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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1783

Remove constraint Date: 1783

Period 18th century

Remove constraint Period: 18th century

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George Stubbs Mr. Hospey (?)Walker
George Stubbs, 1724–1806
Mr. Hospey (?)Walker
1783
Not on view
Francis Wheatley Soldier with Country Women Selling Ribbons, near a Military Camp
Francis Wheatley, 1747–1801
Soldier with Country Women Selling Ribbons, near a Military Camp
1788
Not on view
Francis Swain Ward Mausoleum at Outatori near Trichinopoly
Francis Swain Ward, ca. 1734–1794
Mausoleum at Outatori near Trichinopoly
ca. 1788
Not on view
Johan Joseph Zoffany Patrick Heatly
Johan Joseph Zoffany, 1733–1810
Patrick Heatly
between 1783 and 1787
Not on view
Francis Wheatley The Salmon Leap, Leixlip
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
Julius Caesar Ibbetson George Biggin
Julius Caesar Ibbetson, 1759–1817
George Biggin
1783
Not on view
Benjamin West The Bathing Place at Ramsgate
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
Joseph Wright of Derby Vesuvius from Posillipo
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
Thomas Gainsborough Coastal Landscape with a Shepherd and His Flock
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake "A Select Collection of English Songs," London, 1783
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
William Blake A Select Collection of English Songs
William Blake, 1757–1827
A Select Collection of English Songs
1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
unknown artist Front, Side View, and Back Front, of a Modern fine Gentleman
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
John Raphael Smith Sir Harbord Harbord Bart.
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
Johan Joseph Zoffany A River by a Rocky Bank with Figures, Possibly in India
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
Samuel Hieronymus Grimm East Side of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
Samuel Hieronymus Grimm North East View of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
Samuel Davis Tassisudon
Samuel Davis, 1760–1819
Tassisudon
1783
Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong
Samuel Davis, 1760–1819
The Former Winter Capital of Bhutan at Punakha Dzong
1783
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
William Wood George Wolrige of Garlinneck
William Wood, 1768–1809
George Wolrige of Garlinneck
undated
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
William Thomas Design for an Unidentifued House in the Palladian Style
William Thomas, active 1783– died 1800
Design for an Unidentifued House in the Palladian Style
undated
Thomas Malton King Street, Guildhall
Thomas Malton, 1726–1801
King Street, Guildhall
1783
Francis Wheatley Lismore Castle, Ireland
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
Henry Tresham A Peasant of Mount Erix
Henry Tresham, 1751–1814
A Peasant of Mount Erix
between 1783 and 1789
Sir George Howland Beaumont seventh Baronet Vatican from the road to Ponte Mola
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
John Sanders Sundorne Castle, Near Shrewsbury, Shropshire
John Sanders, 1768–1826
Sundorne Castle, Near Shrewsbury, Shropshire
1783
John Raphael Smith Painting
Print made by John Raphael Smith, 1752–1812
Painting
1783
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
John Dunthorne A Preacher
John Dunthorne, active 1783–1792
A Preacher
undated
John Dunthorne A Poacher in Custody
John Dunthorne, active 1783–1792
A Poacher in Custody
undated
Edward Dayes Waltham Abbey, Essex
Edward Dayes, 1763–1804
Waltham Abbey, Essex
1783
Robert Cleveley An English Man-of-War Taking Possession of a Ship
Robert Cleveley, 1747–1809
An English Man-of-War Taking Possession of a Ship
1783
Thomas Gainsborough Wooded Landscape with Figures
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures
ca. 1788
Samuel Hieronymus Grimm View of Wingerworth Hall, Derbyshire
Samuel Hieronymus Grimm, 1733–1794
View of Wingerworth Hall, Derbyshire
1783
William Daniell Manickpur on the Ganges
William Daniell, 1769–1837
Manickpur on the Ganges
ca. 1788
William Daniell A Young Indian
William Daniell, 1769–1837
A Young Indian
ca. 1788
William Daniell View of Monghyr, Bihar
William Daniell, 1769–1837
View of Monghyr, Bihar
ca. 1788
John Robert Cozens Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
John Robert Cozens, 1752–1797
Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
1783
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
James Gillray Junction of Parties
James Gillray, 1756–1815
Junction of Parties
1783
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
Capt. Francis Grose City Malitia (sic) Marching
Capt. Francis Grose, 1731–1791
City Malitia (sic) Marching
ca. 1788
James Gillray Bonus / Mellior / Optimus
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
James Gillray A New Administration, or the State Quacks Administering
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
James Gillray The Nabob Rumbled or a Lord Advocates Amusement
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
James Gillray The Nabob Rumbled or A Lord Advocates Amusement
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
Thomas Rowlandson Jack Bannister in his Dressing Room
Thomas Rowlandson, 1756–1827
Jack Bannister in his Dressing Room
1783
John Robert Cozens The Lake of Nemi
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
Samuel Davis Tasee Punchou [Tashi Phuntso]
Samuel Davis, 1760–1819
Tasee Punchou [Tashi Phuntso]
1783
Samuel Davis Murichom to Choka [Chukha]
Samuel Davis, 1760–1819
Murichom to Choka [Chukha]
1783
John Robert Cozens A View from the Inn at Terracina
John Robert Cozens, 1752–1797
A View from the Inn at Terracina
1783
John Robert Cozens The Lake of Albano and Castel Gandolfo
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
Samuel Davis The Village of Buxadaur [Buxa Duar] [Thibet]
Samuel Davis, 1760–1819
The Village of Buxadaur [Buxa Duar] [Thibet]
1783
Samuel Davis Figures crossing a bridge over a ravine
Samuel Davis, 1760–1819
Figures crossing a bridge over a ravine
1783
Samuel Davis The Temple of Wangdutse
Samuel Davis, 1760–1819
The Temple of Wangdutse
1783
Samuel Davis View near Tassisudon [Tashicho Dzong] in Bhutan
Samuel Davis, 1760–1819
View near Tassisudon [Tashicho Dzong] in Bhutan
1783
John Dunthorne A Seated Man
Attributed to John Dunthorne, active 1783–1792
A Seated Man
undated
John Robert Cozens Lake of Vico Between Rome and Florence
John Robert Cozens, 1752–1797
Lake of Vico Between Rome and Florence
1783
John Robert Cozens Monte della Madonna, near Argua
John Robert Cozens, 1752–1797
Monte della Madonna, near Argua
1783
Samuel Davis Murichom
Samuel Davis, 1760–1819
Murichom
1783
Samuel Davis View of Tashichoedzong, Bhutan and Foot Bridge
Samuel Davis, 1760–1819
View of Tashichoedzong, Bhutan and Foot Bridge
1783
Samuel Davis Wankaka
Samuel Davis, 1760–1819
Wankaka
1783
Samuel Davis View of Tasicho Dzong from Above (panoramic view of a large building in a valley)
Samuel Davis, 1760–1819
View of Tasicho Dzong from Above (panoramic view of a large building in a valley)
1783
Samuel Davis Kapta [Chapcha] Castle
Samuel Davis, 1760–1819
Kapta [Chapcha] Castle
1783