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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms water
Remove constraint Subject Terms: waterSearch Results
1
- Study of Waves
- undated
2
- Evening, Cattle Watering
- undated
3
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
4
- The Deluge
- between 1813 and 1823
5
- Bridge and Cows
- 1807
6
- The Deluge
- between 1813 and 1823
7
- Aesacus and Hesperie
- 1819
8
- A View of the Harbour at Cannes
- 1869
9
- Tollygunge, Calcutta
- undated
10
- New Harbour, Malta
- 1866
11
- Amada, 9:30 am, 12 February 1867
- 1867
12
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
13
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
14
- The Bath of Bath-sheba
- undated
15
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
16
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
22
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
23
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
24
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
25
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
26
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
27
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
28
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
29
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
30
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
32
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
33
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
34
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
38
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
39
- Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
- ca. 1797
40
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
41
- Help! Help!; Plate 12
- 1793
42
- Water; Plate 4
- 1793
43
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
44
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
45
- Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
- 1794
46
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
47
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
48
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
49
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
50
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
51
- Greenland Fishery
- 1754
52
- Narcissus and Echo
- 1896
53
- Egham
- 1859
54
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
55
- Gulliver Bound by the Lilliputians
- undated
56
- The Royal Citadel and Cattewater, Plymouth
- 1842
57
- The Zattere, Sunset
- undated
58
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
59
- The Grand Canal, Venice
- 1835
60
- Cliffs and a Cove
- 1813
61
- Sir William Norris Bungalow, Penang
- 1844
62
- Hulks in the Medway
- undated
63
- Preparing to lay eel traps
- undated
64
- Old Harry, Swanage Bay
- undated
65
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
66
- Pale Melancholy
- ca. 1804
67
- Family Group
- undated
68
- Bridgenorth
- 1795
69
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
70
- View of Gibraltar
- undated
71
- The Harbour of Sebastopol
- 1854
72
- Coastal Landscape
- undated
73
- The South Barracks, Gibraltar
- 1844
74
- Barges on a Canal in Rotterdam
- 1845
75
- Romney Marsh
- undated
76
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
77
- Landscape with a Boatshed
- undated
78
- Design for Grosvenor Bridge, Chester
- ca. 1825
79
- Venice: The Grand Canal and Rialto
- 1838
80
- A Squall off a Mountainous Coast
- undated
81
- Rou Water Holder
- undated
82
- Study of Boats with Horses and Carts
- undated
83
- A Moated House
- undated
84
- Plymouth Dockyard after the Fire
- 1840
85
- Traveling Potter Outside a Cottage
- 1798
86
- The Ranger, Private Ship of War, with her Prizes
- 1780
87
- Mill at Load Water
- undated
88
- The City and St. Paul's from the South Bank
- undated
89
- Rock Bridge at the Scuola di Virgilio
- undated
90
- Composition: Recollection of J.R. Cozen's of Nemi
- between 1790 and 1820
91
- Fanali di Villa Franca
- ca. 1795
92
- The Port of London
- 1839
93
- Belfast from Bunker's Hill / On the Road to Hollywood
- undated
94
- Apollo and Daphne
- between 1770 and 1799
95
- Shanklin Church/ Isle of Wight
- undated
96
- Rochester
- 1794
97
- Matlock
- 1795
98
- Chepstow
- 1794
99
- Hampton Court, Herefordshire
- 1797
100
- South West View of Dunster Castle, Somersetshire
- 1800