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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Mary Constable Reading
- 1812
2
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
3
- The Homeward Star
- begun ca. 1880
4
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
5
- The Morning of Life
- 1860-1861
6
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
7
- The Farmer's Wife and the Raven
- 1788
8
- Study of a Female Nude
- undated
9
- The Pink Apron
- ca. 1904
10
- The Early Ploughman
- begun before 1861
11
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
12
- The Early Ploughman
- begun before 1861
13
- The Morning of Life
- 1860-1861
14
- Christ and the Woman of Samaria
- 1819
15
- A Great Tree
- ca. 1796
16
- The Deluge
- between 1813 and 1823
17
- Apuleia in Search of Apuleius
- between 1813 and 1823
18
- Christ and the Woman of Samaria
- 1819
19
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
20
- Tenth Plague of Egypt
- 1816
21
- Procris and Cephalus
- 1812
22
- A Seated Woman
- undated
23
- The Bath of Bath-sheba
- undated
24
- Studies of a Seated Woman
- undated
25
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
26
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
27
- A Pensive Lady
- undated
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Songs of Innocence and of Experience
- 1789-1794
30
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
36
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
37
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
38
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
39
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
42
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
43
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
44
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
45
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
46
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
47
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
48
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
49
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
52
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
53
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
54
- The Triumphs of Temper
- 1803
55
- Moon-Light
- ca. 1797
56
- After Sun-Set
- ca. 1797
57
- Moon-Light
- ca. 1797
58
- Lady Pointing with a Stick
- 1782
59
- A Maid
- 1774
60
- Morning Prayer
- 1844
61
- Mrs. Cosway
- 1787
62
- Spanish Student
- ca. 1830
63
- Cottage at Diss
- 1811
64
- Sketch at Mulbarton
- between 1810 and 1811
65
- Remains of the Priory, Beeston Regis
- 1810
66
- Fille d'Auberge
- 1774
67
- A Modern Spread Eagle
- 1782
68
- The Battle of the Cataplasm
- between 1773 and 1817
69
- Procris and Cephalus
- 1864
70
- Fitting out. - Plate 1
- 1820
71
- Captain Conquest and His Baggage Wagon
- 1772
72
- A Macarony Alderman and His Rib
- 1772
73
- The Mighty Mother Sails Through the Air
- 1787
74
- Woman with a Blue Smock
- undated
75
- A Fisherwoman, Hands under Apron
- undated
76
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
77
- Hogarth Declaring His Love to Miss Thornhill
- 1817
78
- Street Scene at Stratford by Bow
- undated
79
- Study of a Seated Woman
- undated
80
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
81
- Studies of Boats, Figures, Carts, and Buildings
- undated
82
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
83
- Lady Maynard
- ca. 1757
84
- Couple in a Farmyard
- 1782
85
- A Lady with a Fan
- ca. 1760
86
- La Mancha
- 1828
87
- Study of a Seated Woman
- undated
88
- Ely
- 1797
89
- A Regency Pair
- 1802
90
- A Lady Painting
- 1837
91
- The Banishment of Aristides
- undated
92
- Pale Melancholy
- ca. 1804
93
- Study of a Seated Woman
- undated
94
- A Goose and a Baboon
- undated
95
- Three Half-Length Figures
- undated
96
- Pale Melancholy
- ca. 1804
97
- Evening
- 1828
98
- Study of a Seated Woman
- 1787
99
- A Lady Copying at a Drawing Table
- ca. 1765
100
- Westminster Bridge
- 1797