Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
103
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
104
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
105
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
106
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
107
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
108
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
109
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
110
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
111
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
112
William Ward, 1766–1826
A Vegetable Market
1803
113
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
114
Print made by William T. Annis, active 1798–1811
At Market
1803
115
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
116
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
117
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
118
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
119
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
120
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
121
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
122
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
123
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
124
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
125
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
126
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
127
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
128
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
129
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
130
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
131
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
132
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
133
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
134
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
135
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
136
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
137
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
138
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
139
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
140
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
141
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
142
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
143
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
144
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox
c.1803
145
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
1803
146
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
147
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
148
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
149
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
150
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
151
William Ridley, 1764–1838
George Romney
1803
152
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
153
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
154
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
155
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
156
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
157
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
158
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
159
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
160
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
161
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
162
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
163
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
164
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
165
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
166
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
167
unknown artist
View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus
1803
168
William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
169
John Landseer, 1769–1852
Twickenham Meadows
1803
170
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
171
George Jones, 1786–1869
Fire on the Thames
ca. 1808
172
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
173
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
174
Frederick Mackenzie, 1788–1854
Charts Edge, Kent
undated
175
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
176
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
177
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
178
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
1803
179
Amos Green, 1735–1807
Trossacs
1803
180
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
181
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
1803
182
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
183
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
1803
184
Amos Green, 1735–1807
Loch Katterine
1803
185
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
1803
186
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
187
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
1803
188
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
189
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
190
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Lochy
1803
191
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Hinglas
1803
192
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally
1803
193
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin
1803
194
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde
1803
195
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
1803
196
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Corie Lin
1803
197
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scenery in the Vicinity of Keswick
1803
198
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scene above the Corie Lin
1803
199
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Wooded landscape with stream, near Syburn?