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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1786

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Sir Richard Colt Hoare At Tivoli, near Rome
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
Sir Richard Colt Hoare The Tomb of Plautius, near Tivoli
Sir Richard Colt Hoare, 1758–1838
The Tomb of Plautius, near Tivoli
1786 to 1819
Sir Richard Colt Hoare At Tivoli, near Rome
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
Sir Richard Colt Hoare At Tivoli, near Rome
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
Sir Richard Colt Hoare At Tivoli, near Rome
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
Sir Richard Colt Hoare View of Vicovaro, obin, Vicus Varii
Sir Richard Colt Hoare, 1758–1838
View of Vicovaro, obin, Vicus Varii
1786 to 1819
Sir Richard Colt Hoare Villa of Macenas at Tivoli
Sir Richard Colt Hoare, 1758–1838
Villa of Macenas at Tivoli
1786 to 1819
Sir Richard Colt Hoare Remains of the Claudian Aqueduct near Tivoli
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near Tivoli
1786 to 1819
Sir Richard Colt Hoare Town of Tivoli, villa of Macenas near Rome
Sir Richard Colt Hoare, 1758–1838
Town of Tivoli, villa of Macenas near Rome
1786 to 1819
Sir Richard Colt Hoare Near the Convent of S. Cosimato, in Italy
Sir Richard Colt Hoare, 1758–1838
Near the Convent of S. Cosimato, in Italy
1786 to 1819
Sir Richard Colt Hoare The Convent of St. Cosimato, and part of the Claudian Aqueduct
Sir Richard Colt Hoare, 1758–1838
The Convent of St. Cosimato, and part of the Claudian Aqueduct
1786 to 1819
Charles Howard Hodges Lady Dashwood & Child
Charles Howard Hodges, 1764–1837
Lady Dashwood & Child
1786
Joseph Grozer Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
Joseph Grozer, ca. 1755–1798
Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
1786
John Jones Honorable Mrs. Tollemache in the Character of Miranda
John Jones, ca. 1745–1797
Honorable Mrs. Tollemache in the Character of Miranda
1786
William Ward Contemplation
William Ward, 1766–1826
Contemplation
1786
Charles Knight Susan's Farewell
Charles Knight, 1743–c.1826
Susan's Farewell
1786
Charles Howard Hodges Master Brown
Charles Howard Hodges, 1764–1837
Master Brown
1786
William Wynne Ryland The Interview Between Edgar and Elfreda After Her Marriage with Athelwood
William Wynne Ryland, 1732–1783
The Interview Between Edgar and Elfreda After Her Marriage with Athelwood
1786
Francesco Bartolozzi Psyche Going To Dress
Francesco Bartolozzi, 1728–1815
Psyche Going To Dress
1786
Francesco Bartolozzi Nymphs after Bathing
Francesco Bartolozzi, 1728–1815
Nymphs after Bathing
1786
unknown artist North Front of Strawberry Hill
unknown artist
North Front of Strawberry Hill
1786
James Gillray The Royal Society
James Gillray, 1756–1815
The Royal Society
1786
Richard Bernard Godfrey Edgar's Tower, Worcester
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
James Gillray Which is the Better Man or The Pot Calls the Kettle Blacka-e
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
James Gillray The April Fool or The Follies of a Night ---
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
Thomas Rowlandson The Word Eater
Thomas Rowlandson, 1756–1827
The Word Eater
1786
unknown artist A La Mode, Beef
unknown artist
A La Mode, Beef
1786
James Hook Captain Cork Rump
Print made by James Hook, ca. 1772–1828
Captain Cork Rump
1786
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
J. Barlow Florio
J. Barlow, active 1791
Florio
1786
James Gillray The (Prince's) Nursery or Nine Months After
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
unknown artist The Commercial Treaty; Or John Bull changing Beef and Pudding for Frogs and Soup Maigre
unknown artist
The Commercial Treaty; Or John Bull changing Beef and Pudding for Frogs and Soup Maigre
1786
unknown artist Modern Defence or the Siege of Fort Phyllis
unknown artist
Modern Defence or the Siege of Fort Phyllis
1786
James Gillray The Royal Academy
James Gillray, 1756–1815
The Royal Academy
1786
Francesco Bartolozzi The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
Francesco Bartolozzi, 1728–1815
The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
1786
James Gillray The Legacy
James Gillray, 1756–1815
The Legacy
1786
unknown artist The Brighton Stud
unknown artist
The Brighton Stud
1786
Sir Richard Colt Hoare The Pont du Gard in Languedoc
Sir Richard Colt Hoare, 1758–1838
The Pont du Gard in Languedoc
1786 to 1819
Sir Richard Colt Hoare A Mill at Marino, near Rome
Sir Richard Colt Hoare, 1758–1838
A Mill at Marino, near Rome
1786 to 1819
Sir Richard Colt Hoare At Grotto Ferrata, near Rome
Sir Richard Colt Hoare, 1758–1838
At Grotto Ferrata, near Rome
1786 to 1819
Sir Richard Colt Hoare An Ancient Sepulchre at Albano
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre at Albano
1786 to 1819
Sir Richard Colt Hoare A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
Sir Richard Colt Hoare, 1758–1838
A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
1786 to 1819
Sir Richard Colt Hoare At Marino, near Rome
Sir Richard Colt Hoare, 1758–1838
At Marino, near Rome
1786 to 1819
Sir Richard Colt Hoare A view of Vicovaro alias Vicus Varii
Sir Richard Colt Hoare, 1758–1838
A view of Vicovaro alias Vicus Varii
1786 to 1819
Sir Richard Colt Hoare The Tomb of Plautius etc near Tivoli
Sir Richard Colt Hoare, 1758–1838
The Tomb of Plautius etc near Tivoli
1786 to 1819
Sir Richard Colt Hoare Neptune's Grotto at Tivoli
Sir Richard Colt Hoare, 1758–1838
Neptune's Grotto at Tivoli
1786 to 1819
Sir Richard Colt Hoare Remains of the Claudian Aqueduct near the Convent of S. Cosimato
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near the Convent of S. Cosimato
1786 to 1819
John Dean Moses in the Bulrushes [Reclining Child]
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
Francesco Bartolozzi Herculea and Omphale
Francesco Bartolozzi, 1728–1815
Herculea and Omphale
1786
Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
unknown artist The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe
unknown artist
The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe
1786
Charles Howard Hodges The Amorous Sportsman
Print made by Charles Howard Hodges, 1764–1837
The Amorous Sportsman
1786
Nicholas Pocock Ships and Boats on the River Avon
Nicholas Pocock, 1740–1821
Ships and Boats on the River Avon
1786
Henry Bernard Chalon Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
Henry Bernard Chalon, 1771–1849
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
Henry Bernard Chalon Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
undated
Henry Bernard Chalon Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
undated
Henry Bernard Chalon Studies of Horses: 'Various Actions of Flemish Horses'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Various Actions of Flemish Horses'
undated
Henry Bernard Chalon Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
undated
Henry Bernard Chalon Studies of Horses: 'Officers Chargers With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
undated
Francesco Bartolozzi John Ash M.D.
Francesco Bartolozzi, 1728–1815
John Ash M.D
ca.1791
Valentine Green Aegisthus discovers the body of Clytemnestra
Valentine Green, 1739–1813
Aegisthus discovers the body of Clytemnestra
1786
unknown artist The Royal Hunt
Print made by unknown artist
The Royal Hunt
1786
James Gillray Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
James Gillray, 1756–1815
Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
1786
James Gillray A Tom Tit Twittering on an Eagle's Back-side
James Gillray, 1756–1815
A Tom Tit Twittering on an Eagle's Back-side
1786
James Gillray Out of Fits - or the Recovery to the Satisfaction of All Parties
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
Samuel Alken Side Box Sketches
Samuel Alken, 1756–1815
Side Box Sketches
1786
Francesco Bartolozzi Lamia
Francesco Bartolozzi, 1728–1815
Lamia
1786
Francesco Bartolozzi Free-Masons Hall, The Gods decending on a Library Table on which are Globes and Scientific Instruments
Print made by Francesco Bartolozzi, 1728–1815
Free-Masons Hall, The Gods decending on a Library Table on which are Globes and Scientific Instruments
1786
Wales, James, 1746 or 1747-1795. James Wales archive,
Wales, James, 1746 or 1747–1795
James Wales archive,
1786-1797