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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1793

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Width [cm] 17

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1. Albion's Angel; Frontispiece (Plate 1)

Albion's Angel; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. America, A Prophecy; Title Page (Plate 2)

America, A Prophecy; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Silent as despairing love, and strong as jealousy..." (Plate 4)

"Silent as despairing love, and strong as jealousy..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Appear to the Americans upon the cloudy night..." (Plate 6)

"Appear to the Americans upon the cloudy night..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Part of Christ's Hospital from the Steward's Office

Part of Christ's Hospital from the Steward's Office
Creator:
Benjamin Green, ca. 1736–ca. 1800
Date:
1793
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 2 7/8 x 6 3/4in. (7.3 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. West Front of the Mathematical School, Christ's Hospital

West Front of the Mathematical School, Christ's Hospital
Creator:
Benjamin Green, ca. 1736–ca. 1800
Date:
1793
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 2 7/8 x 6 3/4in. (7.3 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Edward Progers

Edward Progers
Creator:
Schenecker, active 1791
Date:
1793
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 6 5/8 inches (25.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Canterbury Cathedral

Canterbury Cathedral
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite with blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 6 1/2 inches (16.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Priory Farm

Priory Farm
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Robert Dow's Monument, St. Botolph's Aldgate

Robert Dow's Monument, St. Botolph's Aldgate
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 3/4 x 6 3/4in. (22.2 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Cheapside Cross

Cheapside Cross
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 3/4 x 6 3/4in. (22.2 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Sketch of a Village and a Hill Castle Beyond

Sketch of a Village and a Hill Castle Beyond
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Ouse Bridge, York

Ouse Bridge, York
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 1/4 x 6 5/8 inches (13.4 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. In Our Journey through Life may we Live Well on the Road

In Our Journey through Life may we Live Well on the Road
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. May the Eye of Science pierce Through the Mists of Obsurity

May the Eye of Science pierce Through the Mists of Obsurity
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Mother and Infant

Mother and Infant
Creator:
James Ward, 1769–1859
Date:
ca. 1798
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection