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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1792
Remove constraint Date: 1792Work Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
2
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
3
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
4
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
5
- Young's Night Thoughts, Page 13, "The present moment terminates our sight"
- ca. 1797
6
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
7
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
8
- Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
- ca. 1797
9
- Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
- ca. 1797
10
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
11
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
12
- Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
- ca. 1797
13
- Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
- ca. 1797
14
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
15
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
16
- Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
- ca. 1797
17
- Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
- ca. 1797
18
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
19
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
20
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
21
- Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
- ca. 1797
22
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
23
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
24
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
25
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
26
- Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
- ca. 1797
27
- Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
- ca. 1797
28
- Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
- ca. 1797
29
- Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
- ca. 1797
30
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
31
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
32
- Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
- ca. 1797
33
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
34
- Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
- ca. 1797
35
- Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
- ca. 1797
36
- Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
- ca. 1797
37
- Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
- ca. 1797
38
- Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
- ca. 1797
39
- Moon-Light
- ca. 1797
40
- After Sun-Set
- ca. 1797
41
- Evening
- ca. 1797
42
- Evening
- ca. 1797
43
- Moon-Light
- ca. 1797
44
- Morning
- ca. 1797
45
- Windsor Bridge
- 1792
46
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
47
- Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
48
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
49
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
50
- Angelica Kauffmann
- undated
51
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
52
- Georgius Johannes Commes, Spencer
- 1792
53
- Lodona
- 1792
54
- The Freeing of Amoret
- 1792
55
- Britannia Rewarding Music and Literature
- 1792
56
- Andrew Kippis
- 1792
57
- Mrs. Robinson
- 1792
58
- To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
- 1792
59
- Colonel Mordaunt's Cock Match at Lucknow
- 1792
60
- Colonel Mordaunt's Cock Match at Lucknow
- 1792
61
- Reverend John Moore, Lord Archbishop of Canterbury
- 1792
62
- Jonathan Shipley, Bishop of St. Asaph
- 1792
63
- The Murder of James First, King of Scotland
- 1792
64
- Arundel House in London 1646
- 1792
65
- The Bank
- 1792
66
- Thais
- 1792
67
- Eloisa
- 1792
68
- His Royal Highness George, Prince of Wales
- 1792
69
- Katherine, Duchess of Suffolk
- 1792
70
- Katherine, Duchess of Suffolk
- 1792
71
- Margaret, Lady Elyot
- 1792
72
- Sir John More
- 1792
73
- Jane, Lady Lister
- 1792
74
- Jane, Lady Lister
- 1792
75
- Sir John More
- 1792
76
- Jane, Lady Lister
- 1792
77
- Meditation
- 1792
78
- Admiration
- 1792
79
- Melania
- 1792
80
- Mrs. Fitzherbert
- 1792
81
- The Murder of James I, King of Scotland
- 1792
82
- Chinese Pavilion in European Landscape
- 1792
83
- Niobe
- 1792
84
- Mrs. Lenox
- 1792
85
- Baskerville House, the Residence of John Ryland, Esq
- 1792
86
- Bordesley Hall, the Seat of John Taylor, Esq
- 1792
87
- The New Meeting
- 1792
88
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
89
- Ticket for the Benefit of Mr. Dragonetti
- 1792
90
- The Winter's Tale, Act IV, Scene III
- 1792
91
- The Affectionate Daughter
- 1792
92
- Setting out for the Fair
- 1792
93
- The Fairings
- 1792
94
- Miss Price
- 1792
95
- The House of William Russell, Esq., Showell Green
- 1792
96
- The House of George Humphrys, Esq., Spark Brook
- 1792
97
- Beddington
- 1792
98
- Collina (Lady Gertrude Fitzpatrick)
- 1792
99
- The Infant Hercules
- 1792
100
- Princess Charlotte Augusta Matilda
- ca. 1797