The Preposterous Head Dress, or the Feathered Lady
1776
26
Gabriel Scorodomoff, 1748–1792
The Ephesian Matron (laid down on same sheet as B1977.14.11653)
1776
27
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
28
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
29
Richard Bernard Godfrey, 1728–op.1794
View of London from Blackheath
1776
30
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
31
John Raphael Smith, 1752–1812
Mrs. Morris
1776
32
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
33
William Dickinson, 1746–1823
Lady Charles Spencer
1776
34
unknown artist
Songsheet of a Hymn to be sung by the Charity Children of Christ Church Middlesex 10 November 1770
1776
35
J. Tobin, active 1776
Preparing to lay eel traps
undated
36
William Woollett, 1735–1785
The Death of General Wolfe
1776
37
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
38
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
39
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
40
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
41
Print finished by John Dixon, ca. 1740–1811
Garrick as Abel Drugger in "The Alchemist"
1776
42
Francesco Bartolozzi, 1728–1815
James Harris
1776
43
Francesco Bartolozzi, 1728–1815
James Harris
1776
44
William Watts, 1752–1851
Strensham, the ancient Seat of the Russells
1776
45
Francesco Bartolozzi, 1728–1815
Ticket for the Masked Ball at Ranelagh
1776
46
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
47
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
48
William Dickinson, 1746–1823
St. Caecilia (Miss Lindley)
1776
49
Francesco Bartolozzi, 1728–1815
The Portrait Of Anibale Caracci Drawn By Himself
1776
50
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness Of Halifax
1776
51
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
52
John Raphael Smith, 1752–1812
Marie Antoinette d'Autriche Reine de France
1776
53
Francesco Bartolozzi, 1728–1815
Lauretta
1776
54
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
55
Francois Vivares, 1709–1780
Francis Vivares
1776
56
Francesco Bartolozzi, 1728–1815
Angel Gesticulating
1776
57
Francesco Bartolozzi, 1728–1815
The Rape of Cephalus By Aurora
1776
58
Francesco Bartolozzi, 1728–1815
Venus Standing By the Sea, Two Cupids Carry Masks
1776
59
after Richard Wilson, ca. 1712–1782
Twelve Original Views in Italy
1776
60
William Watts, 1752–1851
The Seat of St. Thomas Wilson, Bart., at Charlton in Kent
1776
61
James Barry, 1741–1806
King Lear
1776
62
Jakob Phillip Hackert, 1737–1807
Lake Nemi
1776
63
Charles Gore, 1729–1807
Lago Fucino
1776
64
Moses Griffith, 1747–1819
View of Baron Hill, Anglesey, Wales
1776
65
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
66
William Pars, 1742–1782
A View of Rome Taken from the Pincio
1776
67
John Smart, 1741–1811
Robert, first Baron Clive of Plassey
1776
68
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
69
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
70
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
71
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
72
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
74
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
76
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
77
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
79
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
81
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
82
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
83
John Warwick Smith, 1749–1831
A View of Tivoli Looking Towards Rome
ca. 1781
84
John Robert Cozens, 1752–1797
Interlaken
1776
85
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
86
John Robert Cozens, 1752–1797
The Falls of the Reichenbach
1776
87
John Robert Cozens, 1752–1797
Upon the Aare between Unterseen and the Lake of Brientz
1776
88
John Robert Cozens, 1752–1797
The Lake of Geneva from the Canton of Berne
1776
89
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
90
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
91
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..