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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1779

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Subject Terms men

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John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
Creator:
Thomas Stringer, 1722–1790
Date:
1779
Materials & Techniques:
Oil on canvas
Dimensions:
37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
One Tree Hill, Greenwich, with London in the Distance
Creator:
John Feary, ca. 1745–1788
Date:
1779
Materials & Techniques:
Oil on panel
Dimensions:
27 1/2 x 48 inches (69.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lord Penryn's Slate Quarries
Creator:
John Henderson, 1764–1843
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Sportsman and Guns
Creator:
John Henry Müntz, 1727–1798
Date:
1779
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 × 11 15/16 inches (22.4 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene in Derbyshire; Industrial Works spanning a River
Creator:
William Day, 1764–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/16 × 18 3/16 inches (30.6 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection