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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1783
Remove constraint Date: 1783Search Results
1
- Mr. Hospey (?)Walker
- 1783
- Not on view
2
- Coastal Landscape with a Shepherd and His Flock
- between 1783 and 1784
- Not on view
3
- The Salmon Leap, Leixlip
- 1783
- Not on view
4
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
5
- Soldier with Country Women Selling Ribbons, near a Military Camp
- 1788
- Not on view
6
- Patrick Heatly
- between 1783 and 1787
- Not on view
7
- Vesuvius from Posillipo
- ca. 1788
- Not on view
8
- Mausoleum at Outatori near Trichinopoly
- ca. 1788
- Not on view
9
- George Biggin
- 1783
- Not on view
10
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
11
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
12
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
13
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
14
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
15
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
16
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
17
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
18
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
19
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
20
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
21
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
22
- There is No Natural Religion
- ca. 1788
23
- Love Songs, Class I. Tailpiece
- 1783
24
- Love Songs, Class I. Headpiece
- 1783
25
- Love Songs, Class II. Headpiece
- 1783
26
- Love Songs, Class II. Tailpiece
- 1783
27
- Love Songs, Class III. Headpiece
- 1783
28
- Love Songs, Class III. Tailpiece
- 1783
29
- Love Songs, Class IV. Headpiece
- 1783
30
- Love Songs, Class IV. Tailpiece
- 1783
31
- Love Songs, Class V. Headpiece
- 1783
32
- Drinking Songs, Headpiece
- 1783
33
- Drinking Songs, Tailpiece
- 1783
34
- Miscellaneous Songs, Headpiece
- 1783
35
- Miscellaneous Songs, Tailpiece
- 1783
36
- Ancient Ballads, Headpiece
- 1783
37
- Ancient Ballads, Tailpiece
- 1783
38
- Fainasollis, Borbar and Fingal
- 1783
39
- The Fall of Agandecca
- 1783
40
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
41
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
42
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
43
- Mademoiselle Baccelli
- 1783
44
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
45
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
46
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
47
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
48
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
49
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
50
- The Inflexible Porter, a Tragedy
- 1783
51
- Dunkerswell Abbey, August 20, 1783
- 1783
52
- Sir Harbord Harbord Bart
- 1783
53
- Building of a Cutter
- 1783
54
- Chase of a Cutter
- 1783
55
- The Battle of Agincourt
- 1783
56
- The Battle of Agincourt
- 1783
57
- The Battle of Agincourt
- 1783
58
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
59
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
60
- Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
- 1783
61
- Samuel, Lord Hood
- 1783
62
- The Spell, or Hobnelia
- 1783
63
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
64
- John, Lord Cardiff
- 1783
65
- Artist Drawing a Woman's Silhouette
- 1783
66
- Honorable Mrs. Stanhope
- 1783
67
- Girl in a Brown Dress
- undated
68
- The Death of Captain Cook
- 1783
69
- Chapel of Henry V at Westminster
- 1783–1799
70
- Lady Amelia Hume
- 1783
71
- Tarbert Castle
- undated
72
- Design for an Unidentifued House in the Palladian Style
- undated
73
- The Encampment in the Museum Garden
- 1783
74
- S. E. View of Copenhagen House
- 1783
75
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
76
- King Street, Guildhall
- 1783
77
- The True State of the Junction; or Men of Abilities Call'd For
- 1783
78
- The West India Flower Girl
- undated
79
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
80
- A Perspective View of the Cities of London & Westminster
- 1783
81
- Open Landscape with Cathedral in Distance
- undated
82
- A Boatload
- undated
83
- Nymphs Bathing
- 1783
84
- Cornelia, Mother of the Gracchi
- 1783
85
- Sappho Embracing Love
- 1783
86
- The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
- 1783
87
- A Warm Birth for the Old Administration -----
- 1783
88
- A Coalition of Parties, Give Justice Her Claims
- 1783
89
- Cephalus and Procris
- 1783
90
- The Power of Beauty
- 1783
91
- Love Caressed
- 1783
92
- The Power of Love
- 1783
93
- Prudence
- 1783
94
- Diego Ignacio de Pina Manique
- undated
95
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
96
- View of the New Public Offices at Somerset House, fronting the Thames
- 1783
97
- Georgiana, Countess Spencer
- 1783
98
- Sion House in Middlesex
- 1783
99
- A Sun Setting in a Fog, With The Old Hanover Hack Descending
- 1783
100
- A New Administration, or - The State Quacks Administring
- 1783