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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1763
Remove constraint Date: 1763Image Available Available
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1
- Zebra
- 1763
- Not on view
2
- British Gentlemen at Sir Horace Mann's Home in Florence
- between 1763 and 1765
- Not on view
3
- Philosopher Giving a Lecture on the Orrery
- ca. 1768
- Not on view
4
- General Thomas Gage
- ca. 1768
- Not on view
5
- Charles Carroll of Carrollton
- 1763
- Not on view
6
- Sir Jeffery Amherst
- ca. 1768
- Not on view
7
- Mary and Joseph Outside the Inn
- 1763 to 1768
- Not on view
8
- A Man, Probably a Self-Portrait
- ca. 1768
- Not on view
9
- The Death of Lucretia
- 1763 to 1767
- Not on view
10
- The Hen Peckt Husband
- ca. 1768
11
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
12
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
13
- Bust of an Old Man Reading
- 1763
14
- Mother Holding a Child with an Apple
- 1763
15
- Roman Tower in Hound's Ditch, 28 April 1763
- 1763
16
- Miss Eyebright
- between 1763 and 1779
17
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
18
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
19
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
20
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
21
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
22
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
23
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
24
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
25
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
26
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
27
- Horse Guards, Whitehall
- undated
28
- East India House
- undated
29
- The Sessions House, Junction of Farringdon and Clerkenwell Roads
- undated
30
- The Admiralty
- undated
31
- St. Martin-in-the-Fields, Interior
- undated
32
- Banqueting House, Whitehall
- undated
33
- View of the City of New York: A South East View of the City of New York in North America
- 1763
34
- Saint Francis of Assisi
- 1763
35
- Atalanta and Hippomanes
- 1763
36
- Marcus Furius Camillus Liberating Rome From Brennus
- 1763
37
- Gerolamo Tartarotti
- 1763
38
- A View of the Royal Palace of Hampton Court
- 1763
39
- A la Memoire de l'Illustre Vandike, Peintre de la Nature
- 1763
40
- A View of Stocks Market
- 1763
41
- The Honorable Augustus Hervey, Captain in his Majesty's Navy
- 1763
42
- Atalanta and Hippomanes
- 1763
43
- Narcissus
- 1763
44
- Diana, The Huntress
- 1763
45
- Camillus Rescuing Rome From Brennus
- 1763
46
- The Savoy Hospital in the Strand the Chapel of the Hospital
- 1763
47
- Portrait of a Man
- ca. 1768
48
- Felis caligata (Booted Lynx)
- ca. 1768
49
- Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
- ca. 1768
50
- Jerboa
- ca. 1768
51
- Dik-dik
- ca. 1768
52
- Vulture
- ca. 1768
53
- Bee Cuckoo
- ca. 1768
54
- Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
- ca. 1768
55
- Sagittarius serpentarius (Secretary Bird)
- ca. 1768
56
- Gypaetus barbatus (Bearded Vulture)
- ca. 1768
57
- The Thames with Sion House
- undated
58
- Head of a Man with a Beard Looking to the Left
- undated
59
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
60
- 2 birds "Aroust el Bahar"
- ca. 1768
61
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
- ca. 1768
62
- Elevation and Plan of Arch at Makther
- ca. 1768
63
- Arch of Trajan Mactar Modern Makther set in Landscape
- ca. 1768
64
- Entrance Gate, Zaghouan
- ca. 1768
65
- Details of Temple Above Spring at Zaghouan
- ca. 1768
66
- Aquaduct at Cherchel
- ca. 1768
67
- Entrance Gate Zaghouan
- ca. 1768
68
- Temple Above Spring at Zaghouan
- ca. 1768
69
- Ruins of Temples at Saltronza
- ca. 1768
70
- Aquaduct at Cherchel
- ca. 1768
71
- Sketch of Arches in Perspective
- ca. 1768
72
- Sketch of Temple Ruins
- ca. 1768
73
- Drawing of Temple Ruins and Figures
- ca. 1768
74
- Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
- ca. 1768
75
- Madoqua (Dik-dik)
- ca. 1768
76
- Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
- ca. 1768
77
- Premiere Position pour tirer L'Epée
- 1763
78
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
79
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
80
- Position pour la Garde en Quarte
- 1763
81
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
82
- Position pour la Garde en Tierce
- 1763
83
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
84
- Troisieme Position du Salut
- 1763
85
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
86
- Quatrieme Position du Salut
- 1763
87
- Seconde Position du Salut
- 1763
88
- Premiere Position du Salut
- 1763
89
- Cinquieme Position du Salut
- 1763
90
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
91
- De la Parade de Seconde sur le Coup de Seconde
- 1763
92
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
93
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
94
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
95
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
96
- De la Parade de Prime sur le Coup de Seconde
- 1763
97
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
98
- De la Parade Dequinte sur le Coup de Quinte
- 1763
99
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
100
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763