Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
6
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
15
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
22
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
23
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
24
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
25
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
26
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
27
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
28
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
29
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
30
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
31
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
32
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
33
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
34
Print made by George Cooke, 1781–1834
Gledhow
1816
35
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
36
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
37
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
38
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
40
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
41
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
42
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
43
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
44
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
45
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
46
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
47
unknown artist
A View of the Waterloo Bridge
1816
48
Samuel Rawle, 1771–1860
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
1816
49
S. Jenkins, active 1814–1818
St. Leonard, Shoreditch
1816
50
Samuel Rawle, 1771–1860
Elevation of Part of the Interior of Crosby Hall (Council Room)
1816
51
unknown artist
Ceiling Plan of Crosby Hall
1816
52
William Wise, Active 1823–1876
Plan and View of the Vaults of Crosby Hall
1816
53
William Wise, Active 1823–1876
Northeast View of Crosby Hall
1816
54
unknown artist
St. Botolph's Church, Bishopsgate
1816
55
John Chapman, active ca. 1792–1823
St. Botolphs
1816
56
unknown artist
The New Custom House
1816
57
unknown artist
Gateway St. Stephen's Church, Coleman Street
1816
58
unknown artist
An Interior View of the Porch of the Parish Church at St. Alphage
1816
59
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
60
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
61
Samuel Rawle, 1771–1860
Interior of Part of Crosby Hall, Called the Council Room
1816
62
Print made by unknown artist
Flower Garden Porch at Farnley
1816
63
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
64
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock, from Mount Edgecumbe
1816
65
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
66
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
67
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
68
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
69
Print made by John Scott, 1774–1828
Harewood House
1816
70
Print made by George Cooke, 1781–1834
Gledhow
1816
71
Print made by John Scott, 1774–1828
Harewood House
1816
72
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
73
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
74
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
75
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
76
John Young, 1755–1825
Christ giving sight to the blind
1816
77
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
78
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
79
Robert Havell, 1769–1832
Coaching [a pair]: 1. Stage Coach Setting Off
1816
80
John Summerfield, active 1817?
Mr. Thomas Bewick
1816
81
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
82
Robert Havell, 1769–1832
Coaching [a pair]: 2. Arrival of the Stage Coach
1816
83
Henry R. Cook, active 1802–1849
Proscenium of the Opera House
1816
84
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
85
Thomas Higham, 1796–1844
The Excise Office
1816
86
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
87
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
88
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
89
Print made by William Bernard Cooke, 1778–1855
Source of the Tamar and Torridge
1816
90
unknown artist
Chapel of St. Giles in the Fields, Church of St. James, Tottenham Court Road