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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1725
Remove constraint Date: 1725Period 18th century
Remove constraint Period: 18th centurySearch Results
1
- Miss Wood
- ca. 1730
- Not on view
2
- Lincoln's Inn, the Chapel, and Old Hall, London
- ca. 1730
- Not on view
3
- Classical Landscape
- after 1725
- Not on view
4
- The Vegetable Seller
- between 1725 and 1728
- Not on view
5
- A Family Group Called 'The Stafford Family'
- ca. 1730
- Not on view
6
- A Club of Gentlemen
- ca. 1730
- Not on view
7
- A Bay Racehorse with Jockey Up
- ca. 1730
- Not on view
8
- One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
- ca. 1730
- Not on view
9
- One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
- ca. 1730
- Not on view
10
- One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
- ca. 1730
- Not on view
11
- One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
- ca. 1730
- Not on view
12
- Allegory of Fortune
- ca. 1730
- Not on view
13
- An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
- ca. 1730
- Not on view
14
- A New Drawing Book of Variety of Landskips
- ca. 1730
15
- Wooded Landscape with a River Leading to Distant Buildings
- undated
16
- Badminton Church and Part of the Duke of Beaufort's House
- undated
17
- The West Prospect of St. Pauls Cathedral
- ca. 1730
18
- Head of a Man with Stubble Beard, Facing Right
- undated
19
- Design for the Approaches to London Bridge
- undated
20
- A Notebook of Portrait Compositions
- ca. 1730
21
- Head of a Boy
- undated
22
- A Game of Bowls
- undated
23
- Classical Landscape with Figures
- undated
24
- Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer
- undated
25
- Bacchus & Ariadne; Design for a Gold Box
- ca. 1730
26
- Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster
- undated
27
- A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens
- undated
28
- A View of the Orangerie at Chiswick, Lord Burlington's Garden
- ca. 1730
29
- A View of Plymouth Fort and St. Nicholas Island
- undated
30
- View of Mount Edgecumbe from the Blockhouse
- undated
31
- St. Mary le Strand
- undated
32
- The Right Hon'able Peter Lord King
- 1725
33
- Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc
- ca. 1730
34
- Portrait Study of a Young Woman
- undated
35
- Birth Place of Rousseau at Geneva (number 68, 1725); page 35 (Volume Three)
- 1725
36
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
37
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
38
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
39
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
40
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
41
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
42
- From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
- ca. 1730
43
- The Gate at White Hall, said to be Designed by hans Holbein
- 1725