Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
203
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
204
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
205
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
206
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
207
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
208
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
209
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
210
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)
undated
211
Isaac Weld, 1774–1856
View on the Upper Lake (Ireland)
ca. 1806
212
Thomas Hearne, 1744–1817
The Tower of London
1801
213
Dominic M. Serres, c.1761–1804
A View in a Lane near Hampstead
1801
214
William Mulready, 1786–1863
The Fight Interrupted
undated
215
William Pearson, 1772–1849
From Boxley Hill near Maidstone
1801
216
George Engleheart, 1753–1829
Portrait of a Lady
1801
217
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
218
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
219
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
220
unknown artist
View of Verona
undated
221
William Mulready, 1786–1863
Denial and Disappointment
undated
222
Samuel Owen, 1768–1857
Margate Harbor
ca. 1806
223
Charles Williams, active 1796–1830
The Union Club
undated
224
John Nixon, ca. 1760–1818
Monkey Sharp of Newbury
1801
225
John Nixon, ca. 1760–1818
Menage as Champanzee in Perouse
1801
226
unknown artist
Peace and Plenty, or the Forestaller's Lamentation a Tragi Comedy
1801
227
Charles Williams, active 1796–1830
The Westminster Seceder on Fresh Duty
1801
228
Charles Williams, active 1796–1830
The April Fool Consigned to Infamy and Ridicule
1801
229
unknown artist
General Peace & General War - or - The Interview at Roehampton
1801
230
unknown artist
A Fraternal Embrace, Or - The First Day of Term
1801
231
unknown artist
Romeo
1801
232
unknown artist
Great News for John Bull
1801
233
unknown artist
Peace Opinions Contrasted (Plate 2)
1801
234
unknown artist
A Field Day in Surry!!!
1801
235
Thomas Girtin, 1775–1802
The Abbey Mill, Knaresborough
1801
236
Charles Williams, active 1796–1830
The Union Club
1801
237
Samuel William Reynolds, 1773–1835
Coaching: The Mail Coach
1801
238
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest
1801
239
John Raphael Smith, 1752–1812
[Shooting] The Sportsman's Repast
1801
240
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
241
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
242
Charles Williams, active 1796–1830
Foreign Amusements or the British Lion on the Watch
1801
243
Isaac Cruikshank, 1764–1811
The Buck & the Goose
1801
244
Isaac Cruikshank, 1764–1811
A Yorkshire Methode of Finding a Horse
1801
245
Charles Williams, active 1796–1830
The Balance of Power
1801
246
Charles Williams, active 1796–1830
St. Martins in an Uproar
1801
247
Isaac Cruikshank, 1764–1811
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far
1801
248
Print made by James Basire II, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
249
Thomas Rowlandson, 1756–1827
Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
1801
250
E. Stalker, active 1801–1823
Henry Sass
undated
251
Print made by unknown artist
John Constable
undated
252
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton
1801
253
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks
1801
254
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket
1801
255
unknown artist
Dreadful Hard Times
1801
256
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
257
Charles Williams, active 1796–1830
A Meeting of Monopolizers, or the Good Effect of Peace
1801
258
James Gillray, 1756–1815
Playing in Parts
1801
259
James Gillray, 1756–1815
Playing in Parts
1801
260
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
261
Thomas Rowlandson, 1756–1827
The Gaming Table
1801
262
unknown artist
Egyptian Ruins with a Mosque
undated
263
unknown artist
Egyptian River View with Water Woman
undated
264
unknown artist
Rosetta, Egypt
undated
265
unknown artist
Alexandria, Egypt
undated
266
unknown artist
Egyptian View - A Bay
undated
267
unknown artist
Sepulchral Chambers
undated
268
unknown artist
Egyptians outside a tomb
undated
269
unknown artist
A Felucca in the Foreground with a Fort in the Background
undated
270
unknown artist
Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders
undated
271
unknown artist
Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders
undated
272
unknown artist
Fantasy of a Classical City with Triumphal Column
undated
273
unknown artist
Habit of a Spanish Lady of Quality in 1700
undated
274
Anthony Devis, 1729–1817
Landscape with trees
1801
275
unknown artist
Egyptian Fort
undated
276
unknown artist
Druidical Remains
undated
277
John Augustus Atkinson, 1775–1831
Going to School
between 1801 and 1810
278
Henry Edridge, 1769–1821
St. Alban's Abbey
1801
279
Henry Edridge, 1769–1821
Clock Tower, St. Alban's Abbey
1801
280
John Sell Cotman, 1782–1842
Tan-y-Bwlch, North Wales
ca. 1806
281
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
282
François Louis Thomas Francia, 1772–1839
A Mountain Stream
1801
283
Robert Hills, 1769–1844
A Young Deer
1801
284
Robert Hills, 1769–1844
Woodland Shadow
after 1801
285
William Bromley, 1769–1842
The Grand Attack on Valenciennes by the Combined Armies Under the Command of H.R.H. the Duke of York on the 25th July, 1793
1801
286
unknown artist
Entrance Front of Selwood Park in the County of Berks, the Seat of James Sibbald
1801
287
William Nutter, 1754–1802
A Bacchante
1801
288
Samuel William Reynolds, 1773–1835
George Elphinstone, 1st Viscount Keith
1801
289
unknown artist
Doctor Salmons 1660 (published by William Richardson); page 42 (Volume Three)
1801
290
John Newman, 1786–1859
Pas Llanberis
undated
291
John Newman, 1786–1859
Plas Newydd, Denbighshire
undated
292
Robert Streatfeild, 1786–1852
View of a House
undated
293
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
294
James Gillray, 1756–1815
Forming a Line on the Parade
1801
295
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
296
James Gillray, 1756–1815
A Welsh Tandem
1801
297
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
298
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors