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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1791
Remove constraint Date: 1791Search Results
1
- John Quick as Tony Allspice
- ca. 1796
- Not on view
2
- Rocky Landscape with Two Men on a Horse
- 1791
- Not on view
3
- Colonel Donald MacLeod of St. Kilda
- ca. 1796
- Not on view
4
- Brighton Beach Looking West
- undated
5
- A View on the Orwell
- undated
6
- Suffolk Landscape
- undated
7
- A Sleeping Leopard
- 1791
8
- Hay-Makers
- 1791
9
- View of Ely Cathedral
- ca. 1796
10
- A Great Tree
- ca. 1796
11
- Near Grindelwald
- ca. 1796
12
- Newark - upon - Trent
- ca. 1796
13
- Landscape with Waterfall
- ca. 1796
14
- Landscape with Trees and Figures
- ca. 1796
15
- Villa d'Este
- ca. 1796
16
- Portrait of a Divine
- after 1791
17
- Composition Study
- undated
18
- Birnam Wood
- before 1801
19
- Leasehold Farm Boxted
- 1791
20
- African Woman Sitting on a Chair
- undated
21
- African Woman
- undated
22
- Rough Sketch of African Woman with Baskets
- undated
23
- Sketch of Nana Fadnavis
- undated
24
- A Species of Wild Duck
- undated
25
- Great Indian Bustard
- undated
26
- Flamingo
- undated
27
- Necklaces
- undated
28
- Rou Water Holder
- undated
29
- Jeweled Box for Buttee Nuts
- undated
30
- View from Panwell
- undated
31
- Landscape with River or Lake
- undated
32
- Landscape with Rocks
- undated
33
- Buildings by a River
- undated
34
- Unfinished Sketch of an Elaborately Saddled Horse
- undated
35
- A Hindu Devotee
- undated
36
- Landscape with Rocks
- undated
37
- African Woman with Baskets
- undated
38
- View from Ashton Meadows, Bristol
- 1791
39
- Memorial to Theodore King of Corsica in St. Ann, Westminster
- 1791
40
- Stowe's Monument in St. Andrew, Undershaft
- 1791
41
- Newgate
- 1791
42
- Pye Corner, Smithfield
- 1791
43
- Samuel Cooper's Monument in St. Pancras Church
- 1791
44
- In St. Mary Overie's or St. Saviour's, Southwark
- 1791
45
- Hackney
- 1791
46
- Painting on the South Side Severts Tomb
- 1791
47
- Speed's Monument in the Chancel of St. Giles, Cripplegate
- 1791
48
- Girl and Boy Anglers
- 1791
49
- A Crane
- 1791
50
- Study of Rocks, near Pencerrig, Wales
- ca. 1796
51
- The North Foreland Lighthouse, Kent
- 1791
52
- Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham
- 1791
53
- Rosebud, or the Judgement of Paris
- 1791
54
- Neapolitan Fishermen
- 1791
55
- Man of War with Other Shipping
- 1791
56
- Shipping off the Coast at Amalfi
- 1791
57
- Pont-y-Pair on the River Llugwy near Betws-y-Coed, Denbigh
- 1791
58
- Martha Gunn, Bather at Brighton
- 1791
59
- The Misses Van and Lady Salisbury
- 1791
60
- View in Oheitepeha Bay, Otaheite
- 1791
61
- Views of Polar Regions
- undated
62
- Hilt of the Peshwa's Sword
- undated
63
- Bottom of Sword Sheath
- undated
64
- Breast Buckle
- undated
65
- Bottom of Sword Sheath
- undated
66
- Mahometan Devotee
- undated
67
- Persian Sword Hilt Set with Diamonds
- undated
68
- A Cheetah Hunting Party with Charles Warre Malet
- undated
69
- Jewelry Designs
- undated
70
- Indian Guard Room
- undated
71
- Hamalls or Potters Resting after Laying down their Burdens
- undated
72
- Englishmen with an Indian Hunting Party
- undated
73
- A Man Making his Turban
- undated
74
- A Waterman with his Ox or Bullock
- undated
75
- A Brahmin
- undated
76
- Two Coorgs in their Proper Uniform
- undated
77
- Short Sword in Sheath
- undated
78
- A Sepoy Punishment
- undated
79
- Scene in a Famine: Quarreling for Carrion
- undated
80
- View of Rochester
- 1791
81
- Salisbury Cathedral
- 1791
82
- Weymouth Harbour
- 1791
83
- A Wife - Une Femme Mariee
- 1791
84
- What You Will - Ce Qui Vous Plaira
- 1791
85
- Part of Weymouth Harbour, Dorset, England
- 1791
86
- A Maid - Une Pucelle
- 1791
87
- A Widow - Une Veuve
- 1791
88
- Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
- 1791
89
- Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
- 1791
90
- Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
- 1791
91
- Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
- 1791
92
- Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
- 1791
93
- Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
- 1791
94
- Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
- 1791
95
- Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
- 1791
96
- Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
- 1791
97
- Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
- 1791
98
- Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
- 1791
99
- Rievaulx Abbey, Yorkshire
- ca. 1796
100
- A Village in a Wood
- ca. 1796