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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1780

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Classification Prints

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George Stubbs Tygers at Play
George Stubbs, 1724–1806
Tygers at Play
1780
Paul Sandby Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
Paul Sandby Views in the Levant: The Sacred Cave of Archidamus
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
James Caldwall Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
James Caldwall Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
unknown artist Ecclesiastical, and, Political, State of the Nation
unknown artist
Ecclesiastical, and, Political, State of the Nation
1780
Joseph Zucchi The Muse Erato
Joseph Zucchi, 1730–1790
The Muse Erato
1780
Charles Reuben Ryley Bacchanalian with Maiden
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
Charles Reuben Ryley Putti Dancing to the Pipe and Tambourine
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
Charles Reuben Ryley Monster with Maiden
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
Robert Blyth Fisherman
Robert Blyth, 1750–1784
Fisherman
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Robert Blyth Rustick Dance
Robert Blyth, 1750–1784
Rustick Dance
1780
Robert Blyth Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
Joseph Haynes Saint Paul Preaching to the Britons
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
Charles Reuben Ryley Two Women at Toilette
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
Robert Blyth Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
Joseph Haynes Banditti
Joseph Haynes, 1760–1829
Banditti
1780
John Raphael Smith Lady Beauchamp
John Raphael Smith, 1752–1812
Lady Beauchamp
1780
Johann Jacobé Edward Chamberlayne
Johann Jacobé, 1733–1797
Edward Chamberlayne
1780
Valentine Green Anne Townshend, Marchioness Townshend
Valentine Green, 1739–1813
Anne Townshend, Marchioness Townshend
1780
William Doughty The Sleeping Child
William Doughty, 1757–1782
The Sleeping Child
1780
Thomas Watson Lucy Hardinge (née Long)
Thomas Watson, 1743–1781
Lucy Hardinge (née Long)
1780
Valentine Green Sir Joshua Reynolds
Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
Valentine Green Mary Isabella, Duchess of Rutland
Valentine Green, 1739–1813
Mary Isabella, Duchess of Rutland
1780
James Fittler View of the Encampment in the Museum Gardens, August 1780
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
Francis Chesham View of the Encampment in Hyde Park, from Marshal Sac's Tent
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
Daniel Lerpiniere A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
Daniel Lerpiniere, c.1745–1785
A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
1780
unknown artist The Old Boat Public House, Cromer Street, Judd Street
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
unknown artist The Three Hats Public-house and other Old House, Islington
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
William Watts Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
Charles Reuben Ryley Soldier with A Pike
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
John Raphael Smith The Fruit Barrow
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
J. Carwitham A South-East View of the City of Boston in North America
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
unknown artist The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
Henry Roberts An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
John Raphael Smith The Fruit Barrow
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
Joseph Haynes Six Banditti with Dog (no.1 of 10)
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
Joseph Haynes Bandit with old man and young woman (no.2 of 10)
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
Joseph Haynes Woman warding off Monster (no.4 of 10)
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
Joseph Haynes Banditti and Women (no.6 of 10)
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
Joseph Haynes Banditti at market (no.2 of 10)
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
Joseph Haynes Banditti (no.7 of 10)
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
Thomas Bowles III A Perspective View of the Town and Fortifications of Malta
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
unknown artist A View of Rotterdam, and the River Maese with Variety of Shipping
Print made by unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
Thomas Bowles III A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
John Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
Thomas Bowles III A Perspective View of Venice
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
Thomas Bowles III A View of Little St. Mark's Place at Venice to the Sea
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
Francis Patton The City of Dresden
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
unknown artist A View of the Ruins of the Temple of Jupiter Olympius at Athens
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
unknown artist The Remains of the Great Temple in Palmira seen from the West. ...
Print made by unknown artist
The Remains of the Great Temple in Palmira seen from the West. ..
between 1780 and 1815
unknown artist The Entrance into the Temple of the Sun in Palmira from the East
Print made by unknown artist
The Entrance into the Temple of the Sun in Palmira from the East
between 1780 and 1815
John Hamilton Mortimer Sleeping Monsters
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
Francesco Bartolozzi Medallions of F. Hutcheson and L. Natter
Print made by Francesco Bartolozzi, 1728–1815
Medallions of F. Hutcheson and L. Natter
1780
Thomas Bowles III A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Print made by Thomas Bowles III, ca. 1712–1767
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
unknown artist A View of the City of Oporto
Print made by unknown artist
A View of the City of Oporto
between 1780 and 1815
Francesco Bartolozzi Angelica Kauffman
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
Joseph Haynes Two Women and a Man (no.9 of 10)
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
John Hamilton Mortimer Revengeful Monsters
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
Joseph Haynes Winged Monster (no.10 of 10)
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
Francesco Bartolozzi Cupid's Manufactory
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
Francesco Bartolozzi Paris and Oenone
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
Francesco Bartolozzi Sir Henry Clinton
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
Francesco Bartolozzi Sir Henry Clinton
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
Francesco Bartolozzi Sir Henry Clinton
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
James Gillray John Bull Triumphant
James Gillray, 1756–1815
John Bull Triumphant
1780
James Gillray The Triumphant Britons
James Gillray, 1756–1815
The Triumphant Britons
1780
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
Thomas Rowlandson Nap in the Country - Nap in Town
Thomas Rowlandson, 1756–1827
Nap in the Country - Nap in Town
ca. 1785
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Three Putti And A Goat
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
Francesco Bartolozzi Three Cupids With Bows & Arrows, And Two Doves
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
Francesco Bartolozzi Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
Francesco Bartolozzi Sir Henry Clinton, K.B.
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
Francesco Bartolozzi Vide Howard On Prisons
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
Francesco Bartolozzi Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
Francesco Bartolozzi Miniature Of Elizabeth Farren, Countess Of Derby
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
Charles Howard Hodges Mrs. Anne Warren
Charles Howard Hodges, 1764–1837
Mrs. Anne Warren
between 1780 and 1837
Francesco Bartolozzi Group Of Four Children
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
Francesco Bartolozzi Lavinia, The Milk Maid
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
Francesco Bartolozzi His Ego Ne Metas Rerum, Nec Tempora Pono:...
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
William Dickinson Sir Anthony Van Dyck
William Dickinson, 1746–1823
Sir Anthony Van Dyck
1780
Francesco Bartolozzi Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
unknown artist Procession of the Protestant Association to Westminster
unknown artist
Procession of the Protestant Association to Westminster
1780