Sketch of Beached Sailboats and Stilt Cottages, Hastings
1820
106
Capt. Thomas Hastings, 1778–1854
Part of the West Cliff, Hastings, 8 October 1820
1820
107
Capt. Thomas Hastings, 1778–1854
As Much Underneath, Before the Road, Hastings
1820
108
Capt. Thomas Hastings, 1778–1854
Hastings, October 1820
1820
109
Capt. Thomas Hastings, 1778–1854
Old Dick's Cabin
1820
110
Capt. Thomas Hastings, 1778–1854
At Hastings, 5 October 1820
1820
111
Capt. Thomas Hastings, 1778–1854
Mary Anne Leonard
1820
112
Capt. Thomas Hastings, 1778–1854
Sketch of a Seaside Village near a Cliff
1820
113
Capt. Thomas Hastings, 1778–1854
Sketch of a Man Watching Large Waves, Hastings
1820
114
Capt. Thomas Hastings, 1778–1854
On the Road to the Fish Ponds near Hastings, April 1820
1820
115
Capt. Thomas Hastings, 1778–1854
On Hastings Beach, 3 October 1820
1820
116
Capt. Thomas Hastings, 1778–1854
Sketch of Stone Cottages in a Village
1820
117
Capt. Thomas Hastings, 1778–1854
Sketch of Beached Sailing Vessels
1820
118
Capt. Thomas Hastings, 1778–1854
Sketch of a Woman near a Cottage
1820
119
Henry Cave, 1780–1836
York, the Old Bridge and St. William's Chapel
1820
120
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
121
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
122
William J. Blacklock, 1805–1858
Near Broadstairs
undated
123
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
124
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
125
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
126
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
127
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
128
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
129
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1820
130
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
131
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
132
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
133
James Ward, 1769–1859
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
134
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
135
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
136
Richard Parkes Bonington, 1802–1828
Beach Scene
ca. 1825
137
Print made by George Cooke, 1781–1834
Edinburgh from the Calton Hill
1820
138
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
139
William Henry Hunt, 1790–1864
Still Life with a Ginger Jar
ca. 1825
140
John Martin, 1789–1854
Moonlit Landscape with a Ruined Castle
between 1820 and 1830
141
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
142
Robert Havell, 1769–1832
View of Waterloo Bridge
1820
143
Capt. Thomas Hastings, 1778–1854
On Hounslow Heath, Outer Suburb, West
1820
144
unknown artist
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
145
unknown artist
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
146
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surry
1820
147
unknown artist
Southeast View of the Gateway of Bermondsey Abbey
1820
148
Bartholomew Howlett, 1767–1827
Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel
1820
149
unknown artist
Inside of the Hall, Bermondsey Abbey
1820
150
John Linnell, 1792–1882
William Short
1820
151
George Barret Jr., 1767–1842
A View of London from Highgate
1820
152
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
153
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
154
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1820
155
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
156
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
157
Print made by George Cooke, 1781–1834
Florence from the Chiesa al Monte
1820
158
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
159
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
160
Print made by Frederick Christian Lewis the Elder, 1779–1856
Frontispiece to Mr. Fawkes Catalogue
1820
161
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
162
Print made by John Wykeham Archer, 1808–1864
Richmondshire Castle and Town
1820
163
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
164
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
165
James Hakewill, 1778–1843
Haughton Court, Hanover, Jamaica
between 1820 and 1821
166
Cornelius Varley, 1781–1873
Valle Crucis Abbey, Denbighshire
1820
167
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
168
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
169
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
170
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
171
Print made by William Miller, 1796–1882
Plymouth Dock, from Mount Edgecumbe
1820
172
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
173
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
174
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
175
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
176
James Sowerby, 1756–1822
Bantam Cock and Farmpails
1820
177
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
178
David Cox, 1783–1859
Greenwich Hospital from Woolwich Reach
1820s
179
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
180
Print made by John Byrne, 1786–1847
Rome, from Monte Testaccio
1820
181
John Buckler FSA, 1770–1851
North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
1820
182
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
183
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
184
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
185
Edward Hull, 1810–1877
Riding [a pair]: 2. Tilbury Fort
1820
186
Engraved by Robert Havell, 1769–1832
A View of London taken from Greenwich Park
1820
187
Alfred Diston, active 1818–1829
The Convent and Part of the Town of Candelaria, on the south side of Tenerife
1820
188
Alfred Diston, active 1818–1829
View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward
1820
189
Alfred Diston, active 1818–1829
Huckster of Port Orotava, Tenerife
ca. 1825
190
Alfred Diston, active 1818–1829
View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward
1820
191
Mary Smirke, 1779–1853
Upnor Lodge
1820
192
unknown artist
View of the Coronation Procession of George IV
ca. 1821
193
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
194
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
195
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
196
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
197
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty
1820
198
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty
1820
199
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat
1820
200
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall