Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1803

201. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with lake

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Views in England, Scotland and Wales: Waterfall, Views in 1799

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with road

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Views in England, Scotland and Wales: Ilkley Bridge and Church

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Views in England, Scotland and Wales: The North Homes near Ilkley

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Devoted Wife

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 8 5/16in. (28.9 x 21.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Views in England, Scotland and Wales: Tour in Scotland; Lowdoor Cascade

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Views in England, Scotland and Wales: Conway Castle

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Views in England, Scotland and Wales: Snowdon, from Capel Cerrig

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Views in England, Scotland and Wales: Conway Castle

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Views in England, Scotland and Wales: Capel Cerrig and Snowdon

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Views in England, Scotland and Wales: Near Tan-y-bwlch

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Views in England, Scotland and Wales: Upper Park Cascade

Creator:: Amos Green, 1735–1807
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Views in England, Scotland and Wales: Park Cascade

Creator:: Amos Green, 1735–1807
Date:: 1803
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Last Litter

Creator:: George Morland, 1763–1804
Date:: 1803
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 19 x 23 7/8in. (48.3 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Hard Bargain

Creator:: George Morland, 1763–1804
Date:: 1803
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 19 x 23 7/8in. (48.3 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. View in Suffolk

Creator:: Cornelius Varley, 1781–1873
Date:: 1803
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 5/8 inches (26.7 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Visit to the Convent at Amiens

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Lakenham, near Norwich

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Timon of Athens

Creator:: John Hall, 1739–1797
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 22 1/4in. (50.2 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Aloys Senefelder

Creator:: Godefroy Engelmann, 1788–1839
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 8 1/4 inches (28 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Landscape with Old Trees by Water

Creator:: Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: 1803, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Tea Table or Five Figures Around a Table

Creator:: unknown artist
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Charge

Creator:: Print made by Sir Robert Ker Porter, 1777–1842
Date:: 1803
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 5/8 inches (23.5 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Henry Addington, 1st Viscount Sidmouth

Creator:: James Parker, 1750–1805
Date:: 1803
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 13 5/8 inches (45.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Village of Charing &c. from Rodolphus Aggas's Map

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Reproduction / engraving
Dimensions:: Sheet: 7 13/16 x 10 1/4in. (19.8 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. View of Blackfriars Bridge and St. Paul's

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 17 11/16in. (33 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. View of Blackfriars Bridge and St. Paul's

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1803
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 7/8 x 19 1/8in. (35.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Her Grace the Duchess of Bedford

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 3/8 × 19 9/16 inches (69.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Cottage Family

Creator:: John Raphael Smith, 1752–1812
Date:: 1803
Materials & Techniques:: Handcolored mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Sheerness Dockyard

Creator:: William Watts, 1752–1851
Date:: 1803
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 15/16 × 26 13/16 inches (50.6 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. James Northcote, Esqr. R. A.

Creator:: Print made by George Dawe, 1781–1829
Date:: 1803
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 20 9/16 x 15 9/16 inches (52.3 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Murder of David Rizzio on the 9th of March 1566

Creator:: Isaac Taylor, 1759–1829
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 23 7/16in. (44.5 x 59.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Shepherd's Meal

Creator:: John Raphael Smith, 1752–1812
Date:: 1803
Materials & Techniques:: hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 11/16 × 17 3/16 inches (55.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Dr. Lettsom's Fountain Cottage, Camberwell Grove, Surrey

Creator:: Samuel Rawle, 1771–1860
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 x 6 3/4in. (12.7 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. A Vegetable Market

Creator:: William Ward, 1766–1826
Date:: 1803
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 25 1/8 inches (49.5 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Racing: The Return from Coursing

Creator:: Anthony Cardon, 1772–1813
Date:: 1803
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 7/8 x 23 15/16in. (47.9 x 60.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. On the Banks of the Marne below the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. View of the Pantheon, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 16 3/4 × 26 3/4 inches (42.5 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 9 3/4 × 19 1/4 inches (24.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Benevolent Heir or The Tenant Restored to his Family

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Rapacious Steward or Unfortunate Tenant

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. View of the Village of Chaillot, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brwon, laid paper
Dimensions:: Sheet: 6 3/4 × 11 7/8 inches (17.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Study of a Seated Man, Wearing a Pointed Hat

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 1/16 inches (13.2 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Study of Two Seated Men in Their Traditional Costume

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Plains of Senta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Views Near the Town of Senta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 9/16 × 11 1/2 inches (21.7 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Patras, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 15 3/8 inches (28.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Remains of the Temple of Jupiter in the Plains of Nemea, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. The Ruins of the Temple of Jupiter in the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Architectural Drawings of the Remains of the Temple of Sunias Minerva, in Attica

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 19 1/8 inches (38.3 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The Amphitheatre at Nîmes

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Wynnstay Theatre Ticket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 6 3/8in. (21.6 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. G. Engelmann

Creator:: Print made by Godefroy Engelmann, 1788–1839
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 10 13/16 x 8 3/16 inches (27.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Terrace Before the Church of St. Bartholamew

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/2 inches (22.5 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Near Genoa - On the Riveira di Ponente

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 13/16 × 11 1/2 inches (22.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Near San Pietro d'Arena on the Road to Milan

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 11 7/16 inches (22.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Terracina, Italy

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 11 3/16 inches (22.7 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Mount Stromboli As It Appeared April 26th 1803

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. An Old Church, Three Miles Near Messina

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. View in the Suburbs of Messina

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Coast of Calabria From Sicily

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 11/16 inches (14.9 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Patras, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Remains of an Ancient Amphitheatre Near Corinth

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Mosque at Argos

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Ruins of the Temple of Jupiter on the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 11 3/8 inches (21.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Pen and brown ink and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 7/16 inches (18.4 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Harbour Scene

Creator:: Print made by John Thomas Serres, 1759–1825
Date:: 1803, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 5/8 inches (22.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Mutual Politeness; or Reasons for Delay!!

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 7/8 x 12 1/2in. (25.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Bonaparte's Head-Quarters in London

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 7/8 x 12 1/2in. (25.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. William Windham

Creator:: Samuel William Reynolds, 1773–1835
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. A General View of Paris taken from Chaillot

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Returned from Market

Creator:: Print made by William T. Annis, active 1798–1811
Date:: 1803
Materials & Techniques:: Mezzotint, printed in colors
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. At Market

Creator:: Print made by William T. Annis, active 1798–1811
Date:: 1803
Materials & Techniques:: Mezzotint, printed in colors
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Earth

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/2 inches (20.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Title page for: A Selection of the most Picturesque Views in Paris and its environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1803

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201. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with lake

202. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge

203. Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG

204. Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands

205. Views in England, Scotland and Wales: Waterfall, Views in 1799

206. Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with road

207. Views in England, Scotland and Wales: Ilkley Bridge and Church

208. Views in England, Scotland and Wales: The North Homes near Ilkley

209. Devoted Wife

210. Views in England, Scotland and Wales: Tour in Scotland; Lowdoor Cascade

211. Views in England, Scotland and Wales: Conway Castle

212. Views in England, Scotland and Wales: Snowdon, from Capel Cerrig

213. Views in England, Scotland and Wales: Conway Castle

214. Views in England, Scotland and Wales: Capel Cerrig and Snowdon

215. Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy

216. Views in England, Scotland and Wales: Near Tan-y-bwlch

217. Views in England, Scotland and Wales: Upper Park Cascade

218. Views in England, Scotland and Wales: Park Cascade

219. The Last Litter

220. The Hard Bargain

221. View in Suffolk

222. Visit to the Convent at Amiens

223. Lakenham, near Norwich

224. Timon of Athens

225. Aloys Senefelder

226. Landscape with Old Trees by Water

227. Tea Table or Five Figures Around a Table

228. Charge

229. Henry Addington, 1st Viscount Sidmouth

230. The Village of Charing &c. from Rodolphus Aggas's Map

231. View of Blackfriars Bridge and St. Paul's

232. View of Blackfriars Bridge and St. Paul's

233. Her Grace the Duchess of Bedford

234. Cottage Family

235. View of the Pantheon taken from the Arsenal

236. Sheerness Dockyard

237. James Northcote, Esqr. R. A.

238. The Murder of David Rizzio on the 9th of March 1566

239. Shepherd's Meal

240. Dr. Lettsom's Fountain Cottage, Camberwell Grove, Surrey

241. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

242. A Vegetable Market

243. Racing: The Return from Coursing

244. On the Banks of the Marne below the Bridge at Charenton

245. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

246. View of the Pantheon, taken from the Arsenal

247. View of the Palace and Village of Choisi, on the Banks of the Seine

248. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

249. View of the Gate of St. Denis taken from the Suburbs

250. The Benevolent Heir or The Tenant Restored to his Family

251. The Rapacious Steward or Unfortunate Tenant

252. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

253. View of the Village of Chaillot, etc., taken from Pont de la Concorde

254. The Water Mill above the Bridge at Charenton

255. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

256. Study of a Seated Man, Wearing a Pointed Hat

257. Study of Two Seated Men in Their Traditional Costume

258. The Plains of Senta

259. Views Near the Town of Senta

260. Patras, Greece

261. Remains of the Temple of Jupiter in the Plains of Nemea, Greece

262. The Ruins of the Temple of Jupiter in the Plains of Nemea

263. Architectural Drawings of the Remains of the Temple of Sunias Minerva, in Attica

264. The Amphitheatre at Nîmes

265. Wynnstay Theatre Ticket

266. G. Engelmann

267. Terrace Before the Church of St. Bartholamew

268. Near Genoa - On the Riveira di Ponente

269. Near San Pietro d'Arena on the Road to Milan

270. Terracina, Italy

271. Mount Stromboli As It Appeared April 26th 1803

272. An Old Church, Three Miles Near Messina

273. View in the Suburbs of Messina

274. The Coast of Calabria From Sicily