Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
- 1794
23
- Chapter V, "The globe of life blood trembled..." (Plate 17)
- 1794
24
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
25
- Los Falls through Fire (Plate 21)
- 1794
26
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
27
- Praying Child and Howling Dog (Plate 25)
- 1794
28
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
29
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
30
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
31
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
32
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
33
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
34
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
35
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
36
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
37
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
38
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
39
- Le Repos
- 1826
40
- The Sheep of His Pasture
- ca. 1828
41
- The Exposure of Prince Bahman
42
- Prince Amgiad and Prince Assad
- 1802
43
- The Old Man of the Sea
- ca. 1802
44
- Untitled: Alnaschar's Vision
45
- Untitled: Bedreddin's flight from Cairo
46
- Untitled: Bakbarah in the Lady's Apartment
47
- Untitled: The Lady of the Glass-case
48
- Designs for the Great Room of the Society of Arts (4 of 1 sheet)
- 1808
49
- Designs for the Great Room of the Society of Arts (4 of 1 sheet)
- 1808
50
- Châteaux
- undated
51
- Tomb of the Scipios near Tarragona
- 1775 to 1776
52
- Lectoure, France
- undated
53
- Armoured Figure
- undated
54
- Cuzzo (Hagenia abyssinicia)
- undated
55
- Michauxia Campanuloides
- undated
56
- Gardenia Ternifolia
- undated
57
- Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
- 1810
58
- The Wanderer
- 1844
59
- Morning Prayer
- 1844
60
- Mount Blanc
- ca. 1828
61
- Putto Holding a Torch
- undated
62
- Gun
- 1747
63
- A Groom on Horseback, Drinking
- undated
64
- An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
- undated
65
- Illustration for Don Quixote (with figures on a donkey)
- undated
66
- Malvolio Dancing
- 1827
67
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
68
- La Conversation
- 1826
69
- La Prière
- 1826
70
- Le Silence Favorable
- 1826
71
- Le Retour
- 1826
72
- Les Plaisirs Paternels
- 1826
73
- The Arms of Glasgow
- 1909
74
- The Flood
- 1829
75
- Viola and Olivia
- 1822
76
- Claudio and Isabella
- 1823
77
- Ferdinand Reunited with his Father
- 1821
78
- Feste, as Sir Topas, addressing Malvolio
- 1822
79
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
80
- Christopher Sly and the Page, as His Wife
- 1821
81
- Katherina and Grumio
- 1821
82
- Lady Mortimer's Welsh Song
- 1825
83
- Isabella and Mariana Kneeling Before the Duke
- 1822
84
- Falstaff with Mistress Quickly and Bardolph
- 1825
85
- Ford in a Rage After Seeing Falstaff
- 1821
86
- Juliet About to Take her Sleeping Draught
- 1825
87
- Falstaff at Herne's Oak
- 1821
88
- Master William Page and Sir Hugh Evans
- 1821
89
- Hotspur and the Plotters at Bangor
- 1825
90
- Set of Needle-Box Prints
- after 1850
91
- Interior with Woman Reading to Child
- 1856
92
- Women at a Door
- 1856
93
- Profile of a Young Man in Meditation
- 1762
94
- Portrait of Bindo Altoviti
- between 1762 and 1765
95
- Young Woman's Head in Profile
- 1770
96
- Head of a Young Woman in Profile to Right
- 1768
97
- Second Dudley Lord North
- undated
98
- Mr. Thomas Gray
- undated
99
- Sir Frederick William Herschel
- ca.1830
100
- Sir William Chambers
- 1769