Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1798

101. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. A View of the House of Correction in Gold Bath Fields

Creator:: unknown artist
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The Apotheosis of Hoche

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 19 1/8 x 14 7/8in. (48.6 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Destruction of the French Collossus

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/16 x 9 7/8in. (33.5 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14in. (24.1 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Extirpation of the Plagues of Egypt

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 10in. (18.4 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 24in. (20.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Scotch Eloquence to a Chilly Congregation

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 14 5/8in. (21.6 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. John Bull - Swearing to his Property

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Old Fountain in the Minaries

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Advantage of Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Soldiers Cooking

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Soldiers Recreating

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Memorial To The Children Of James And Mary Woodmason

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Sailors in a Storm

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/4 × 19 5/16 inches (57.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Sailors in a Fight

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on thick, rough, cream wove paper
Dimensions:: Sheet: 22 5/8 × 19 1/4 inches (57.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Holy Family

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Clarendon House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Cornelius Van Dun, Memorial and Almas Houses

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Manor House, St. Leonard's, Bromley

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Bay's Water City Conduit

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Castle Baynard Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Langbourn Ward Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty

Creator:: Print made by Thomas Holloway, 1748–1827
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. John Opie, Esqr., R. A.

Creator:: Print made by William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. J. P. de Loutherbourg

Creator:: Sarah M. Singleton, active 1790–1820
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. The Light House Volunteers of London and Westminster

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. North Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. South Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. St. Luke's, Charlton

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. North, or inside, View of Traitor's Gate

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. South View of the Bloody Tower

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Trinity House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Cobham Hall, Kent: Full Size Drawing of Cross

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Cobham Hall, Kent: Ground Plan

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 5/8 x 21 3/4 inches (57.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Cobham Hall, Kent: Section Through the Offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 21 7/8 inches (33.7 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/2 x 21 1/2 inches (69.9 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. A View of Rouen from the River

Creator:: Thomas Leeson Rowbotham, 1783–1853
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on thick, slightly textured cream wove paper
Dimensions:: Sheet: 17 1/2 × 19 1/4 inches (44.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Hulks at Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/16 inches (16.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 13/16 inches (11.7 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Study of Figures at Ulm

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 7/16 inches (8.4 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Study of Figures at Schaffhausen

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 × 4 7/16 inches (8.7 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Group of Four Seated Men

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 9/16 × 2 1/2 inches (4 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. A Laborer Seen From Behind Operating a Machine

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 15/16 × 2 1/2 inches (10 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. A Seated Peasant Woman Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 7/8 × 1 5/16 inches (4.8 × 3.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Two Boys

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 9/16 × 3 1/16 inches (11.6 × 7.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. A Seated Peasant Boy Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 13/16 × 1 1/4 inches (7.1 × 3.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Sketches of Peasants and Work-Horses

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Fisherfolk on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. A Peasant Woman, Standing, Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Seamstresses, St. Kitts, Caribbean

Creator:: William Hay, active 1776–1797
Date:: 1798
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 7/8 inches (16.8 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Harlech Castle

Creator:: Cornelius Varley, 1781–1873
Date:: ca. 1803
Materials & Techniques:: Brown wash, brown gouache, graphite, and pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 7/8 inches (25.7 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Bolton Abbey

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 17 inches (26.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Royal Rush Light

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Fishing Boats on the Beach with Sails Drying

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 7 7/8 inches (27 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Fishing Boat on the Beach with a Brig at Sea

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Men Loading a Cart Beside a River

Creator:: Thomas Gisborne, active 1798
Date:: undated
Materials & Techniques:: Watercolor with gray and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 13 1/2in. (24.3 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Traveling Potter Outside a Cottage

Creator:: Francis Wheatley, 1747–1801
Date:: 1798
Materials & Techniques:: Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Landscape with a Farm and Cornstalks

Creator:: James Ward, 1769–1859
Date:: ca. 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 14 1/4 inches (22.9 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Mechanical Grinder with Figures

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/16 inches (9.6 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Robert Cathcart, Esq.

Creator:: Henry Bone, 1755–1834
Date:: 1798
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Image: 2 1/4 x 1 3/4 inches (5.7 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Portrait of a Gentleman

Creator:: John Cox Dillman Engleheart, 1783–1862
Date:: undated
Materials & Techniques:: Oil on wood panel
Dimensions:: Image: 5 7/8 x 5 inches (14.9 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Portrait of a Gentleman

Creator:: John Cox Dillman Engleheart, 1783–1862
Date:: undated
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Image: 3 3/8 x 2 3/4 inches (8.6 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The Bridge of Sighs, Venice

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Colosseum, Rome

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Beggars and Horseman

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Porta Nigra, Trier

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Church and Cottages

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Study of Two Laid Up Sailing Vessels

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Half Timbered and Thatched Shack

Creator:: Thomas Hearne, 1744–1817
Date:: 1798
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. The Monnow Bridge, Monmouthshire

Creator:: Samuel Prout, 1783–1852
Date:: before 1814
Materials & Techniques:: Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Children Dancing

Creator:: George Townly Stubbs, 1748–1815
Date:: 1798
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection