Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1818 / Period: 19th century

1. Bardon Hill, Coleorton Hall

Creator:: John Constable, 1776–1837
Date:: ca. 1823
Materials & Techniques:: Oil on canvas mounted on composition board
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 62 × 92 inches (157.5 × 233.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Kila Kona Masjid, Purana Qila, Delhi

Creator:: Robert Smith, 1787–1873
Date:: ca. 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 29 1/2 x 41 3/4 inches (74.9 x 106 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lambeth from the River looking towards Westminster Bridge

Creator:: James Stark, 1794–1859
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/4 x 54 inches (88.3 x 137.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. A View of Westminster Bridge and the Abbey from the South Side

Creator:: William Anderson, 1757–1837
Date:: 1818
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/8 x 12 9/16 inches (16.2 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Scene on the Coast, Merionethshire - Storm Passing Off

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 53 x 78 1/4 inches (134.6 x 198.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Study of a Working Horse

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: 5 15/16 x 7 15/16 inches (15.1 x 20.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Creator:: James Pollard, 1792–1867
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 13 inches (43.2 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Evening, Bayswater

Creator:: John Linnell, 1792–1882
Date:: 1818
Materials & Techniques:: Oil on panel
Dimensions:: 15 1/16 × 22 7/8 inches (38.3 × 58.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ploughing, Eton

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1818
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second plate, reprinted for Rawlinson on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. St. Mawes, Cornwall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1823
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Sketch of Two Ships on a Catalogue Page

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1823
Materials & Techniques:: Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper
Dimensions:: Sheet: 8 7/8 x 16 5/8 inches (22.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Ploughing, Eton

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1818, printed after 1851
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Study of Rocks Covered with Seaweed

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Watercolor, graphite and gum arabic on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 6 x 14 3/8 inches (15.2 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Strand with Astley's Theatre

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. David Wilkie, R.A.

Creator:: William James Ward, ca. 1800–1840
Date:: 1818
Materials & Techniques:: Mezzotint on medium, smooth, beige wove paper mounted on board
Dimensions:: Mount: 28 7/16 × 20 5/8 inches (72.2 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Clifton Spring and Woods near Maidenhead

Creator:: Robert Havell, 1769–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Margate with the Venus Steam Packet Entering the Harbour

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1823
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 1/4in. (41.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Near Brixton Hill, Windy Day

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 7 5/8 x 8 3/4in. (19.4 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. John Wapping

Creator:: William Angus, 1752–1821
Date:: 1818
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Traveling in France -or, -Le départ de la diligence

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dandies Having a Treat

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Taj Mahal from the River

Creator:: Unknown artist (Company style)
Date:: 1818
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 18 7/8 inches (30.2 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. On Hampstead Heath, 22 August 1818

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. At Hampstead

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 10 1/8 inches (17.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hampstead Church

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 5 1/4 inches (20 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. South East View of St. Paul's Cathedral

Creator:: Daniel Havell, 1785–1826
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. House Occupied by the Royal Society, Crane Court, Fleet Street

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. North West Suburbs of London

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hampstead Heath, Middlesex

Creator:: Daniel Havell, 1785–1826
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Holland House

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Graphite and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 15 5/8 inches (21.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Watercolor, pen and black ink, and gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 1/4 × 15 3/4 inches (21 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Roman Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Mantes

Creator:: follower of Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/8 x 5 inches (10.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Fountain in the Gardens, Paris: Evening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A View of Cold Harbor in Thames Street, London

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 1/16 × 11 5/8 inches (23 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Cornhill, London as it appeared in 1630

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1818
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Opening of the Waterloo Bridge on the 18th June 1817

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of Waterloo Bridge from the East End of Somerset House Terrace

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 1/4 x 21 5/8in. (41.3 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Graphite, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 5/8 × 21 3/8 inches (32.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. St. Mary, Rotherhithe

Creator:: John Coney, 1786–1833
Date:: 1818
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 7 15/16in. (29.8 x 20.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A pair: 1. The Reading Coaches.

Creator:: Robert Havell, 1769–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 5/8in. (27.3 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Set of four - Fox-hunting. Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Set of four- Fox-hunting. Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Set of four- Fox-hunting. Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Set of four- Fox-hunting. The Death

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Charging Mameluke Firing a Pistol

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1823
Materials & Techniques:: Graphite with traces of red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Doing the Thing: and the Thing Done:" Doing it No How

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Doing the Thing: and the Thing Done:" Doing the Down Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "Doing the Thing: and the Thing Done:" The Down Leap Done

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Study of a Hound, Running

Creator:: Sir Francis Grant, 1803–1878
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 3/8 inches (16.2 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Mortar Battery at Woolwich

Creator:: Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Back View of Stout Rider on a Chestnut Horse

Creator:: Sir Francis Grant, 1803–1878
Date:: undated
Materials & Techniques:: Watercolor, and pen and brown ink on medium, smooth, blue, wove paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Interior of a Post-House Stable, With Horses Feeding

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 16 13/16 inches (17.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A South East View of London, Before 1666

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Near Honfleur

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1823
Materials & Techniques:: Watercolor and graphitre on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hardraw Fall

Creator:: Print engraved by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 16 1/4 inches (27.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Parish of St. Giles in the Fields, London

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View of Cold Harbour in Thames Street

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1823
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 10 15/16 inches (21.9 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hardraw Fall

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Isola Bella, on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Quayside, Notre Dame in Distance

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Plan of St. James's Market

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 3/8 inches (7.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Seven Sisters, Tottenham

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. St. Giles's in the Fields Parish

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Roman Forum, from the Tower of the Capitol

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Benjamin West, Esq., President of the Royal Academy of London

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 11/16 x 13 3/8 inches (49.9 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Court at Rushton hall, Northamptonshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. South East View of Rushton hall, Northamptonshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Staircase Leading from the hall at Burton Agnes Yorkshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Richmond Hill, From Petersham

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1818
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1818

Period 19th century

Search Results

1. Bardon Hill, Coleorton Hall

2. Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

3. The Kila Kona Masjid, Purana Qila, Delhi

4. Lambeth from the River looking towards Westminster Bridge

5. A View of Westminster Bridge and the Abbey from the South Side

6. A Scene on the Coast, Merionethshire - Storm Passing Off

7. Study of a Working Horse

8. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

9. Evening, Bayswater

10. Fulham Church from across the River

11. Ploughing, Eton

12. St. Mawes, Cornwall

13. Sketch of Two Ships on a Catalogue Page

14. Ploughing, Eton

15. Study of Rocks Covered with Seaweed

16. The Strand with Astley's Theatre

17. David Wilkie, R.A.

18. Clifton Spring and Woods near Maidenhead

19. Margate with the Venus Steam Packet Entering the Harbour

20. Near Brixton Hill, Windy Day

21. St. John Wapping

22. Traveling in France -or, -Le départ de la diligence

23. Dandies Having a Treat

24. The Taj Mahal from the River

25. On Hampstead Heath, 22 August 1818

26. At Hampstead

27. Hampstead Church

28. South East View of St. Paul's Cathedral

29. House Occupied by the Royal Society, Crane Court, Fleet Street

30. North West Suburbs of London

31. Hampstead Heath, Middlesex

32. Holland House

33. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

34. Elevation of a Proposed Design for Cambridge Colleges

35. Elevation of a Proposed Design for Cambridge Colleges

36. Windsor Castle, Berkshire

37. A Roman Villa

38. Mantes

39. Street Scene at Stratford by Bow

40. Fountain in the Gardens, Paris: Evening

41. A View of Cold Harbor in Thames Street, London

42. Cornhill, London as it appeared in 1630

43. The Opening of the Waterloo Bridge on the 18th June 1817

44. View of Waterloo Bridge from the East End of Somerset House Terrace

45. Elevation of a Proposed Design for Cambridge Colleges

46. St. Mary, Rotherhithe

47. A pair: 1. The Reading Coaches.

48. Set of four - Fox-hunting. Going to Cover

49. Set of four- Fox-hunting. Breaking Cover

50. Set of four- Fox-hunting. Full Cry

51. Set of four- Fox-hunting. The Death

52. A Charging Mameluke Firing a Pistol

53. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

54. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

55. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

56. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

57. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

58. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

59. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

60. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

61. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

62. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

63. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

64. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

65. "Doing the Thing: and the Thing Done:" Doing it No How

66. "Doing the Thing: and the Thing Done:" Doing the Down Leap

67. "Doing the Thing: and the Thing Done:" The Down Leap Done

68. "Doing the Thing: and the Thing Done:" Doing it Somehow

69. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

70. Study of a Hound, Running

71. Mortar Battery at Woolwich

72. Back View of Stout Rider on a Chestnut Horse

73. Unloading the Luggage From The Exeter Coach